Some Narrow Views: (Either Tall or Wide)
Edition of 25
Image size varies for each
Paper size (5 sheets): 10 1/2 x 15 1/2 inches each (26.7 x 39.4 cm each)
Paper size (5 sheets): 15 1/2 x 10 1/2 inches each (39.4 x 26.7 cm each)
Initialed, dated and numbered lower right on each sheet in graphite
(Inventory #33464)

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Edition of 25
Image size varies for each
Paper size (5 sheets): 10 1/2 x 15 1/2 inches each (26.7 x 39.4 cm each)
Paper size (5 sheets): 15 1/2 x 10 1/2 inches each (39.4 x 26.7 cm each)
Initialed, dated and numbered lower right on each sheet in graphite
(Inventory #33464)

Edition of 25
Image size varies for each
Paper size (5 sheets): 10 1/2 x 15 1/2 inches each (26.7 x 39.4 cm each)
Paper size (5 sheets): 15 1/2 x 10 1/2 inches each (39.4 x 26.7 cm each)
Initialed, dated and numbered lower right on each sheet in graphite
(Inventory #33464)

Edition of 25
Image size varies for each
Paper size (5 sheets): 10 1/2 x 15 1/2 inches each (26.7 x 39.4 cm each)
Paper size (5 sheets): 15 1/2 x 10 1/2 inches each (39.4 x 26.7 cm each)
Initialed, dated and numbered lower right on each sheet in graphite
(Inventory #33464)

Edition of 25
Image size varies for each
Paper size (5 sheets): 10 1/2 x 15 1/2 inches each (26.7 x 39.4 cm each)
Paper size (5 sheets): 15 1/2 x 10 1/2 inches each (39.4 x 26.7 cm each)
Initialed, dated and numbered lower right on each sheet in graphite
(Inventory #33464)

Edition of 25
Image size varies for each
Paper size (5 sheets): 10 1/2 x 15 1/2 inches each (26.7 x 39.4 cm each)
Paper size (5 sheets): 15 1/2 x 10 1/2 inches each (39.4 x 26.7 cm each)
Initialed, dated and numbered lower right on each sheet in graphite
(Inventory #33464)

Edition of 25
Image size varies for each
Paper size (5 sheets): 10 1/2 x 15 1/2 inches each (26.7 x 39.4 cm each)
Paper size (5 sheets): 15 1/2 x 10 1/2 inches each (39.4 x 26.7 cm each)
Initialed, dated and numbered lower right on each sheet in graphite
(Inventory #33464)

Edition of 25
Image size varies for each
Paper size (5 sheets): 10 1/2 x 15 1/2 inches each (26.7 x 39.4 cm each)
Paper size (5 sheets): 15 1/2 x 10 1/2 inches each (39.4 x 26.7 cm each)
Initialed, dated and numbered lower right on each sheet in graphite
(Inventory #33464)

Edition of 25
Image size varies for each
Paper size (5 sheets): 10 1/2 x 15 1/2 inches each (26.7 x 39.4 cm each)
Paper size (5 sheets): 15 1/2 x 10 1/2 inches each (39.4 x 26.7 cm each)
Initialed, dated and numbered lower right on each sheet in graphite
(Inventory #33464)

Edition of 25
Image size varies for each
Paper size (5 sheets): 10 1/2 x 15 1/2 inches each (26.7 x 39.4 cm each)
Paper size (5 sheets): 15 1/2 x 10 1/2 inches each (39.4 x 26.7 cm each)
Initialed, dated and numbered lower right on each sheet in graphite
(Inventory #33464)

Edition of 25
Image size varies for each
Paper size (5 sheets): 10 1/2 x 15 1/2 inches each (26.7 x 39.4 cm each)
Paper size (5 sheets): 15 1/2 x 10 1/2 inches each (39.4 x 26.7 cm each)
Initialed, dated and numbered lower right on each sheet in graphite
(Inventory #33464)

Edition of 25
Image size varies for each
Paper size (5 sheets): 10 1/2 x 15 1/2 inches each (26.7 x 39.4 cm each)
Paper size (5 sheets): 15 1/2 x 10 1/2 inches each (39.4 x 26.7 cm each)
Initialed, dated and numbered lower right on each sheet in graphite
(Inventory #33464)

