3 Columns/Frames A, B, C
3 Columns/Frames A, B, C
Paper size: 41 1/2 x 29 1/2 inches each (105.4 x 74.9 cm each)
Frame size: 45 x 33 inches each (114.3 x 83.8 cm each)
Signed and dated lower right, titled lower left on each sheet
(Inventory #35394)
“The kind of experience I described with a particular Rothko or Newman, or for that matter with a particular Piero della Francesca or mosaic, seems to take things to a higher level. I’m not sure “spiritual” is such a good word because of its associations with religious experience. I am referring instead to the very personal, intense relationship you can have with a work. I am not sure I want the work to provide a contemplative mood either; rather I want the work to cause me to drop everything and then slowly pick up the pieces and enter into a dialogue with it.”
Robert Mangold, as told to Sylvia Plimack Mangold in an unpublished interview
Information Request
Information Request (Inquiry)
Paper size: 41 1/2 x 29 1/2 inches each (105.4 x 74.9 cm each)
Frame size: 45 x 33 inches each (114.3 x 83.8 cm each)
Signed and dated lower right, titled lower left on each sheet
(Inventory #35394)
“The kind of experience I described with a particular Rothko or Newman, or for that matter with a particular Piero della Francesca or mosaic, seems to take things to a higher level. I’m not sure “spiritual” is such a good word because of its associations with religious experience. I am referring instead to the very personal, intense relationship you can have with a work. I am not sure I want the work to provide a contemplative mood either; rather I want the work to cause me to drop everything and then slowly pick up the pieces and enter into a dialogue with it.”
Robert Mangold, as told to Sylvia Plimack Mangold in an unpublished interview
Paper size: 41 1/2 x 29 1/2 inches each (105.4 x 74.9 cm each)
Frame size: 45 x 33 inches each (114.3 x 83.8 cm each)
Signed and dated lower right, titled lower left on each sheet
(Inventory #35394)
“The kind of experience I described with a particular Rothko or Newman, or for that matter with a particular Piero della Francesca or mosaic, seems to take things to a higher level. I’m not sure “spiritual” is such a good word because of its associations with religious experience. I am referring instead to the very personal, intense relationship you can have with a work. I am not sure I want the work to provide a contemplative mood either; rather I want the work to cause me to drop everything and then slowly pick up the pieces and enter into a dialogue with it.”
Robert Mangold, as told to Sylvia Plimack Mangold in an unpublished interview
Paper size: 41 1/2 x 29 1/2 inches each (105.4 x 74.9 cm each)
Frame size: 45 x 33 inches each (114.3 x 83.8 cm each)
Signed and dated lower right, titled lower left on each sheet
(Inventory #35394)
“The kind of experience I described with a particular Rothko or Newman, or for that matter with a particular Piero della Francesca or mosaic, seems to take things to a higher level. I’m not sure “spiritual” is such a good word because of its associations with religious experience. I am referring instead to the very personal, intense relationship you can have with a work. I am not sure I want the work to provide a contemplative mood either; rather I want the work to cause me to drop everything and then slowly pick up the pieces and enter into a dialogue with it.”
Robert Mangold, as told to Sylvia Plimack Mangold in an unpublished interview
Paper size: 41 1/2 x 29 1/2 inches each (105.4 x 74.9 cm each)
Frame size: 45 x 33 inches each (114.3 x 83.8 cm each)
Signed and dated lower right, titled lower left on each sheet
(Inventory #35394)
“The kind of experience I described with a particular Rothko or Newman, or for that matter with a particular Piero della Francesca or mosaic, seems to take things to a higher level. I’m not sure “spiritual” is such a good word because of its associations with religious experience. I am referring instead to the very personal, intense relationship you can have with a work. I am not sure I want the work to provide a contemplative mood either; rather I want the work to cause me to drop everything and then slowly pick up the pieces and enter into a dialogue with it.”
Robert Mangold, as told to Sylvia Plimack Mangold in an unpublished interview
Paper size: 41 1/2 x 29 1/2 inches each (105.4 x 74.9 cm each)
Frame size: 45 x 33 inches each (114.3 x 83.8 cm each)
Signed and dated lower right, titled lower left on each sheet
(Inventory #35394)
“The kind of experience I described with a particular Rothko or Newman, or for that matter with a particular Piero della Francesca or mosaic, seems to take things to a higher level. I’m not sure “spiritual” is such a good word because of its associations with religious experience. I am referring instead to the very personal, intense relationship you can have with a work. I am not sure I want the work to provide a contemplative mood either; rather I want the work to cause me to drop everything and then slowly pick up the pieces and enter into a dialogue with it.”
Robert Mangold, as told to Sylvia Plimack Mangold in an unpublished interview
Paper size: 41 1/2 x 29 1/2 inches each (105.4 x 74.9 cm each)
Frame size: 45 x 33 inches each (114.3 x 83.8 cm each)
Signed and dated lower right, titled lower left on each sheet
(Inventory #35394)
“The kind of experience I described with a particular Rothko or Newman, or for that matter with a particular Piero della Francesca or mosaic, seems to take things to a higher level. I’m not sure “spiritual” is such a good word because of its associations with religious experience. I am referring instead to the very personal, intense relationship you can have with a work. I am not sure I want the work to provide a contemplative mood either; rather I want the work to cause me to drop everything and then slowly pick up the pieces and enter into a dialogue with it.”
Robert Mangold, as told to Sylvia Plimack Mangold in an unpublished interview
Paper size: 41 1/2 x 29 1/2 inches each (105.4 x 74.9 cm each)
Frame size: 45 x 33 inches each (114.3 x 83.8 cm each)
Signed and dated lower right, titled lower left on each sheet
(Inventory #35394)
“The kind of experience I described with a particular Rothko or Newman, or for that matter with a particular Piero della Francesca or mosaic, seems to take things to a higher level. I’m not sure “spiritual” is such a good word because of its associations with religious experience. I am referring instead to the very personal, intense relationship you can have with a work. I am not sure I want the work to provide a contemplative mood either; rather I want the work to cause me to drop everything and then slowly pick up the pieces and enter into a dialogue with it.”
Robert Mangold, as told to Sylvia Plimack Mangold in an unpublished interview