Barbara Krakow Gallerys exhibition of Mel Bochners work is a survey of his editioned works from 2007 to the present, including 7 brand new works.
Mel Bochner came to prominence in the 1960s as a writer (working on his own and collaborating with such luminaries as Robert Smithson), curator (Working Drawings and Other Visible Things on Paper Not Necessarily Meant to be Viewed as Art) and as an artist.
Prior to the current work, Bochner had been beginning to explore the intersection of color and language through a body of work, if the color changes, inspired by a text by Ludwig Wittgenstein. This work offered clues to the artist on how to subvert the reading of a text.
In 2001, Rogets Thesaurus began including slang. This served as the spark for the current body of Bochner’s work. For the artist, the thesaurus is a warehouse for words, a mine of readymade text for his work and, with the new additions to the thesaurus, he is now able to juxtapose the vernacular and the proper, the formal and the vulgar, and the high versus the low. With these juxtapositions laid out visually, Bochner enmeshes the cerebral and visual associations of words in order to expand the possibilities of language as image, medium and subject matter, all as humorous, layered, powerful and succinct works of art.
When thinking about Bochners activities as a writer, curator and artist, one can easily see how the 17 recent text-based works in this exhibition encapsulate his activities. He is writing, selecting and creating all at the same time.
This exhibition includes works using numerous print techniques. Bochner does not think differently about his prints than his unique works, but he does think differently inside each print medium. In his words, Every medium offers specific visual, conceptual and technical frameworks. I try to explore those overlaps to create each prints unique voice, and so this show the variety lays those explorations bare. Bochner has been making prints seriously, off and on, since he made his first etching plate in art school, fifty+ years ago. I do admit its an addiction. But as long as it continues to trigger new thoughts and unpredictable results, I have no intention of giving it up says Bochner.
For this reason, Barbara Krakow Gallery is proud, not only to present this exhibition but to announce the formation of the Mel Bochner Catalogue Raisonné of Prints. It will be a free online resource for collectors, scholars and others, in line with the Sol LeWitt catalogue and earlier catalogue raisonnés organized by the gallery. Other forthcoming catalogues will be announced in due time.
In his 50+ years working as an artist, Bochner has had shows at the Art Institute of Chicago, Baltimore Museum of Art, Carnegie Museum of Art, Pittsburgh, Centro de Arte Hélio Oiticica, Rio de Janeiro, The Drawing Center, New York, FRAC Bourgogne, Dijon, France, Harvard University, Haus der Kunst, Munich, Jewish Museum, New York, Kunstmuseum, Luzern, Switzerland, Museo Storico della Liberazione di Roma, Rome, Museu de Arte Contemporânea de Serralves, Porto, Portugal, Museum of Modern Art, New York, National Gallery of Art, Washington DC, Whitechapel, London and Yale University, among many other museums and galleries.