Edition of 25
Image size varies for each
Paper size (5 sheets): 10 1/2 x 15 1/2 inches each (26.7 x 39.4 cm each)
Paper size (5 sheets): 15 1/2 x 10 1/2 inches each (39.4 x 26.7 cm each)
Initialed, dated and numbered lower right on each sheet in graphite
(Inventory #33464)
Selected Works
Black Dice
Edition of 35
Overall composition, approximately: 52 x 70 inches (132 x 178 cm)
(Inventory #32762)
John Baldessari’s “Black Dice” is based on a promotional shot taken from a Midcentury film of the same name. The nine equal sections of Baldessari’s work are independent abstract compositions that, when assembled in a grid, become more identifiable and ultimately depict that single moment in the movie. Like a film broken down into stills, Baldessari has broken the single still down into sections. Baldessari believed that the source photo was a variable component of the installation, leaving the decision as to whether to include it up to the viewer, furthering the ongoing tension between parts and whole. Throughout his work, Baldessari broke imagery down into parts, expanded those sections’ potentials and then reassembled them to create both identifiable and also entirely new compositions where what was central could be omitted and elements on the periphery could take on heightened roles.

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Information Request

Information Request (Inquiry)
Edition of 35
Overall composition, approximately: 52 x 70 inches (132 x 178 cm)
(Inventory #32762)
John Baldessari’s “Black Dice” is based on a promotional shot taken from a Midcentury film of the same name. The nine equal sections of Baldessari’s work are independent abstract compositions that, when assembled in a grid, become more identifiable and ultimately depict that single moment in the movie. Like a film broken down into stills, Baldessari has broken the single still down into sections. Baldessari believed that the source photo was a variable component of the installation, leaving the decision as to whether to include it up to the viewer, furthering the ongoing tension between parts and whole. Throughout his work, Baldessari broke imagery down into parts, expanded those sections’ potentials and then reassembled them to create both identifiable and also entirely new compositions where what was central could be omitted and elements on the periphery could take on heightened roles.

Edition of 35
Overall composition, approximately: 52 x 70 inches (132 x 178 cm)
(Inventory #32762)
John Baldessari’s “Black Dice” is based on a promotional shot taken from a Midcentury film of the same name. The nine equal sections of Baldessari’s work are independent abstract compositions that, when assembled in a grid, become more identifiable and ultimately depict that single moment in the movie. Like a film broken down into stills, Baldessari has broken the single still down into sections. Baldessari believed that the source photo was a variable component of the installation, leaving the decision as to whether to include it up to the viewer, furthering the ongoing tension between parts and whole. Throughout his work, Baldessari broke imagery down into parts, expanded those sections’ potentials and then reassembled them to create both identifiable and also entirely new compositions where what was central could be omitted and elements on the periphery could take on heightened roles.

Edition of 35
Overall composition, approximately: 52 x 70 inches (132 x 178 cm)
(Inventory #32762)
John Baldessari’s “Black Dice” is based on a promotional shot taken from a Midcentury film of the same name. The nine equal sections of Baldessari’s work are independent abstract compositions that, when assembled in a grid, become more identifiable and ultimately depict that single moment in the movie. Like a film broken down into stills, Baldessari has broken the single still down into sections. Baldessari believed that the source photo was a variable component of the installation, leaving the decision as to whether to include it up to the viewer, furthering the ongoing tension between parts and whole. Throughout his work, Baldessari broke imagery down into parts, expanded those sections’ potentials and then reassembled them to create both identifiable and also entirely new compositions where what was central could be omitted and elements on the periphery could take on heightened roles.

Edition of 35
Overall composition, approximately: 52 x 70 inches (132 x 178 cm)
(Inventory #32762)
John Baldessari’s “Black Dice” is based on a promotional shot taken from a Midcentury film of the same name. The nine equal sections of Baldessari’s work are independent abstract compositions that, when assembled in a grid, become more identifiable and ultimately depict that single moment in the movie. Like a film broken down into stills, Baldessari has broken the single still down into sections. Baldessari believed that the source photo was a variable component of the installation, leaving the decision as to whether to include it up to the viewer, furthering the ongoing tension between parts and whole. Throughout his work, Baldessari broke imagery down into parts, expanded those sections’ potentials and then reassembled them to create both identifiable and also entirely new compositions where what was central could be omitted and elements on the periphery could take on heightened roles.

