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Jenny Holzer

SELECTED WORKS
Pearl’s Truisms & Survival
2013
Horizontal LED sign: RGB diodes, stainless steel housing

Text: Truisms (1977-79) and Survival (1983-85)
9 3/8 x 68 x 2 3/8 inches  (23.6 x 173 x 6.1 cm)
Edition of 6
Signed and numbered on reverse
(Inventory #31516)

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Living: Just one rotten spot in your head…
1981
Hand painted enamel on metal sign: black on white

Edition of 5
21 x 23 inches (53.3 x 58.4 cm)
Signed in ink verso on label
(Inventory #36059)

Living: Damage is done by the tacit understanding…
1981
Text on cast bronze plaque

Edition of 3
6 x 9 1/2 inches (15.2 x 24.1 cm)
Engraved ‘JH 663 2/3’ on reverse in center
(Inventory #36035)

Survival: Remorse in advance is efficient
1984
Text on cast aluminum plaque

Edition of 10
3 x 10 inches (7.6 x 25.4 cm)
Engraved ‘JH 113 x/10’ on reverse in center
(Inventory #36031)

Amber Essays-text: Selections from Inflammatory Essays 1979-82
1979-1982/2003
Electronic LED signs with color diodes and anodized aluminum housing

Edition of 20
16 1/2 x 2 x 1/2 inches (5.1 x 41.9 x 1.3 cm) or 2 x 16 1/2 x 1/2 inches (can be installed vertically or horizontally / the above image shows both possibilities)
Signed on back
(Inventory #36102)

VOTING IS YOUR SUPERPOWER from the series YOU VOTE, Atlanta Georgia, December 15, 2020
2021
Pigment print

Edition of 12
Image size: 30 5/8 x 45 7/8 inches (77.8 x 116.5 cm)
Paper size: 33 5/8 x 48 7/8 inches (85.4 x 124.1 cm)
Signed and numbered lower right in graphite
(Inventory #33672)

AKA
2006
Set of five etchings

Edition of 40
Image size: 19 1/4 x 14 3/4 inches each (49 x 37.5 cm each)
Paper size: 29 13/16 x 22 5/16 inches each (75.7 x 56.7 cm each)
Signed lower right and numbered lower left on the first print of the set
(Inventory #34059)

8 Truisms
1977-79
Set of eight offset posters on paper

Image/paper size:  34 3/4 x 22 7/8 inches  (88.3 x 58.1 cm)
Signed lower right on last sheet
(Inventory #30423)

10 Inflammatory Essays
1979-
1982
Set of 10 offset posters on colored paper

Image/paper size (each): 17 x 17 inches (43.2 x 43.2 cm)
Signed lower right on the blue page
(Inventory #33754)

Truth Before Power
1983-1985; 1996; Cole, 2004
Set of four digital pigment prints

Edition of 40
Signed and numbered on colophon page
Image size:  19 3/4 x 15 3/4 inches each  (50.2 x 40 cm each)
Paper size:  21 7/8 x 17 3/4 inches each  (55.6 x 45.1 cm each)
(Inventory #33752)

Text: Selections from Survival (1983-85) and Arno (1996) by Jenny Holzer; US government document: “Iraqi Pipeline Through Jordan”; and “To the Forty-Third President,” from Blackbird and Wolf by Henri Cole.  Copyright © 2007 by Henri Cole.  Used by/reprinted with permission from Farrar, Straus and Giroux, LLC

Available only as a set.

Conclusion black
2016
Aquatint and white ground etching

Text: U.S. government document
Edition of 35, 10 AP
Image/plate size: 22 x 17 inches (55.9 x 43.2 cm)
Paper size: 27 x 21 1/2 inches (68.6 x 54.6 cm)
Signed and dated lower right, numbered lower left in graphite
(Inventory #33096)

Selection from ‘Living 1980 – 1982’
1999
Heliogravure on Zerkall rag paper

Edition of 99
Image size: 14 7/16 x 21 3/8 inches (36.7 x 54.3 cm)
Plate size: 14 5/8 x 22 5/8 inches (37.1 x 57.5 cm)
Paper size: 17 5/8 x 24 1/4 inches (44.8 x 61.6 cm)
Signed lower right, numbered lower left
(Inventory #30265)

Additional Information

American installation and conceptual artist. Her studies included general art courses at Duke University, Durham, NC (1968-70), and then painting, printmaking and drawing at the University of Chicago before completing her BFA at Ohio University, Athens (1972). In 1974 she took summer courses at the Rhode Island School of Design, Providence, entering its MFA program in 1975 and beginning her first work with language, installation and public art. Holzer moved to New York in 1977. Her first public works, Truisms (1977-79), appeared in the form of anonymous broadsheets pasted on buildings, walls and fences in and around Manhattan. Commercially printed in cool, bold italics, numerous one-line statements such as ‘Abuse of power comes as no surprise’ and ‘There is a fine line between information and propaganda’, were meant to be provocative and elicit public debate. Thereafter Holzer used language and the mechanics of late 20th-century communications as an assault on established notions of where art should be shown, with what intention and for whom. Her texts took the forms of posters, monumental and electronic signs, billboards, television and her signature medium, the LED (light emitting diode) sign. Other works appeared on T-shirts, tractor hats, stickers, metal plaques, park benches and sarcophagi. The LED signs have been placed in high-impact public spaces such as Times Square, New York, as well as in art galleries and museums.

Bibliography

Jenny Holzer: Signs (exh. cat., Des Moines, IA, A. Cent., 1986-7) Jenny Holzer (exh. cat. by D. Waldman, New York, Guggenheim, 1989-90) M. Auping: Jenny Holzer (New York, 1992)

Copyright material reproduced courtesy of Oxford University Press, New York