One Wall, One Work

Current installation dimensions: 86 x 118 inches (218.4 x 299.7 cm)
(Inventory #34971)

“Lines in Four Directions over 450 Years” explores the conceptual, formal, and social aspects of one particular technique from a contemporary perspective. As such, the collection of 28 works by 26 artists hang together on one wall as the latest iteration of Krakow Witkin Gallery’s “One Wall, One Work.” The unifying characteristic in the group is “hatching,” a technique used in Western drawing and printmaking mostly from the 1300’s and on. Hatching uses closely spaced parallel lines and, traditionally, it provides an image with depth, shade, and/or tone. “Crosshatching” uses another set of parallel lines which overlap or cross the hatching to provide further variations in shading. In the late 1960’s, Sol LeWitt used the technique of crosshatching and isolated it from its illustrative purpose. This provided him a visual vocabulary with endless and powerful iterative potential. With LeWitt’s work as inspiration, Krakow Witkin Gallery’s presentation explores differences between artists, techniques, and time periods, all while highlighting issues of equality, innovation, power, and space.

The collection began by putting the above works together and then spending the next few years slowly assembling a family of works that could live together and expand on the works’ conversations, both visually and conceptually. The full list of artists included are George Aikman, Cherubino Alberti, Cornelis Bloemaert, Louis Jacques Cathelin, William Charles, Daniel Nicolaus Chodowiecki, Robert Cottingham, Henri Fantin-Latour, Gego, Pieter Holdsteijn the Younger, William Hogarth, Käthe Kollwitz, Sol LeWitt, Mortimer Menpes, Thomas Milton, Crispin De Passe the Younger, Martin Puryear, Guido Reni, Adamo Scultori, Diana Scultori, Kiki Smith, Henry Ossawa Tanner, David Teniers the Younger, and Jacques Villon, along with two that are unidentified at the present time.

Download the PDF of this project here

Current installation dimensions: 86 x 118 inches (218.4 x 299.7 cm)
(Inventory #34971)

“Lines in Four Directions over 450 Years” explores the conceptual, formal, and social aspects of one particular technique from a contemporary perspective. As such, the collection of 28 works by 26 artists hang together on one wall as the latest iteration of Krakow Witkin Gallery’s “One Wall, One Work.” The unifying characteristic in the group is “hatching,” a technique used in Western drawing and printmaking mostly from the 1300’s and on. Hatching uses closely spaced parallel lines and, traditionally, it provides an image with depth, shade, and/or tone. “Crosshatching” uses another set of parallel lines which overlap or cross the hatching to provide further variations in shading. In the late 1960’s, Sol LeWitt used the technique of crosshatching and isolated it from its illustrative purpose. This provided him a visual vocabulary with endless and powerful iterative potential. With LeWitt’s work as inspiration, Krakow Witkin Gallery’s presentation explores differences between artists, techniques, and time periods, all while highlighting issues of equality, innovation, power, and space.

The collection began by putting the above works together and then spending the next few years slowly assembling a family of works that could live together and expand on the works’ conversations, both visually and conceptually. The full list of artists included are George Aikman, Cherubino Alberti, Cornelis Bloemaert, Louis Jacques Cathelin, William Charles, Daniel Nicolaus Chodowiecki, Robert Cottingham, Henri Fantin-Latour, Gego, Pieter Holdsteijn the Younger, William Hogarth, Käthe Kollwitz, Sol LeWitt, Mortimer Menpes, Thomas Milton, Crispin De Passe the Younger, Martin Puryear, Guido Reni, Adamo Scultori, Diana Scultori, Kiki Smith, Henry Ossawa Tanner, David Teniers the Younger, and Jacques Villon, along with two that are unidentified at the present time.

Download the PDF of this project here

Current installation dimensions: 86 x 118 inches (218.4 x 299.7 cm)
(Inventory #34971)

“Lines in Four Directions over 450 Years” explores the conceptual, formal, and social aspects of one particular technique from a contemporary perspective. As such, the collection of 28 works by 26 artists hang together on one wall as the latest iteration of Krakow Witkin Gallery’s “One Wall, One Work.” The unifying characteristic in the group is “hatching,” a technique used in Western drawing and printmaking mostly from the 1300’s and on. Hatching uses closely spaced parallel lines and, traditionally, it provides an image with depth, shade, and/or tone. “Crosshatching” uses another set of parallel lines which overlap or cross the hatching to provide further variations in shading. In the late 1960’s, Sol LeWitt used the technique of crosshatching and isolated it from its illustrative purpose. This provided him a visual vocabulary with endless and powerful iterative potential. With LeWitt’s work as inspiration, Krakow Witkin Gallery’s presentation explores differences between artists, techniques, and time periods, all while highlighting issues of equality, innovation, power, and space.

The collection began by putting the above works together and then spending the next few years slowly assembling a family of works that could live together and expand on the works’ conversations, both visually and conceptually. The full list of artists included are George Aikman, Cherubino Alberti, Cornelis Bloemaert, Louis Jacques Cathelin, William Charles, Daniel Nicolaus Chodowiecki, Robert Cottingham, Henri Fantin-Latour, Gego, Pieter Holdsteijn the Younger, William Hogarth, Käthe Kollwitz, Sol LeWitt, Mortimer Menpes, Thomas Milton, Crispin De Passe the Younger, Martin Puryear, Guido Reni, Adamo Scultori, Diana Scultori, Kiki Smith, Henry Ossawa Tanner, David Teniers the Younger, and Jacques Villon, along with two that are unidentified at the present time.

Download the PDF of this project here

Current installation dimensions: 86 x 118 inches (218.4 x 299.7 cm)
(Inventory #34971)

“Lines in Four Directions over 450 Years” explores the conceptual, formal, and social aspects of one particular technique from a contemporary perspective. As such, the collection of 28 works by 26 artists hang together on one wall as the latest iteration of Krakow Witkin Gallery’s “One Wall, One Work.” The unifying characteristic in the group is “hatching,” a technique used in Western drawing and printmaking mostly from the 1300’s and on. Hatching uses closely spaced parallel lines and, traditionally, it provides an image with depth, shade, and/or tone. “Crosshatching” uses another set of parallel lines which overlap or cross the hatching to provide further variations in shading. In the late 1960’s, Sol LeWitt used the technique of crosshatching and isolated it from its illustrative purpose. This provided him a visual vocabulary with endless and powerful iterative potential. With LeWitt’s work as inspiration, Krakow Witkin Gallery’s presentation explores differences between artists, techniques, and time periods, all while highlighting issues of equality, innovation, power, and space.

The collection began by putting the above works together and then spending the next few years slowly assembling a family of works that could live together and expand on the works’ conversations, both visually and conceptually. The full list of artists included are George Aikman, Cherubino Alberti, Cornelis Bloemaert, Louis Jacques Cathelin, William Charles, Daniel Nicolaus Chodowiecki, Robert Cottingham, Henri Fantin-Latour, Gego, Pieter Holdsteijn the Younger, William Hogarth, Käthe Kollwitz, Sol LeWitt, Mortimer Menpes, Thomas Milton, Crispin De Passe the Younger, Martin Puryear, Guido Reni, Adamo Scultori, Diana Scultori, Kiki Smith, Henry Ossawa Tanner, David Teniers the Younger, and Jacques Villon, along with two that are unidentified at the present time.

Download the PDF of this project here

Current installation dimensions: 86 x 118 inches (218.4 x 299.7 cm)
(Inventory #34971)

“Lines in Four Directions over 450 Years” explores the conceptual, formal, and social aspects of one particular technique from a contemporary perspective. As such, the collection of 28 works by 26 artists hang together on one wall as the latest iteration of Krakow Witkin Gallery’s “One Wall, One Work.” The unifying characteristic in the group is “hatching,” a technique used in Western drawing and printmaking mostly from the 1300’s and on. Hatching uses closely spaced parallel lines and, traditionally, it provides an image with depth, shade, and/or tone. “Crosshatching” uses another set of parallel lines which overlap or cross the hatching to provide further variations in shading. In the late 1960’s, Sol LeWitt used the technique of crosshatching and isolated it from its illustrative purpose. This provided him a visual vocabulary with endless and powerful iterative potential. With LeWitt’s work as inspiration, Krakow Witkin Gallery’s presentation explores differences between artists, techniques, and time periods, all while highlighting issues of equality, innovation, power, and space.

The collection began by putting the above works together and then spending the next few years slowly assembling a family of works that could live together and expand on the works’ conversations, both visually and conceptually. The full list of artists included are George Aikman, Cherubino Alberti, Cornelis Bloemaert, Louis Jacques Cathelin, William Charles, Daniel Nicolaus Chodowiecki, Robert Cottingham, Henri Fantin-Latour, Gego, Pieter Holdsteijn the Younger, William Hogarth, Käthe Kollwitz, Sol LeWitt, Mortimer Menpes, Thomas Milton, Crispin De Passe the Younger, Martin Puryear, Guido Reni, Adamo Scultori, Diana Scultori, Kiki Smith, Henry Ossawa Tanner, David Teniers the Younger, and Jacques Villon, along with two that are unidentified at the present time.

Download the PDF of this project here

Current installation dimensions: 86 x 118 inches (218.4 x 299.7 cm)
(Inventory #34971)

“Lines in Four Directions over 450 Years” explores the conceptual, formal, and social aspects of one particular technique from a contemporary perspective. As such, the collection of 28 works by 26 artists hang together on one wall as the latest iteration of Krakow Witkin Gallery’s “One Wall, One Work.” The unifying characteristic in the group is “hatching,” a technique used in Western drawing and printmaking mostly from the 1300’s and on. Hatching uses closely spaced parallel lines and, traditionally, it provides an image with depth, shade, and/or tone. “Crosshatching” uses another set of parallel lines which overlap or cross the hatching to provide further variations in shading. In the late 1960’s, Sol LeWitt used the technique of crosshatching and isolated it from its illustrative purpose. This provided him a visual vocabulary with endless and powerful iterative potential. With LeWitt’s work as inspiration, Krakow Witkin Gallery’s presentation explores differences between artists, techniques, and time periods, all while highlighting issues of equality, innovation, power, and space.