Edition of 35
Overall composition, approximately: 52 x 70 inches (132 x 178 cm)
(Inventory #32762)
John Baldessari’s “Black Dice” is based on a promotional shot taken from a Midcentury film of the same name. The nine equal sections of Baldessari’s work are independent abstract compositions that, when assembled in a grid, become more identifiable and ultimately depict that single moment in the movie. Like a film broken down into stills, Baldessari has broken the single still down into sections. Baldessari believed that the source photo was a variable component of the installation, leaving the decision as to whether to include it up to the viewer, furthering the ongoing tension between parts and whole. Throughout his work, Baldessari broke imagery down into parts, expanded those sections’ potentials and then reassembled them to create both identifiable and also entirely new compositions where what was central could be omitted and elements on the periphery could take on heightened roles.

Edition of 35
Overall composition, approximately: 52 x 70 inches (132 x 178 cm)
(Inventory #32762)
John Baldessari’s “Black Dice” is based on a promotional shot taken from a Midcentury film of the same name. The nine equal sections of Baldessari’s work are independent abstract compositions that, when assembled in a grid, become more identifiable and ultimately depict that single moment in the movie. Like a film broken down into stills, Baldessari has broken the single still down into sections. Baldessari believed that the source photo was a variable component of the installation, leaving the decision as to whether to include it up to the viewer, furthering the ongoing tension between parts and whole. Throughout his work, Baldessari broke imagery down into parts, expanded those sections’ potentials and then reassembled them to create both identifiable and also entirely new compositions where what was central could be omitted and elements on the periphery could take on heightened roles.

Edition of 35
Overall composition, approximately: 52 x 70 inches (132 x 178 cm)
(Inventory #32762)
John Baldessari’s “Black Dice” is based on a promotional shot taken from a Midcentury film of the same name. The nine equal sections of Baldessari’s work are independent abstract compositions that, when assembled in a grid, become more identifiable and ultimately depict that single moment in the movie. Like a film broken down into stills, Baldessari has broken the single still down into sections. Baldessari believed that the source photo was a variable component of the installation, leaving the decision as to whether to include it up to the viewer, furthering the ongoing tension between parts and whole. Throughout his work, Baldessari broke imagery down into parts, expanded those sections’ potentials and then reassembled them to create both identifiable and also entirely new compositions where what was central could be omitted and elements on the periphery could take on heightened roles.

Edition of 35
Overall composition, approximately: 52 x 70 inches (132 x 178 cm)
(Inventory #32762)
John Baldessari’s “Black Dice” is based on a promotional shot taken from a Midcentury film of the same name. The nine equal sections of Baldessari’s work are independent abstract compositions that, when assembled in a grid, become more identifiable and ultimately depict that single moment in the movie. Like a film broken down into stills, Baldessari has broken the single still down into sections. Baldessari believed that the source photo was a variable component of the installation, leaving the decision as to whether to include it up to the viewer, furthering the ongoing tension between parts and whole. Throughout his work, Baldessari broke imagery down into parts, expanded those sections’ potentials and then reassembled them to create both identifiable and also entirely new compositions where what was central could be omitted and elements on the periphery could take on heightened roles.

Edition of 35
Overall composition, approximately: 52 x 70 inches (132 x 178 cm)
(Inventory #32762)
John Baldessari’s “Black Dice” is based on a promotional shot taken from a Midcentury film of the same name. The nine equal sections of Baldessari’s work are independent abstract compositions that, when assembled in a grid, become more identifiable and ultimately depict that single moment in the movie. Like a film broken down into stills, Baldessari has broken the single still down into sections. Baldessari believed that the source photo was a variable component of the installation, leaving the decision as to whether to include it up to the viewer, furthering the ongoing tension between parts and whole. Throughout his work, Baldessari broke imagery down into parts, expanded those sections’ potentials and then reassembled them to create both identifiable and also entirely new compositions where what was central could be omitted and elements on the periphery could take on heightened roles.

