One Hundred Golden Circles

Robert Barry is an American artist who currently lives and works in Teaneck, New Jersey. Since 1967, Barry has produced non-material works of art, installations, and performance art using a variety of otherwise invisible media. In 1968, Robert Barry is quoted as saying “Nothing seems to me the most potent thing in the world.”

Barry was born in 1936 and grew up in The Bronx. A graduate of Hunter College, he studied there under artists William Baziotes and Robert Motherwell, later going to the college’s faculty. Barry moved to Teaneck in1974.

Barry’s work focuses on escaping the previously known physical limits of the art object in order to express the unknown or unperceived. Consequently, Barry has explored a number of different avenues toward defining the usually unseen space around objects, rather than producing the objects themselves.

Major nonvisible works from his early period include Carrier Wave, in which Barry used the carrier waves of a radio station for a prescribed length of time “not as a means of transmitting information, but rather as object.” Radiation Piece, and Inert Gas Piece, in which Barry opened various containers of inert gases in different settings before groups of spectators, such as a canister of helium released in a desert.

Barry’s work has been shown in international events such as the Paris Biennale (1971), Documenta, Kassel (1972), and the Venice Biennale (1972). he is included in the permanent collections of renowned museums including the Museum of Modern Art, New York, the Hirshhorn Museum and Sculpture Garden, Washington, D.C.; the Solomon R. Guggenheim Museum, New York; the Musée National D’Art Moderne, Centre Georges Pompidou, Paris; the Museum of Contemporary Art, Los Angeles and the National Gallery of Art, Washington, D.C.