The collection began by putting the above works together and then spending the next few years slowly assembling a family of works that could live together and expand on the works’ conversations, both visually and conceptually. The full list of artists included are George Aikman, Cherubino Alberti, Cornelis Bloemaert, Louis Jacques Cathelin, William Charles, Daniel Nicolaus Chodowiecki, Robert Cottingham, Henri Fantin-Latour, Gego, Pieter Holdsteijn the Younger, William Hogarth, Käthe Kollwitz, Sol LeWitt, Mortimer Menpes, Thomas Milton, Crispin De Passe the Younger, Martin Puryear, Guido Reni, Adamo Scultori, Diana Scultori, Kiki Smith, Henry Ossawa Tanner, David Teniers the Younger, and Jacques Villon, along with two that are unidentified at the present time.

Download the PDF of this project here

Current installation dimensions: 86 x 118 inches (218.4 x 299.7 cm)
(Inventory #34971)

“Lines in Four Directions over 450 Years” explores the conceptual, formal, and social aspects of one particular technique from a contemporary perspective. As such, the collection of 28 works by 26 artists hang together on one wall as the latest iteration of Krakow Witkin Gallery’s “One Wall, One Work.” The unifying characteristic in the group is “hatching,” a technique used in Western drawing and printmaking mostly from the 1300’s and on. Hatching uses closely spaced parallel lines and, traditionally, it provides an image with depth, shade, and/or tone. “Crosshatching” uses another set of parallel lines which overlap or cross the hatching to provide further variations in shading. In the late 1960’s, Sol LeWitt used the technique of crosshatching and isolated it from its illustrative purpose. This provided him a visual vocabulary with endless and powerful iterative potential. With LeWitt’s work as inspiration, Krakow Witkin Gallery’s presentation explores differences between artists, techniques, and time periods, all while highlighting issues of equality, innovation, power, and space.

The collection began by putting the above works together and then spending the next few years slowly assembling a family of works that could live together and expand on the works’ conversations, both visually and conceptually. The full list of artists included are George Aikman, Cherubino Alberti, Cornelis Bloemaert, Louis Jacques Cathelin, William Charles, Daniel Nicolaus Chodowiecki, Robert Cottingham, Henri Fantin-Latour, Gego, Pieter Holdsteijn the Younger, William Hogarth, Käthe Kollwitz, Sol LeWitt, Mortimer Menpes, Thomas Milton, Crispin De Passe the Younger, Martin Puryear, Guido Reni, Adamo Scultori, Diana Scultori, Kiki Smith, Henry Ossawa Tanner, David Teniers the Younger, and Jacques Villon, along with two that are unidentified at the present time.

Download the PDF of this project here

Current installation dimensions: 86 x 118 inches (218.4 x 299.7 cm)
(Inventory #34971)

“Lines in Four Directions over 450 Years” explores the conceptual, formal, and social aspects of one particular technique from a contemporary perspective. As such, the collection of 28 works by 26 artists hang together on one wall as the latest iteration of Krakow Witkin Gallery’s “One Wall, One Work.” The unifying characteristic in the group is “hatching,” a technique used in Western drawing and printmaking mostly from the 1300’s and on. Hatching uses closely spaced parallel lines and, traditionally, it provides an image with depth, shade, and/or tone. “Crosshatching” uses another set of parallel lines which overlap or cross the hatching to provide further variations in shading. In the late 1960’s, Sol LeWitt used the technique of crosshatching and isolated it from its illustrative purpose. This provided him a visual vocabulary with endless and powerful iterative potential. With LeWitt’s work as inspiration, Krakow Witkin Gallery’s presentation explores differences between artists, techniques, and time periods, all while highlighting issues of equality, innovation, power, and space.

The collection began by putting the above works together and then spending the next few years slowly assembling a family of works that could live together and expand on the works’ conversations, both visually and conceptually. The full list of artists included are George Aikman, Cherubino Alberti, Cornelis Bloemaert, Louis Jacques Cathelin, William Charles, Daniel Nicolaus Chodowiecki, Robert Cottingham, Henri Fantin-Latour, Gego, Pieter Holdsteijn the Younger, William Hogarth, Käthe Kollwitz, Sol LeWitt, Mortimer Menpes, Thomas Milton, Crispin De Passe the Younger, Martin Puryear, Guido Reni, Adamo Scultori, Diana Scultori, Kiki Smith, Henry Ossawa Tanner, David Teniers the Younger, and Jacques Villon, along with two that are unidentified at the present time.

Download the PDF of this project here

Current installation dimensions: 86 x 118 inches (218.4 x 299.7 cm)
(Inventory #34971)

“Lines in Four Directions over 450 Years” explores the conceptual, formal, and social aspects of one particular technique from a contemporary perspective. As such, the collection of 28 works by 26 artists hang together on one wall as the latest iteration of Krakow Witkin Gallery’s “One Wall, One Work.” The unifying characteristic in the group is “hatching,” a technique used in Western drawing and printmaking mostly from the 1300’s and on. Hatching uses closely spaced parallel lines and, traditionally, it provides an image with depth, shade, and/or tone. “Crosshatching” uses another set of parallel lines which overlap or cross the hatching to provide further variations in shading. In the late 1960’s, Sol LeWitt used the technique of crosshatching and isolated it from its illustrative purpose. This provided him a visual vocabulary with endless and powerful iterative potential. With LeWitt’s work as inspiration, Krakow Witkin Gallery’s presentation explores differences between artists, techniques, and time periods, all while highlighting issues of equality, innovation, power, and space.

The collection began by putting the above works together and then spending the next few years slowly assembling a family of works that could live together and expand on the works’ conversations, both visually and conceptually. The full list of artists included are George Aikman, Cherubino Alberti, Cornelis Bloemaert, Louis Jacques Cathelin, William Charles, Daniel Nicolaus Chodowiecki, Robert Cottingham, Henri Fantin-Latour, Gego, Pieter Holdsteijn the Younger, William Hogarth, Käthe Kollwitz, Sol LeWitt, Mortimer Menpes, Thomas Milton, Crispin De Passe the Younger, Martin Puryear, Guido Reni, Adamo Scultori, Diana Scultori, Kiki Smith, Henry Ossawa Tanner, David Teniers the Younger, and Jacques Villon, along with two that are unidentified at the present time.

Download the PDF of this project here

Current installation dimensions: 86 x 118 inches (218.4 x 299.7 cm)
(Inventory #34971)

“Lines in Four Directions over 450 Years” explores the conceptual, formal, and social aspects of one particular technique from a contemporary perspective. As such, the collection of 28 works by 26 artists hang together on one wall as the latest iteration of Krakow Witkin Gallery’s “One Wall, One Work.” The unifying characteristic in the group is “hatching,” a technique used in Western drawing and printmaking mostly from the 1300’s and on. Hatching uses closely spaced parallel lines and, traditionally, it provides an image with depth, shade, and/or tone. “Crosshatching” uses another set of parallel lines which overlap or cross the hatching to provide further variations in shading. In the late 1960’s, Sol LeWitt used the technique of crosshatching and isolated it from its illustrative purpose. This provided him a visual vocabulary with endless and powerful iterative potential. With LeWitt’s work as inspiration, Krakow Witkin Gallery’s presentation explores differences between artists, techniques, and time periods, all while highlighting issues of equality, innovation, power, and space.

The collection began by putting the above works together and then spending the next few years slowly assembling a family of works that could live together and expand on the works’ conversations, both visually and conceptually. The full list of artists included are George Aikman, Cherubino Alberti, Cornelis Bloemaert, Louis Jacques Cathelin, William Charles, Daniel Nicolaus Chodowiecki, Robert Cottingham, Henri Fantin-Latour, Gego, Pieter Holdsteijn the Younger, William Hogarth, Käthe Kollwitz, Sol LeWitt, Mortimer Menpes, Thomas Milton, Crispin De Passe the Younger, Martin Puryear, Guido Reni, Adamo Scultori, Diana Scultori, Kiki Smith, Henry Ossawa Tanner, David Teniers the Younger, and Jacques Villon, along with two that are unidentified at the present time.

Download the PDF of this project here

Current installation dimensions: 86 x 118 inches (218.4 x 299.7 cm)
(Inventory #34971)

“Lines in Four Directions over 450 Years” explores the conceptual, formal, and social aspects of one particular technique from a contemporary perspective. As such, the collection of 28 works by 26 artists hang together on one wall as the latest iteration of Krakow Witkin Gallery’s “One Wall, One Work.” The unifying characteristic in the group is “hatching,” a technique used in Western drawing and printmaking mostly from the 1300’s and on. Hatching uses closely spaced parallel lines and, traditionally, it provides an image with depth, shade, and/or tone. “Crosshatching” uses another set of parallel lines which overlap or cross the hatching to provide further variations in shading. In the late 1960’s, Sol LeWitt used the technique of crosshatching and isolated it from its illustrative purpose. This provided him a visual vocabulary with endless and powerful iterative potential. With LeWitt’s work as inspiration, Krakow Witkin Gallery’s presentation explores differences between artists, techniques, and time periods, all while highlighting issues of equality, innovation, power, and space.

