Werkzeichnung (#24) (Space As Parallel Construction)

Franz Erhard Walther, recipient of the Golden Lion for best artist at the 2017 Venice Biennale, was born in 1939 in Fulda, Germany, where he now lives and works. He has pioneered intermedia and participatory art since the late 1950’s and gained recognition in the 1960’s. He was then included in important group exhibitions such as “When Attitudes Become Form” (1969, curated by Harald Szeeman at Kunsthalle Bern, recreated for the 2013 Venice Biennale), “Documenta V” (Kassel, 1972, also curated by Szeeman), and “Spaces,” curated by Jennifer Licht at MOMA (1969-1970).

His work is in many public collections, including Museum of Modern Art, Dia Art Foundation, Museum of Contemporary Art Chicago, Art Institute of Chicago, The Centre Pompidou, Walker Art Center, Musée d’Art Moderne Grand-Duc Jean, Luxembourg, Nationalgalerie Berlin, Hamburger Kunsthalle, Kunsthaus Zürich, Museum für Moderne Kunst Frankfurt, Van Abbemuseum Eindhoven, Staatsgalerie Stuttgart, and MAMCO Musée d’Art Moderne et Contemporain, Geneva, among others. Recent solo exhibitions include those at Fundacion Jumex Arte Contemporaneo, Mexico City (2018); Ludwig Forum, Aachen, Germany (2017); Reina Sofia, Madrid (2017); Power Plant, Toronto (2016); Henry Art Gallery, Seattle (2015-2016); MUDAM, Luxembourg (2015); WIELS Centre d’Art Contemporain, Brussels (2014); and CAPC Musée d’Art Contemporain de Bordeaux, France (2014). Dia Art Foundation, New York has recently opened a long term presentation of Walther’s work from the 1960’s at Dia:Beacon.