Edition of 35
Overall composition, approximately: 52 x 70 inches (132 x 178 cm)
(Inventory #32762)
John Baldessari’s “Black Dice” is based on a promotional shot taken from a Midcentury film of the same name. The nine equal sections of Baldessari’s work are independent abstract compositions that, when assembled in a grid, become more identifiable and ultimately depict that single moment in the movie. Like a film broken down into stills, Baldessari has broken the single still down into sections. Baldessari believed that the source photo was a variable component of the installation, leaving the decision as to whether to include it up to the viewer, furthering the ongoing tension between parts and whole. Throughout his work, Baldessari broke imagery down into parts, expanded those sections’ potentials and then reassembled them to create both identifiable and also entirely new compositions where what was central could be omitted and elements on the periphery could take on heightened roles.

Edition of 35
Overall composition, approximately: 52 x 70 inches (132 x 178 cm)
(Inventory #32762)
John Baldessari’s “Black Dice” is based on a promotional shot taken from a Midcentury film of the same name. The nine equal sections of Baldessari’s work are independent abstract compositions that, when assembled in a grid, become more identifiable and ultimately depict that single moment in the movie. Like a film broken down into stills, Baldessari has broken the single still down into sections. Baldessari believed that the source photo was a variable component of the installation, leaving the decision as to whether to include it up to the viewer, furthering the ongoing tension between parts and whole. Throughout his work, Baldessari broke imagery down into parts, expanded those sections’ potentials and then reassembled them to create both identifiable and also entirely new compositions where what was central could be omitted and elements on the periphery could take on heightened roles.

Edition of 35
Overall composition, approximately: 52 x 70 inches (132 x 178 cm)
(Inventory #32762)
John Baldessari’s “Black Dice” is based on a promotional shot taken from a Midcentury film of the same name. The nine equal sections of Baldessari’s work are independent abstract compositions that, when assembled in a grid, become more identifiable and ultimately depict that single moment in the movie. Like a film broken down into stills, Baldessari has broken the single still down into sections. Baldessari believed that the source photo was a variable component of the installation, leaving the decision as to whether to include it up to the viewer, furthering the ongoing tension between parts and whole. Throughout his work, Baldessari broke imagery down into parts, expanded those sections’ potentials and then reassembled them to create both identifiable and also entirely new compositions where what was central could be omitted and elements on the periphery could take on heightened roles.
Blue Masterstroke Over Red Diagram and Two Cowboys
Edition of 60
Image size: 32 1/8 x 32 7/8 inches (81.6 x 83.5 cm)
Paper size: 38 7/8 x 39 5/8 inches (98.7 x 100.6 cm)
Signed lower right and numbered lower left in graphite
(Inventory #32992)

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Edition of 60
Image size: 32 1/8 x 32 7/8 inches (81.6 x 83.5 cm)
Paper size: 38 7/8 x 39 5/8 inches (98.7 x 100.6 cm)
Signed lower right and numbered lower left in graphite
(Inventory #32992)
Two Sunsets (One with Square Blue Moon)
from the series A French Horn Player, A Square Blue Moon, and Other Subjects
Image/paper size: 48 x 32 inches (121.9 x 81.3 cm)
Edition of 49, 8 AP
Signed in white crayon, lower right; numbered in white crayon, lower left
(Inventory #29025)

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from the series A French Horn Player, A Square Blue Moon, and Other Subjects
Image/paper size: 48 x 32 inches (121.9 x 81.3 cm)
Edition of 49, 8 AP
Signed in white crayon, lower right; numbered in white crayon, lower left
(Inventory #29025)
Double Bill (Part 2):…and Sander
Image/paper size: 23 9/16 x 18 inches (59.8 x 45.7 cm)
Edition of 34
Signed and dated lower right, numbered lower left
(Inventory #27527)

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Image/paper size: 23 9/16 x 18 inches (59.8 x 45.7 cm)
Edition of 34
Signed and dated lower right, numbered lower left
(Inventory #27527)