The collection began by putting the above works together and then spending the next few years slowly assembling a family of works that could live together and expand on the works’ conversations, both visually and conceptually. The full list of artists included are George Aikman, Cherubino Alberti, Cornelis Bloemaert, Louis Jacques Cathelin, William Charles, Daniel Nicolaus Chodowiecki, Robert Cottingham, Henri Fantin-Latour, Gego, Pieter Holdsteijn the Younger, William Hogarth, Käthe Kollwitz, Sol LeWitt, Mortimer Menpes, Thomas Milton, Crispin De Passe the Younger, Martin Puryear, Guido Reni, Adamo Scultori, Diana Scultori, Kiki Smith, Henry Ossawa Tanner, David Teniers the Younger, and Jacques Villon, along with two that are unidentified at the present time.

Download the PDF of this project here

Current installation dimensions: 86 x 118 inches (218.4 x 299.7 cm)
(Inventory #34971)

“Lines in Four Directions over 450 Years” explores the conceptual, formal, and social aspects of one particular technique from a contemporary perspective. As such, the collection of 28 works by 26 artists hang together on one wall as the latest iteration of Krakow Witkin Gallery’s “One Wall, One Work.” The unifying characteristic in the group is “hatching,” a technique used in Western drawing and printmaking mostly from the 1300’s and on. Hatching uses closely spaced parallel lines and, traditionally, it provides an image with depth, shade, and/or tone. “Crosshatching” uses another set of parallel lines which overlap or cross the hatching to provide further variations in shading. In the late 1960’s, Sol LeWitt used the technique of crosshatching and isolated it from its illustrative purpose. This provided him a visual vocabulary with endless and powerful iterative potential. With LeWitt’s work as inspiration, Krakow Witkin Gallery’s presentation explores differences between artists, techniques, and time periods, all while highlighting issues of equality, innovation, power, and space.

The collection began by putting the above works together and then spending the next few years slowly assembling a family of works that could live together and expand on the works’ conversations, both visually and conceptually. The full list of artists included are George Aikman, Cherubino Alberti, Cornelis Bloemaert, Louis Jacques Cathelin, William Charles, Daniel Nicolaus Chodowiecki, Robert Cottingham, Henri Fantin-Latour, Gego, Pieter Holdsteijn the Younger, William Hogarth, Käthe Kollwitz, Sol LeWitt, Mortimer Menpes, Thomas Milton, Crispin De Passe the Younger, Martin Puryear, Guido Reni, Adamo Scultori, Diana Scultori, Kiki Smith, Henry Ossawa Tanner, David Teniers the Younger, and Jacques Villon, along with two that are unidentified at the present time.

Download the PDF of this project here

Current installation dimensions: 86 x 118 inches (218.4 x 299.7 cm)
(Inventory #34971)

“Lines in Four Directions over 450 Years” explores the conceptual, formal, and social aspects of one particular technique from a contemporary perspective. As such, the collection of 28 works by 26 artists hang together on one wall as the latest iteration of Krakow Witkin Gallery’s “One Wall, One Work.” The unifying characteristic in the group is “hatching,” a technique used in Western drawing and printmaking mostly from the 1300’s and on. Hatching uses closely spaced parallel lines and, traditionally, it provides an image with depth, shade, and/or tone. “Crosshatching” uses another set of parallel lines which overlap or cross the hatching to provide further variations in shading. In the late 1960’s, Sol LeWitt used the technique of crosshatching and isolated it from its illustrative purpose. This provided him a visual vocabulary with endless and powerful iterative potential. With LeWitt’s work as inspiration, Krakow Witkin Gallery’s presentation explores differences between artists, techniques, and time periods, all while highlighting issues of equality, innovation, power, and space.

The collection began by putting the above works together and then spending the next few years slowly assembling a family of works that could live together and expand on the works’ conversations, both visually and conceptually. The full list of artists included are George Aikman, Cherubino Alberti, Cornelis Bloemaert, Louis Jacques Cathelin, William Charles, Daniel Nicolaus Chodowiecki, Robert Cottingham, Henri Fantin-Latour, Gego, Pieter Holdsteijn the Younger, William Hogarth, Käthe Kollwitz, Sol LeWitt, Mortimer Menpes, Thomas Milton, Crispin De Passe the Younger, Martin Puryear, Guido Reni, Adamo Scultori, Diana Scultori, Kiki Smith, Henry Ossawa Tanner, David Teniers the Younger, and Jacques Villon, along with two that are unidentified at the present time.

Download the PDF of this project here

Current installation dimensions: 86 x 118 inches (218.4 x 299.7 cm)
(Inventory #34971)

“Lines in Four Directions over 450 Years” explores the conceptual, formal, and social aspects of one particular technique from a contemporary perspective. As such, the collection of 28 works by 26 artists hang together on one wall as the latest iteration of Krakow Witkin Gallery’s “One Wall, One Work.” The unifying characteristic in the group is “hatching,” a technique used in Western drawing and printmaking mostly from the 1300’s and on. Hatching uses closely spaced parallel lines and, traditionally, it provides an image with depth, shade, and/or tone. “Crosshatching” uses another set of parallel lines which overlap or cross the hatching to provide further variations in shading. In the late 1960’s, Sol LeWitt used the technique of crosshatching and isolated it from its illustrative purpose. This provided him a visual vocabulary with endless and powerful iterative potential. With LeWitt’s work as inspiration, Krakow Witkin Gallery’s presentation explores differences between artists, techniques, and time periods, all while highlighting issues of equality, innovation, power, and space.

The collection began by putting the above works together and then spending the next few years slowly assembling a family of works that could live together and expand on the works’ conversations, both visually and conceptually. The full list of artists included are George Aikman, Cherubino Alberti, Cornelis Bloemaert, Louis Jacques Cathelin, William Charles, Daniel Nicolaus Chodowiecki, Robert Cottingham, Henri Fantin-Latour, Gego, Pieter Holdsteijn the Younger, William Hogarth, Käthe Kollwitz, Sol LeWitt, Mortimer Menpes, Thomas Milton, Crispin De Passe the Younger, Martin Puryear, Guido Reni, Adamo Scultori, Diana Scultori, Kiki Smith, Henry Ossawa Tanner, David Teniers the Younger, and Jacques Villon, along with two that are unidentified at the present time.

Download the PDF of this project here

Current installation dimensions: 86 x 118 inches (218.4 x 299.7 cm)
(Inventory #34971)

“Lines in Four Directions over 450 Years” explores the conceptual, formal, and social aspects of one particular technique from a contemporary perspective. As such, the collection of 28 works by 26 artists hang together on one wall as the latest iteration of Krakow Witkin Gallery’s “One Wall, One Work.” The unifying characteristic in the group is “hatching,” a technique used in Western drawing and printmaking mostly from the 1300’s and on. Hatching uses closely spaced parallel lines and, traditionally, it provides an image with depth, shade, and/or tone. “Crosshatching” uses another set of parallel lines which overlap or cross the hatching to provide further variations in shading. In the late 1960’s, Sol LeWitt used the technique of crosshatching and isolated it from its illustrative purpose. This provided him a visual vocabulary with endless and powerful iterative potential. With LeWitt’s work as inspiration, Krakow Witkin Gallery’s presentation explores differences between artists, techniques, and time periods, all while highlighting issues of equality, innovation, power, and space.

The collection began by putting the above works together and then spending the next few years slowly assembling a family of works that could live together and expand on the works’ conversations, both visually and conceptually. The full list of artists included are George Aikman, Cherubino Alberti, Cornelis Bloemaert, Louis Jacques Cathelin, William Charles, Daniel Nicolaus Chodowiecki, Robert Cottingham, Henri Fantin-Latour, Gego, Pieter Holdsteijn the Younger, William Hogarth, Käthe Kollwitz, Sol LeWitt, Mortimer Menpes, Thomas Milton, Crispin De Passe the Younger, Martin Puryear, Guido Reni, Adamo Scultori, Diana Scultori, Kiki Smith, Henry Ossawa Tanner, David Teniers the Younger, and Jacques Villon, along with two that are unidentified at the present time.

Download the PDF of this project here

Current installation dimensions: 86 x 118 inches (218.4 x 299.7 cm)
(Inventory #34971)

“Lines in Four Directions over 450 Years” explores the conceptual, formal, and social aspects of one particular technique from a contemporary perspective. As such, the collection of 28 works by 26 artists hang together on one wall as the latest iteration of Krakow Witkin Gallery’s “One Wall, One Work.” The unifying characteristic in the group is “hatching,” a technique used in Western drawing and printmaking mostly from the 1300’s and on. Hatching uses closely spaced parallel lines and, traditionally, it provides an image with depth, shade, and/or tone. “Crosshatching” uses another set of parallel lines which overlap or cross the hatching to provide further variations in shading. In the late 1960’s, Sol LeWitt used the technique of crosshatching and isolated it from its illustrative purpose. This provided him a visual vocabulary with endless and powerful iterative potential. With LeWitt’s work as inspiration, Krakow Witkin Gallery’s presentation explores differences between artists, techniques, and time periods, all while highlighting issues of equality, innovation, power, and space.

The collection began by putting the above works together and then spending the next few years slowly assembling a family of works that could live together and expand on the works’ conversations, both visually and conceptually. The full list of artists included are George Aikman, Cherubino Alberti, Cornelis Bloemaert, Louis Jacques Cathelin, William Charles, Daniel Nicolaus Chodowiecki, Robert Cottingham, Henri Fantin-Latour, Gego, Pieter Holdsteijn the Younger, William Hogarth, Käthe Kollwitz, Sol LeWitt, Mortimer Menpes, Thomas Milton, Crispin De Passe the Younger, Martin Puryear, Guido Reni, Adamo Scultori, Diana Scultori, Kiki Smith, Henry Ossawa Tanner, David Teniers the Younger, and Jacques Villon, along with two that are unidentified at the present time.

Download the PDF of this project here

Current installation dimensions: 86 x 118 inches (218.4 x 299.7 cm)
(Inventory #34971)

“Lines in Four Directions over 450 Years” explores the conceptual, formal, and social aspects of one particular technique from a contemporary perspective. As such, the collection of 28 works by 26 artists hang together on one wall as the latest iteration of Krakow Witkin Gallery’s “One Wall, One Work.” The unifying characteristic in the group is “hatching,” a technique used in Western drawing and printmaking mostly from the 1300’s and on. Hatching uses closely spaced parallel lines and, traditionally, it provides an image with depth, shade, and/or tone. “Crosshatching” uses another set of parallel lines which overlap or cross the hatching to provide further variations in shading. In the late 1960’s, Sol LeWitt used the technique of crosshatching and isolated it from its illustrative purpose. This provided him a visual vocabulary with endless and powerful iterative potential. With LeWitt’s work as inspiration, Krakow Witkin Gallery’s presentation explores differences between artists, techniques, and time periods, all while highlighting issues of equality, innovation, power, and space.

The collection began by putting the above works together and then spending the next few years slowly assembling a family of works that could live together and expand on the works’ conversations, both visually and conceptually. The full list of artists included are George Aikman, Cherubino Alberti, Cornelis Bloemaert, Louis Jacques Cathelin, William Charles, Daniel Nicolaus Chodowiecki, Robert Cottingham, Henri Fantin-Latour, Gego, Pieter Holdsteijn the Younger, William Hogarth, Käthe Kollwitz, Sol LeWitt, Mortimer Menpes, Thomas Milton, Crispin De Passe the Younger, Martin Puryear, Guido Reni, Adamo Scultori, Diana Scultori, Kiki Smith, Henry Ossawa Tanner, David Teniers the Younger, and Jacques Villon, along with two that are unidentified at the present time.

Download the PDF of this project here

Current installation dimensions: 86 x 118 inches (218.4 x 299.7 cm)
(Inventory #34971)

“Lines in Four Directions over 450 Years” explores the conceptual, formal, and social aspects of one particular technique from a contemporary perspective. As such, the collection of 28 works by 26 artists hang together on one wall as the latest iteration of Krakow Witkin Gallery’s “One Wall, One Work.” The unifying characteristic in the group is “hatching,” a technique used in Western drawing and printmaking mostly from the 1300’s and on. Hatching uses closely spaced parallel lines and, traditionally, it provides an image with depth, shade, and/or tone. “Crosshatching” uses another set of parallel lines which overlap or cross the hatching to provide further variations in shading. In the late 1960’s, Sol LeWitt used the technique of crosshatching and isolated it from its illustrative purpose. This provided him a visual vocabulary with endless and powerful iterative potential. With LeWitt’s work as inspiration, Krakow Witkin Gallery’s presentation explores differences between artists, techniques, and time periods, all while highlighting issues of equality, innovation, power, and space.

The collection began by putting the above works together and then spending the next few years slowly assembling a family of works that could live together and expand on the works’ conversations, both visually and conceptually. The full list of artists included are George Aikman, Cherubino Alberti, Cornelis Bloemaert, Louis Jacques Cathelin, William Charles, Daniel Nicolaus Chodowiecki, Robert Cottingham, Henri Fantin-Latour, Gego, Pieter Holdsteijn the Younger, William Hogarth, Käthe Kollwitz, Sol LeWitt, Mortimer Menpes, Thomas Milton, Crispin De Passe the Younger, Martin Puryear, Guido Reni, Adamo Scultori, Diana Scultori, Kiki Smith, Henry Ossawa Tanner, David Teniers the Younger, and Jacques Villon, along with two that are unidentified at the present time.

Download the PDF of this project here

Current installation dimensions: 86 x 118 inches (218.4 x 299.7 cm)
(Inventory #34971)

“Lines in Four Directions over 450 Years” explores the conceptual, formal, and social aspects of one particular technique from a contemporary perspective. As such, the collection of 28 works by 26 artists hang together on one wall as the latest iteration of Krakow Witkin Gallery’s “One Wall, One Work.” The unifying characteristic in the group is “hatching,” a technique used in Western drawing and printmaking mostly from the 1300’s and on. Hatching uses closely spaced parallel lines and, traditionally, it provides an image with depth, shade, and/or tone. “Crosshatching” uses another set of parallel lines which overlap or cross the hatching to provide further variations in shading. In the late 1960’s, Sol LeWitt used the technique of crosshatching and isolated it from its illustrative purpose. This provided him a visual vocabulary with endless and powerful iterative potential. With LeWitt’s work as inspiration, Krakow Witkin Gallery’s presentation explores differences between artists, techniques, and time periods, all while highlighting issues of equality, innovation, power, and space.

The collection began by putting the above works together and then spending the next few years slowly assembling a family of works that could live together and expand on the works’ conversations, both visually and conceptually. The full list of artists included are George Aikman, Cherubino Alberti, Cornelis Bloemaert, Louis Jacques Cathelin, William Charles, Daniel Nicolaus Chodowiecki, Robert Cottingham, Henri Fantin-Latour, Gego, Pieter Holdsteijn the Younger, William Hogarth, Käthe Kollwitz, Sol LeWitt, Mortimer Menpes, Thomas Milton, Crispin De Passe the Younger, Martin Puryear, Guido Reni, Adamo Scultori, Diana Scultori, Kiki Smith, Henry Ossawa Tanner, David Teniers the Younger, and Jacques Villon, along with two that are unidentified at the present time.

Download the PDF of this project here

Current installation dimensions: 86 x 118 inches (218.4 x 299.7 cm)
(Inventory #34971)

“Lines in Four Directions over 450 Years” explores the conceptual, formal, and social aspects of one particular technique from a contemporary perspective. As such, the collection of 28 works by 26 artists hang together on one wall as the latest iteration of Krakow Witkin Gallery’s “One Wall, One Work.” The unifying characteristic in the group is “hatching,” a technique used in Western drawing and printmaking mostly from the 1300’s and on. Hatching uses closely spaced parallel lines and, traditionally, it provides an image with depth, shade, and/or tone. “Crosshatching” uses another set of parallel lines which overlap or cross the hatching to provide further variations in shading. In the late 1960’s, Sol LeWitt used the technique of crosshatching and isolated it from its illustrative purpose. This provided him a visual vocabulary with endless and powerful iterative potential. With LeWitt’s work as inspiration, Krakow Witkin Gallery’s presentation explores differences between artists, techniques, and time periods, all while highlighting issues of equality, innovation, power, and space.

The collection began by putting the above works together and then spending the next few years slowly assembling a family of works that could live together and expand on the works’ conversations, both visually and conceptually. The full list of artists included are George Aikman, Cherubino Alberti, Cornelis Bloemaert, Louis Jacques Cathelin, William Charles, Daniel Nicolaus Chodowiecki, Robert Cottingham, Henri Fantin-Latour, Gego, Pieter Holdsteijn the Younger, William Hogarth, Käthe Kollwitz, Sol LeWitt, Mortimer Menpes, Thomas Milton, Crispin De Passe the Younger, Martin Puryear, Guido Reni, Adamo Scultori, Diana Scultori, Kiki Smith, Henry Ossawa Tanner, David Teniers the Younger, and Jacques Villon, along with two that are unidentified at the present time.

Download the PDF of this project here

Current installation dimensions: 86 x 118 inches (218.4 x 299.7 cm)
(Inventory #34971)

“Lines in Four Directions over 450 Years” explores the conceptual, formal, and social aspects of one particular technique from a contemporary perspective. As such, the collection of 28 works by 26 artists hang together on one wall as the latest iteration of Krakow Witkin Gallery’s “One Wall, One Work.” The unifying characteristic in the group is “hatching,” a technique used in Western drawing and printmaking mostly from the 1300’s and on. Hatching uses closely spaced parallel lines and, traditionally, it provides an image with depth, shade, and/or tone. “Crosshatching” uses another set of parallel lines which overlap or cross the hatching to provide further variations in shading. In the late 1960’s, Sol LeWitt used the technique of crosshatching and isolated it from its illustrative purpose. This provided him a visual vocabulary with endless and powerful iterative potential. With LeWitt’s work as inspiration, Krakow Witkin Gallery’s presentation explores differences between artists, techniques, and time periods, all while highlighting issues of equality, innovation, power, and space.

The collection began by putting the above works together and then spending the next few years slowly assembling a family of works that could live together and expand on the works’ conversations, both visually and conceptually. The full list of artists included are George Aikman, Cherubino Alberti, Cornelis Bloemaert, Louis Jacques Cathelin, William Charles, Daniel Nicolaus Chodowiecki, Robert Cottingham, Henri Fantin-Latour, Gego, Pieter Holdsteijn the Younger, William Hogarth, Käthe Kollwitz, Sol LeWitt, Mortimer Menpes, Thomas Milton, Crispin De Passe the Younger, Martin Puryear, Guido Reni, Adamo Scultori, Diana Scultori, Kiki Smith, Henry Ossawa Tanner, David Teniers the Younger, and Jacques Villon, along with two that are unidentified at the present time.

Download the PDF of this project here

Current installation dimensions: 86 x 118 inches (218.4 x 299.7 cm)
(Inventory #34971)

“Lines in Four Directions over 450 Years” explores the conceptual, formal, and social aspects of one particular technique from a contemporary perspective. As such, the collection of 28 works by 26 artists hang together on one wall as the latest iteration of Krakow Witkin Gallery’s “One Wall, One Work.” The unifying characteristic in the group is “hatching,” a technique used in Western drawing and printmaking mostly from the 1300’s and on. Hatching uses closely spaced parallel lines and, traditionally, it provides an image with depth, shade, and/or tone. “Crosshatching” uses another set of parallel lines which overlap or cross the hatching to provide further variations in shading. In the late 1960’s, Sol LeWitt used the technique of crosshatching and isolated it from its illustrative purpose. This provided him a visual vocabulary with endless and powerful iterative potential. With LeWitt’s work as inspiration, Krakow Witkin Gallery’s presentation explores differences between artists, techniques, and time periods, all while highlighting issues of equality, innovation, power, and space.

The collection began by putting the above works together and then spending the next few years slowly assembling a family of works that could live together and expand on the works’ conversations, both visually and conceptually. The full list of artists included are George Aikman, Cherubino Alberti, Cornelis Bloemaert, Louis Jacques Cathelin, William Charles, Daniel Nicolaus Chodowiecki, Robert Cottingham, Henri Fantin-Latour, Gego, Pieter Holdsteijn the Younger, William Hogarth, Käthe Kollwitz, Sol LeWitt, Mortimer Menpes, Thomas Milton, Crispin De Passe the Younger, Martin Puryear, Guido Reni, Adamo Scultori, Diana Scultori, Kiki Smith, Henry Ossawa Tanner, David Teniers the Younger, and Jacques Villon, along with two that are unidentified at the present time.

Download the PDF of this project here

Current installation dimensions: 86 x 118 inches (218.4 x 299.7 cm)
(Inventory #34971)

“Lines in Four Directions over 450 Years” explores the conceptual, formal, and social aspects of one particular technique from a contemporary perspective. As such, the collection of 28 works by 26 artists hang together on one wall as the latest iteration of Krakow Witkin Gallery’s “One Wall, One Work.” The unifying characteristic in the group is “hatching,” a technique used in Western drawing and printmaking mostly from the 1300’s and on. Hatching uses closely spaced parallel lines and, traditionally, it provides an image with depth, shade, and/or tone. “Crosshatching” uses another set of parallel lines which overlap or cross the hatching to provide further variations in shading. In the late 1960’s, Sol LeWitt used the technique of crosshatching and isolated it from its illustrative purpose. This provided him a visual vocabulary with endless and powerful iterative potential. With LeWitt’s work as inspiration, Krakow Witkin Gallery’s presentation explores differences between artists, techniques, and time periods, all while highlighting issues of equality, innovation, power, and space.

The collection began by putting the above works together and then spending the next few years slowly assembling a family of works that could live together and expand on the works’ conversations, both visually and conceptually. The full list of artists included are George Aikman, Cherubino Alberti, Cornelis Bloemaert, Louis Jacques Cathelin, William Charles, Daniel Nicolaus Chodowiecki, Robert Cottingham, Henri Fantin-Latour, Gego, Pieter Holdsteijn the Younger, William Hogarth, Käthe Kollwitz, Sol LeWitt, Mortimer Menpes, Thomas Milton, Crispin De Passe the Younger, Martin Puryear, Guido Reni, Adamo Scultori, Diana Scultori, Kiki Smith, Henry Ossawa Tanner, David Teniers the Younger, and Jacques Villon, along with two that are unidentified at the present time.

Download the PDF of this project here

Current installation dimensions: 86 x 118 inches (218.4 x 299.7 cm)
(Inventory #34971)

“Lines in Four Directions over 450 Years” explores the conceptual, formal, and social aspects of one particular technique from a contemporary perspective. As such, the collection of 28 works by 26 artists hang together on one wall as the latest iteration of Krakow Witkin Gallery’s “One Wall, One Work.” The unifying characteristic in the group is “hatching,” a technique used in Western drawing and printmaking mostly from the 1300’s and on. Hatching uses closely spaced parallel lines and, traditionally, it provides an image with depth, shade, and/or tone. “Crosshatching” uses another set of parallel lines which overlap or cross the hatching to provide further variations in shading. In the late 1960’s, Sol LeWitt used the technique of crosshatching and isolated it from its illustrative purpose. This provided him a visual vocabulary with endless and powerful iterative potential. With LeWitt’s work as inspiration, Krakow Witkin Gallery’s presentation explores differences between artists, techniques, and time periods, all while highlighting issues of equality, innovation, power, and space.

The collection began by putting the above works together and then spending the next few years slowly assembling a family of works that could live together and expand on the works’ conversations, both visually and conceptually. The full list of artists included are George Aikman, Cherubino Alberti, Cornelis Bloemaert, Louis Jacques Cathelin, William Charles, Daniel Nicolaus Chodowiecki, Robert Cottingham, Henri Fantin-Latour, Gego, Pieter Holdsteijn the Younger, William Hogarth, Käthe Kollwitz, Sol LeWitt, Mortimer Menpes, Thomas Milton, Crispin De Passe the Younger, Martin Puryear, Guido Reni, Adamo Scultori, Diana Scultori, Kiki Smith, Henry Ossawa Tanner, David Teniers the Younger, and Jacques Villon, along with two that are unidentified at the present time.

Download the PDF of this project here

Current installation dimensions: 86 x 118 inches (218.4 x 299.7 cm)
(Inventory #34971)

“Lines in Four Directions over 450 Years” explores the conceptual, formal, and social aspects of one particular technique from a contemporary perspective. As such, the collection of 28 works by 26 artists hang together on one wall as the latest iteration of Krakow Witkin Gallery’s “One Wall, One Work.” The unifying characteristic in the group is “hatching,” a technique used in Western drawing and printmaking mostly from the 1300’s and on. Hatching uses closely spaced parallel lines and, traditionally, it provides an image with depth, shade, and/or tone. “Crosshatching” uses another set of parallel lines which overlap or cross the hatching to provide further variations in shading. In the late 1960’s, Sol LeWitt used the technique of crosshatching and isolated it from its illustrative purpose. This provided him a visual vocabulary with endless and powerful iterative potential. With LeWitt’s work as inspiration, Krakow Witkin Gallery’s presentation explores differences between artists, techniques, and time periods, all while highlighting issues of equality, innovation, power, and space.

The collection began by putting the above works together and then spending the next few years slowly assembling a family of works that could live together and expand on the works’ conversations, both visually and conceptually. The full list of artists included are George Aikman, Cherubino Alberti, Cornelis Bloemaert, Louis Jacques Cathelin, William Charles, Daniel Nicolaus Chodowiecki, Robert Cottingham, Henri Fantin-Latour, Gego, Pieter Holdsteijn the Younger, William Hogarth, Käthe Kollwitz, Sol LeWitt, Mortimer Menpes, Thomas Milton, Crispin De Passe the Younger, Martin Puryear, Guido Reni, Adamo Scultori, Diana Scultori, Kiki Smith, Henry Ossawa Tanner, David Teniers the Younger, and Jacques Villon, along with two that are unidentified at the present time.

Download the PDF of this project here

Current installation dimensions: 86 x 118 inches (218.4 x 299.7 cm)
(Inventory #34971)

“Lines in Four Directions over 450 Years” explores the conceptual, formal, and social aspects of one particular technique from a contemporary perspective. As such, the collection of 28 works by 26 artists hang together on one wall as the latest iteration of Krakow Witkin Gallery’s “One Wall, One Work.” The unifying characteristic in the group is “hatching,” a technique used in Western drawing and printmaking mostly from the 1300’s and on. Hatching uses closely spaced parallel lines and, traditionally, it provides an image with depth, shade, and/or tone. “Crosshatching” uses another set of parallel lines which overlap or cross the hatching to provide further variations in shading. In the late 1960’s, Sol LeWitt used the technique of crosshatching and isolated it from its illustrative purpose. This provided him a visual vocabulary with endless and powerful iterative potential. With LeWitt’s work as inspiration, Krakow Witkin Gallery’s presentation explores differences between artists, techniques, and time periods, all while highlighting issues of equality, innovation, power, and space.

The collection began by putting the above works together and then spending the next few years slowly assembling a family of works that could live together and expand on the works’ conversations, both visually and conceptually. The full list of artists included are George Aikman, Cherubino Alberti, Cornelis Bloemaert, Louis Jacques Cathelin, William Charles, Daniel Nicolaus Chodowiecki, Robert Cottingham, Henri Fantin-Latour, Gego, Pieter Holdsteijn the Younger, William Hogarth, Käthe Kollwitz, Sol LeWitt, Mortimer Menpes, Thomas Milton, Crispin De Passe the Younger, Martin Puryear, Guido Reni, Adamo Scultori, Diana Scultori, Kiki Smith, Henry Ossawa Tanner, David Teniers the Younger, and Jacques Villon, along with two that are unidentified at the present time.

Download the PDF of this project here

Current installation dimensions: 86 x 118 inches (218.4 x 299.7 cm)
(Inventory #34971)

“Lines in Four Directions over 450 Years” explores the conceptual, formal, and social aspects of one particular technique from a contemporary perspective. As such, the collection of 28 works by 26 artists hang together on one wall as the latest iteration of Krakow Witkin Gallery’s “One Wall, One Work.” The unifying characteristic in the group is “hatching,” a technique used in Western drawing and printmaking mostly from the 1300’s and on. Hatching uses closely spaced parallel lines and, traditionally, it provides an image with depth, shade, and/or tone. “Crosshatching” uses another set of parallel lines which overlap or cross the hatching to provide further variations in shading. In the late 1960’s, Sol LeWitt used the technique of crosshatching and isolated it from its illustrative purpose. This provided him a visual vocabulary with endless and powerful iterative potential. With LeWitt’s work as inspiration, Krakow Witkin Gallery’s presentation explores differences between artists, techniques, and time periods, all while highlighting issues of equality, innovation, power, and space.

The collection began by putting the above works together and then spending the next few years slowly assembling a family of works that could live together and expand on the works’ conversations, both visually and conceptually. The full list of artists included are George Aikman, Cherubino Alberti, Cornelis Bloemaert, Louis Jacques Cathelin, William Charles, Daniel Nicolaus Chodowiecki, Robert Cottingham, Henri Fantin-Latour, Gego, Pieter Holdsteijn the Younger, William Hogarth, Käthe Kollwitz, Sol LeWitt, Mortimer Menpes, Thomas Milton, Crispin De Passe the Younger, Martin Puryear, Guido Reni, Adamo Scultori, Diana Scultori, Kiki Smith, Henry Ossawa Tanner, David Teniers the Younger, and Jacques Villon, along with two that are unidentified at the present time.

Download the PDF of this project here

Current installation dimensions: 86 x 118 inches (218.4 x 299.7 cm)
(Inventory #34971)

“Lines in Four Directions over 450 Years” explores the conceptual, formal, and social aspects of one particular technique from a contemporary perspective. As such, the collection of 28 works by 26 artists hang together on one wall as the latest iteration of Krakow Witkin Gallery’s “One Wall, One Work.” The unifying characteristic in the group is “hatching,” a technique used in Western drawing and printmaking mostly from the 1300’s and on. Hatching uses closely spaced parallel lines and, traditionally, it provides an image with depth, shade, and/or tone. “Crosshatching” uses another set of parallel lines which overlap or cross the hatching to provide further variations in shading. In the late 1960’s, Sol LeWitt used the technique of crosshatching and isolated it from its illustrative purpose. This provided him a visual vocabulary with endless and powerful iterative potential. With LeWitt’s work as inspiration, Krakow Witkin Gallery’s presentation explores differences between artists, techniques, and time periods, all while highlighting issues of equality, innovation, power, and space.

The collection began by putting the above works together and then spending the next few years slowly assembling a family of works that could live together and expand on the works’ conversations, both visually and conceptually. The full list of artists included are George Aikman, Cherubino Alberti, Cornelis Bloemaert, Louis Jacques Cathelin, William Charles, Daniel Nicolaus Chodowiecki, Robert Cottingham, Henri Fantin-Latour, Gego, Pieter Holdsteijn the Younger, William Hogarth, Käthe Kollwitz, Sol LeWitt, Mortimer Menpes, Thomas Milton, Crispin De Passe the Younger, Martin Puryear, Guido Reni, Adamo Scultori, Diana Scultori, Kiki Smith, Henry Ossawa Tanner, David Teniers the Younger, and Jacques Villon, along with two that are unidentified at the present time.

Download the PDF of this project here

Current installation dimensions: 86 x 118 inches (218.4 x 299.7 cm)
(Inventory #34971)

“Lines in Four Directions over 450 Years” explores the conceptual, formal, and social aspects of one particular technique from a contemporary perspective. As such, the collection of 28 works by 26 artists hang together on one wall as the latest iteration of Krakow Witkin Gallery’s “One Wall, One Work.” The unifying characteristic in the group is “hatching,” a technique used in Western drawing and printmaking mostly from the 1300’s and on. Hatching uses closely spaced parallel lines and, traditionally, it provides an image with depth, shade, and/or tone. “Crosshatching” uses another set of parallel lines which overlap or cross the hatching to provide further variations in shading. In the late 1960’s, Sol LeWitt used the technique of crosshatching and isolated it from its illustrative purpose. This provided him a visual vocabulary with endless and powerful iterative potential. With LeWitt’s work as inspiration, Krakow Witkin Gallery’s presentation explores differences between artists, techniques, and time periods, all while highlighting issues of equality, innovation, power, and space.

The collection began by putting the above works together and then spending the next few years slowly assembling a family of works that could live together and expand on the works’ conversations, both visually and conceptually. The full list of artists included are George Aikman, Cherubino Alberti, Cornelis Bloemaert, Louis Jacques Cathelin, William Charles, Daniel Nicolaus Chodowiecki, Robert Cottingham, Henri Fantin-Latour, Gego, Pieter Holdsteijn the Younger, William Hogarth, Käthe Kollwitz, Sol LeWitt, Mortimer Menpes, Thomas Milton, Crispin De Passe the Younger, Martin Puryear, Guido Reni, Adamo Scultori, Diana Scultori, Kiki Smith, Henry Ossawa Tanner, David Teniers the Younger, and Jacques Villon, along with two that are unidentified at the present time.

Download the PDF of this project here

Current installation dimensions: 86 x 118 inches (218.4 x 299.7 cm)
(Inventory #34971)

“Lines in Four Directions over 450 Years” explores the conceptual, formal, and social aspects of one particular technique from a contemporary perspective. As such, the collection of 28 works by 26 artists hang together on one wall as the latest iteration of Krakow Witkin Gallery’s “One Wall, One Work.” The unifying characteristic in the group is “hatching,” a technique used in Western drawing and printmaking mostly from the 1300’s and on. Hatching uses closely spaced parallel lines and, traditionally, it provides an image with depth, shade, and/or tone. “Crosshatching” uses another set of parallel lines which overlap or cross the hatching to provide further variations in shading. In the late 1960’s, Sol LeWitt used the technique of crosshatching and isolated it from its illustrative purpose. This provided him a visual vocabulary with endless and powerful iterative potential. With LeWitt’s work as inspiration, Krakow Witkin Gallery’s presentation explores differences between artists, techniques, and time periods, all while highlighting issues of equality, innovation, power, and space.

The collection began by putting the above works together and then spending the next few years slowly assembling a family of works that could live together and expand on the works’ conversations, both visually and conceptually. The full list of artists included are George Aikman, Cherubino Alberti, Cornelis Bloemaert, Louis Jacques Cathelin, William Charles, Daniel Nicolaus Chodowiecki, Robert Cottingham, Henri Fantin-Latour, Gego, Pieter Holdsteijn the Younger, William Hogarth, Käthe Kollwitz, Sol LeWitt, Mortimer Menpes, Thomas Milton, Crispin De Passe the Younger, Martin Puryear, Guido Reni, Adamo Scultori, Diana Scultori, Kiki Smith, Henry Ossawa Tanner, David Teniers the Younger, and Jacques Villon, along with two that are unidentified at the present time.

Download the PDF of this project here

Current installation dimensions: 86 x 118 inches (218.4 x 299.7 cm)
(Inventory #34971)

“Lines in Four Directions over 450 Years” explores the conceptual, formal, and social aspects of one particular technique from a contemporary perspective. As such, the collection of 28 works by 26 artists hang together on one wall as the latest iteration of Krakow Witkin Gallery’s “One Wall, One Work.” The unifying characteristic in the group is “hatching,” a technique used in Western drawing and printmaking mostly from the 1300’s and on. Hatching uses closely spaced parallel lines and, traditionally, it provides an image with depth, shade, and/or tone. “Crosshatching” uses another set of parallel lines which overlap or cross the hatching to provide further variations in shading. In the late 1960’s, Sol LeWitt used the technique of crosshatching and isolated it from its illustrative purpose. This provided him a visual vocabulary with endless and powerful iterative potential. With LeWitt’s work as inspiration, Krakow Witkin Gallery’s presentation explores differences between artists, techniques, and time periods, all while highlighting issues of equality, innovation, power, and space.

The collection began by putting the above works together and then spending the next few years slowly assembling a family of works that could live together and expand on the works’ conversations, both visually and conceptually. The full list of artists included are George Aikman, Cherubino Alberti, Cornelis Bloemaert, Louis Jacques Cathelin, William Charles, Daniel Nicolaus Chodowiecki, Robert Cottingham, Henri Fantin-Latour, Gego, Pieter Holdsteijn the Younger, William Hogarth, Käthe Kollwitz, Sol LeWitt, Mortimer Menpes, Thomas Milton, Crispin De Passe the Younger, Martin Puryear, Guido Reni, Adamo Scultori, Diana Scultori, Kiki Smith, Henry Ossawa Tanner, David Teniers the Younger, and Jacques Villon, along with two that are unidentified at the present time.

Download the PDF of this project here

Current installation dimensions: 86 x 118 inches (218.4 x 299.7 cm)
(Inventory #34971)

“Lines in Four Directions over 450 Years” explores the conceptual, formal, and social aspects of one particular technique from a contemporary perspective. As such, the collection of 28 works by 26 artists hang together on one wall as the latest iteration of Krakow Witkin Gallery’s “One Wall, One Work.” The unifying characteristic in the group is “hatching,” a technique used in Western drawing and printmaking mostly from the 1300’s and on. Hatching uses closely spaced parallel lines and, traditionally, it provides an image with depth, shade, and/or tone. “Crosshatching” uses another set of parallel lines which overlap or cross the hatching to provide further variations in shading. In the late 1960’s, Sol LeWitt used the technique of crosshatching and isolated it from its illustrative purpose. This provided him a visual vocabulary with endless and powerful iterative potential. With LeWitt’s work as inspiration, Krakow Witkin Gallery’s presentation explores differences between artists, techniques, and time periods, all while highlighting issues of equality, innovation, power, and space.

The collection began by putting the above works together and then spending the next few years slowly assembling a family of works that could live together and expand on the works’ conversations, both visually and conceptually. The full list of artists included are George Aikman, Cherubino Alberti, Cornelis Bloemaert, Louis Jacques Cathelin, William Charles, Daniel Nicolaus Chodowiecki, Robert Cottingham, Henri Fantin-Latour, Gego, Pieter Holdsteijn the Younger, William Hogarth, Käthe Kollwitz, Sol LeWitt, Mortimer Menpes, Thomas Milton, Crispin De Passe the Younger, Martin Puryear, Guido Reni, Adamo Scultori, Diana Scultori, Kiki Smith, Henry Ossawa Tanner, David Teniers the Younger, and Jacques Villon, along with two that are unidentified at the present time.

Download the PDF of this project here

Current installation dimensions: 86 x 118 inches (218.4 x 299.7 cm)
(Inventory #34971)

“Lines in Four Directions over 450 Years” explores the conceptual, formal, and social aspects of one particular technique from a contemporary perspective. As such, the collection of 28 works by 26 artists hang together on one wall as the latest iteration of Krakow Witkin Gallery’s “One Wall, One Work.” The unifying characteristic in the group is “hatching,” a technique used in Western drawing and printmaking mostly from the 1300’s and on. Hatching uses closely spaced parallel lines and, traditionally, it provides an image with depth, shade, and/or tone. “Crosshatching” uses another set of parallel lines which overlap or cross the hatching to provide further variations in shading. In the late 1960’s, Sol LeWitt used the technique of crosshatching and isolated it from its illustrative purpose. This provided him a visual vocabulary with endless and powerful iterative potential. With LeWitt’s work as inspiration, Krakow Witkin Gallery’s presentation explores differences between artists, techniques, and time periods, all while highlighting issues of equality, innovation, power, and space.

The collection began by putting the above works together and then spending the next few years slowly assembling a family of works that could live together and expand on the works’ conversations, both visually and conceptually. The full list of artists included are George Aikman, Cherubino Alberti, Cornelis Bloemaert, Louis Jacques Cathelin, William Charles, Daniel Nicolaus Chodowiecki, Robert Cottingham, Henri Fantin-Latour, Gego, Pieter Holdsteijn the Younger, William Hogarth, Käthe Kollwitz, Sol LeWitt, Mortimer Menpes, Thomas Milton, Crispin De Passe the Younger, Martin Puryear, Guido Reni, Adamo Scultori, Diana Scultori, Kiki Smith, Henry Ossawa Tanner, David Teniers the Younger, and Jacques Villon, along with two that are unidentified at the present time.

Download the PDF of this project here

Current installation dimensions: 86 x 118 inches (218.4 x 299.7 cm)
(Inventory #34971)

“Lines in Four Directions over 450 Years” explores the conceptual, formal, and social aspects of one particular technique from a contemporary perspective. As such, the collection of 28 works by 26 artists hang together on one wall as the latest iteration of Krakow Witkin Gallery’s “One Wall, One Work.” The unifying characteristic in the group is “hatching,” a technique used in Western drawing and printmaking mostly from the 1300’s and on. Hatching uses closely spaced parallel lines and, traditionally, it provides an image with depth, shade, and/or tone. “Crosshatching” uses another set of parallel lines which overlap or cross the hatching to provide further variations in shading. In the late 1960’s, Sol LeWitt used the technique of crosshatching and isolated it from its illustrative purpose. This provided him a visual vocabulary with endless and powerful iterative potential. With LeWitt’s work as inspiration, Krakow Witkin Gallery’s presentation explores differences between artists, techniques, and time periods, all while highlighting issues of equality, innovation, power, and space.

The collection began by putting the above works together and then spending the next few years slowly assembling a family of works that could live together and expand on the works’ conversations, both visually and conceptually. The full list of artists included are George Aikman, Cherubino Alberti, Cornelis Bloemaert, Louis Jacques Cathelin, William Charles, Daniel Nicolaus Chodowiecki, Robert Cottingham, Henri Fantin-Latour, Gego, Pieter Holdsteijn the Younger, William Hogarth, Käthe Kollwitz, Sol LeWitt, Mortimer Menpes, Thomas Milton, Crispin De Passe the Younger, Martin Puryear, Guido Reni, Adamo Scultori, Diana Scultori, Kiki Smith, Henry Ossawa Tanner, David Teniers the Younger, and Jacques Villon, along with two that are unidentified at the present time.

Download the PDF of this project here

Current installation dimensions: 86 x 118 inches (218.4 x 299.7 cm)
(Inventory #34971)

“Lines in Four Directions over 450 Years” explores the conceptual, formal, and social aspects of one particular technique from a contemporary perspective. As such, the collection of 28 works by 26 artists hang together on one wall as the latest iteration of Krakow Witkin Gallery’s “One Wall, One Work.” The unifying characteristic in the group is “hatching,” a technique used in Western drawing and printmaking mostly from the 1300’s and on. Hatching uses closely spaced parallel lines and, traditionally, it provides an image with depth, shade, and/or tone. “Crosshatching” uses another set of parallel lines which overlap or cross the hatching to provide further variations in shading. In the late 1960’s, Sol LeWitt used the technique of crosshatching and isolated it from its illustrative purpose. This provided him a visual vocabulary with endless and powerful iterative potential. With LeWitt’s work as inspiration, Krakow Witkin Gallery’s presentation explores differences between artists, techniques, and time periods, all while highlighting issues of equality, innovation, power, and space.

The collection began by putting the above works together and then spending the next few years slowly assembling a family of works that could live together and expand on the works’ conversations, both visually and conceptually. The full list of artists included are George Aikman, Cherubino Alberti, Cornelis Bloemaert, Louis Jacques Cathelin, William Charles, Daniel Nicolaus Chodowiecki, Robert Cottingham, Henri Fantin-Latour, Gego, Pieter Holdsteijn the Younger, William Hogarth, Käthe Kollwitz, Sol LeWitt, Mortimer Menpes, Thomas Milton, Crispin De Passe the Younger, Martin Puryear, Guido Reni, Adamo Scultori, Diana Scultori, Kiki Smith, Henry Ossawa Tanner, David Teniers the Younger, and Jacques Villon, along with two that are unidentified at the present time.

Download the PDF of this project here

Current installation dimensions: 86 x 118 inches (218.4 x 299.7 cm)
(Inventory #34971)

“Lines in Four Directions over 450 Years” explores the conceptual, formal, and social aspects of one particular technique from a contemporary perspective. As such, the collection of 28 works by 26 artists hang together on one wall as the latest iteration of Krakow Witkin Gallery’s “One Wall, One Work.” The unifying characteristic in the group is “hatching,” a technique used in Western drawing and printmaking mostly from the 1300’s and on. Hatching uses closely spaced parallel lines and, traditionally, it provides an image with depth, shade, and/or tone. “Crosshatching” uses another set of parallel lines which overlap or cross the hatching to provide further variations in shading. In the late 1960’s, Sol LeWitt used the technique of crosshatching and isolated it from its illustrative purpose. This provided him a visual vocabulary with endless and powerful iterative potential. With LeWitt’s work as inspiration, Krakow Witkin Gallery’s presentation explores differences between artists, techniques, and time periods, all while highlighting issues of equality, innovation, power, and space.

The collection began by putting the above works together and then spending the next few years slowly assembling a family of works that could live together and expand on the works’ conversations, both visually and conceptually. The full list of artists included are George Aikman, Cherubino Alberti, Cornelis Bloemaert, Louis Jacques Cathelin, William Charles, Daniel Nicolaus Chodowiecki, Robert Cottingham, Henri Fantin-Latour, Gego, Pieter Holdsteijn the Younger, William Hogarth, Käthe Kollwitz, Sol LeWitt, Mortimer Menpes, Thomas Milton, Crispin De Passe the Younger, Martin Puryear, Guido Reni, Adamo Scultori, Diana Scultori, Kiki Smith, Henry Ossawa Tanner, David Teniers the Younger, and Jacques Villon, along with two that are unidentified at the present time.

Download the PDF of this project here

Current installation dimensions: 86 x 118 inches (218.4 x 299.7 cm)
(Inventory #34971)

“Lines in Four Directions over 450 Years” explores the conceptual, formal, and social aspects of one particular technique from a contemporary perspective. As such, the collection of 28 works by 26 artists hang together on one wall as the latest iteration of Krakow Witkin Gallery’s “One Wall, One Work.” The unifying characteristic in the group is “hatching,” a technique used in Western drawing and printmaking mostly from the 1300’s and on. Hatching uses closely spaced parallel lines and, traditionally, it provides an image with depth, shade, and/or tone. “Crosshatching” uses another set of parallel lines which overlap or cross the hatching to provide further variations in shading. In the late 1960’s, Sol LeWitt used the technique of crosshatching and isolated it from its illustrative purpose. This provided him a visual vocabulary with endless and powerful iterative potential. With LeWitt’s work as inspiration, Krakow Witkin Gallery’s presentation explores differences between artists, techniques, and time periods, all while highlighting issues of equality, innovation, power, and space.

The collection began by putting the above works together and then spending the next few years slowly assembling a family of works that could live together and expand on the works’ conversations, both visually and conceptually. The full list of artists included are George Aikman, Cherubino Alberti, Cornelis Bloemaert, Louis Jacques Cathelin, William Charles, Daniel Nicolaus Chodowiecki, Robert Cottingham, Henri Fantin-Latour, Gego, Pieter Holdsteijn the Younger, William Hogarth, Käthe Kollwitz, Sol LeWitt, Mortimer Menpes, Thomas Milton, Crispin De Passe the Younger, Martin Puryear, Guido Reni, Adamo Scultori, Diana Scultori, Kiki Smith, Henry Ossawa Tanner, David Teniers the Younger, and Jacques Villon, along with two that are unidentified at the present time.

Download the PDF of this project here

Current installation dimensions: 86 x 118 inches (218.4 x 299.7 cm)
(Inventory #34971)

“Lines in Four Directions over 450 Years” explores the conceptual, formal, and social aspects of one particular technique from a contemporary perspective. As such, the collection of 28 works by 26 artists hang together on one wall as the latest iteration of Krakow Witkin Gallery’s “One Wall, One Work.” The unifying characteristic in the group is “hatching,” a technique used in Western drawing and printmaking mostly from the 1300’s and on. Hatching uses closely spaced parallel lines and, traditionally, it provides an image with depth, shade, and/or tone. “Crosshatching” uses another set of parallel lines which overlap or cross the hatching to provide further variations in shading. In the late 1960’s, Sol LeWitt used the technique of crosshatching and isolated it from its illustrative purpose. This provided him a visual vocabulary with endless and powerful iterative potential. With LeWitt’s work as inspiration, Krakow Witkin Gallery’s presentation explores differences between artists, techniques, and time periods, all while highlighting issues of equality, innovation, power, and space.

The collection began by putting the above works together and then spending the next few years slowly assembling a family of works that could live together and expand on the works’ conversations, both visually and conceptually. The full list of artists included are George Aikman, Cherubino Alberti, Cornelis Bloemaert, Louis Jacques Cathelin, William Charles, Daniel Nicolaus Chodowiecki, Robert Cottingham, Henri Fantin-Latour, Gego, Pieter Holdsteijn the Younger, William Hogarth, Käthe Kollwitz, Sol LeWitt, Mortimer Menpes, Thomas Milton, Crispin De Passe the Younger, Martin Puryear, Guido Reni, Adamo Scultori, Diana Scultori, Kiki Smith, Henry Ossawa Tanner, David Teniers the Younger, and Jacques Villon, along with two that are unidentified at the present time.

Download the PDF of this project here

Current installation dimensions: 86 x 118 inches (218.4 x 299.7 cm)
(Inventory #34971)

“Lines in Four Directions over 450 Years” explores the conceptual, formal, and social aspects of one particular technique from a contemporary perspective. As such, the collection of 28 works by 26 artists hang together on one wall as the latest iteration of Krakow Witkin Gallery’s “One Wall, One Work.” The unifying characteristic in the group is “hatching,” a technique used in Western drawing and printmaking mostly from the 1300’s and on. Hatching uses closely spaced parallel lines and, traditionally, it provides an image with depth, shade, and/or tone. “Crosshatching” uses another set of parallel lines which overlap or cross the hatching to provide further variations in shading. In the late 1960’s, Sol LeWitt used the technique of crosshatching and isolated it from its illustrative purpose. This provided him a visual vocabulary with endless and powerful iterative potential. With LeWitt’s work as inspiration, Krakow Witkin Gallery’s presentation explores differences between artists, techniques, and time periods, all while highlighting issues of equality, innovation, power, and space.

The collection began by putting the above works together and then spending the next few years slowly assembling a family of works that could live together and expand on the works’ conversations, both visually and conceptually. The full list of artists included are George Aikman, Cherubino Alberti, Cornelis Bloemaert, Louis Jacques Cathelin, William Charles, Daniel Nicolaus Chodowiecki, Robert Cottingham, Henri Fantin-Latour, Gego, Pieter Holdsteijn the Younger, William Hogarth, Käthe Kollwitz, Sol LeWitt, Mortimer Menpes, Thomas Milton, Crispin De Passe the Younger, Martin Puryear, Guido Reni, Adamo Scultori, Diana Scultori, Kiki Smith, Henry Ossawa Tanner, David Teniers the Younger, and Jacques Villon, along with two that are unidentified at the present time.

Download the PDF of this project here

Current installation dimensions: 86 x 118 inches (218.4 x 299.7 cm)
(Inventory #34971)

“Lines in Four Directions over 450 Years” explores the conceptual, formal, and social aspects of one particular technique from a contemporary perspective. As such, the collection of 28 works by 26 artists hang together on one wall as the latest iteration of Krakow Witkin Gallery’s “One Wall, One Work.” The unifying characteristic in the group is “hatching,” a technique used in Western drawing and printmaking mostly from the 1300’s and on. Hatching uses closely spaced parallel lines and, traditionally, it provides an image with depth, shade, and/or tone. “Crosshatching” uses another set of parallel lines which overlap or cross the hatching to provide further variations in shading. In the late 1960’s, Sol LeWitt used the technique of crosshatching and isolated it from its illustrative purpose. This provided him a visual vocabulary with endless and powerful iterative potential. With LeWitt’s work as inspiration, Krakow Witkin Gallery’s presentation explores differences between artists, techniques, and time periods, all while highlighting issues of equality, innovation, power, and space.

The collection began by putting the above works together and then spending the next few years slowly assembling a family of works that could live together and expand on the works’ conversations, both visually and conceptually. The full list of artists included are George Aikman, Cherubino Alberti, Cornelis Bloemaert, Louis Jacques Cathelin, William Charles, Daniel Nicolaus Chodowiecki, Robert Cottingham, Henri Fantin-Latour, Gego, Pieter Holdsteijn the Younger, William Hogarth, Käthe Kollwitz, Sol LeWitt, Mortimer Menpes, Thomas Milton, Crispin De Passe the Younger, Martin Puryear, Guido Reni, Adamo Scultori, Diana Scultori, Kiki Smith, Henry Ossawa Tanner, David Teniers the Younger, and Jacques Villon, along with two that are unidentified at the present time.

Download the PDF of this project here

Current installation dimensions: 86 x 118 inches (218.4 x 299.7 cm)
(Inventory #34971)

“Lines in Four Directions over 450 Years” explores the conceptual, formal, and social aspects of one particular technique from a contemporary perspective. As such, the collection of 28 works by 26 artists hang together on one wall as the latest iteration of Krakow Witkin Gallery’s “One Wall, One Work.” The unifying characteristic in the group is “hatching,” a technique used in Western drawing and printmaking mostly from the 1300’s and on. Hatching uses closely spaced parallel lines and, traditionally, it provides an image with depth, shade, and/or tone. “Crosshatching” uses another set of parallel lines which overlap or cross the hatching to provide further variations in shading. In the late 1960’s, Sol LeWitt used the technique of crosshatching and isolated it from its illustrative purpose. This provided him a visual vocabulary with endless and powerful iterative potential. With LeWitt’s work as inspiration, Krakow Witkin Gallery’s presentation explores differences between artists, techniques, and time periods, all while highlighting issues of equality, innovation, power, and space.

The collection began by putting the above works together and then spending the next few years slowly assembling a family of works that could live together and expand on the works’ conversations, both visually and conceptually. The full list of artists included are George Aikman, Cherubino Alberti, Cornelis Bloemaert, Louis Jacques Cathelin, William Charles, Daniel Nicolaus Chodowiecki, Robert Cottingham, Henri Fantin-Latour, Gego, Pieter Holdsteijn the Younger, William Hogarth, Käthe Kollwitz, Sol LeWitt, Mortimer Menpes, Thomas Milton, Crispin De Passe the Younger, Martin Puryear, Guido Reni, Adamo Scultori, Diana Scultori, Kiki Smith, Henry Ossawa Tanner, David Teniers the Younger, and Jacques Villon, along with two that are unidentified at the present time.

Download the PDF of this project here

Current installation dimensions: 86 x 118 inches (218.4 x 299.7 cm)
(Inventory #34971)

“Lines in Four Directions over 450 Years” explores the conceptual, formal, and social aspects of one particular technique from a contemporary perspective. As such, the collection of 28 works by 26 artists hang together on one wall as the latest iteration of Krakow Witkin Gallery’s “One Wall, One Work.” The unifying characteristic in the group is “hatching,” a technique used in Western drawing and printmaking mostly from the 1300’s and on. Hatching uses closely spaced parallel lines and, traditionally, it provides an image with depth, shade, and/or tone. “Crosshatching” uses another set of parallel lines which overlap or cross the hatching to provide further variations in shading. In the late 1960’s, Sol LeWitt used the technique of crosshatching and isolated it from its illustrative purpose. This provided him a visual vocabulary with endless and powerful iterative potential. With LeWitt’s work as inspiration, Krakow Witkin Gallery’s presentation explores differences between artists, techniques, and time periods, all while highlighting issues of equality, innovation, power, and space.

The collection began by putting the above works together and then spending the next few years slowly assembling a family of works that could live together and expand on the works’ conversations, both visually and conceptually. The full list of artists included are George Aikman, Cherubino Alberti, Cornelis Bloemaert, Louis Jacques Cathelin, William Charles, Daniel Nicolaus Chodowiecki, Robert Cottingham, Henri Fantin-Latour, Gego, Pieter Holdsteijn the Younger, William Hogarth, Käthe Kollwitz, Sol LeWitt, Mortimer Menpes, Thomas Milton, Crispin De Passe the Younger, Martin Puryear, Guido Reni, Adamo Scultori, Diana Scultori, Kiki Smith, Henry Ossawa Tanner, David Teniers the Younger, and Jacques Villon, along with two that are unidentified at the present time.

Download the PDF of this project here

Current installation dimensions: 86 x 118 inches (218.4 x 299.7 cm)
(Inventory #34971)

“Lines in Four Directions over 450 Years” explores the conceptual, formal, and social aspects of one particular technique from a contemporary perspective. As such, the collection of 28 works by 26 artists hang together on one wall as the latest iteration of Krakow Witkin Gallery’s “One Wall, One Work.” The unifying characteristic in the group is “hatching,” a technique used in Western drawing and printmaking mostly from the 1300’s and on. Hatching uses closely spaced parallel lines and, traditionally, it provides an image with depth, shade, and/or tone. “Crosshatching” uses another set of parallel lines which overlap or cross the hatching to provide further variations in shading. In the late 1960’s, Sol LeWitt used the technique of crosshatching and isolated it from its illustrative purpose. This provided him a visual vocabulary with endless and powerful iterative potential. With LeWitt’s work as inspiration, Krakow Witkin Gallery’s presentation explores differences between artists, techniques, and time periods, all while highlighting issues of equality, innovation, power, and space.

The collection began by putting the above works together and then spending the next few years slowly assembling a family of works that could live together and expand on the works’ conversations, both visually and conceptually. The full list of artists included are George Aikman, Cherubino Alberti, Cornelis Bloemaert, Louis Jacques Cathelin, William Charles, Daniel Nicolaus Chodowiecki, