7 1/6 x 4 15/16 inches (18 x 12.5 cm)
104 pages / Unpaginated / Stitch bound / Softcover
51 plates (brackets, maps, photographs, squares, words)
Offset (4 color)
Publisher: Barbara Krakow Gallery, Boston (USA), on the occasion of the group exhibition, Surface Area, September 11-October 15, 2011
Printer: Cultura, Wetteren (Belgium)
Print run: not noted (500)
ISBN: none
CATALOGUE RAISONNÉ NUMBER: 90
As in the previous book BUT, the main element throughout the volume is a rectangular box drawing placed on the lower half of each spread. It contains several black-and-white and full color illustrations (cropped postcards and maps or a combination of the two) that are inserted in those rectangular shapes. Half words appear frequently inside or outside the box. Most particular in this book is the repeated use of cropped images of suspension bridges, one of which even appears three times towards the end: a cropped postcard of Le Pont de Tancarville in Normandy, once with the word SHIFT, once mirrored, and once with the word AND inserted. This is the third time cropped postcards are used.
7 1/6 x 4 15/16 inches (18 x 12.5 cm)
104 pages / Unpaginated / Stitch bound / Softcover
51 plates (brackets, maps, photographs, squares, words)
Offset (4 color)
Publisher: Barbara Krakow Gallery, Boston (USA), on the occasion of the group exhibition, Surface Area, September 11-October 15, 2011
Printer: Cultura, Wetteren (Belgium)
Print run: not noted (500)
ISBN: none
CATALOGUE RAISONNÉ NUMBER: 90
As in the previous book BUT, the main element throughout the volume is a rectangular box drawing placed on the lower half of each spread. It contains several black-and-white and full color illustrations (cropped postcards and maps or a combination of the two) that are inserted in those rectangular shapes. Half words appear frequently inside or outside the box. Most particular in this book is the repeated use of cropped images of suspension bridges, one of which even appears three times towards the end: a cropped postcard of Le Pont de Tancarville in Normandy, once with the word SHIFT, once mirrored, and once with the word AND inserted. This is the third time cropped postcards are used.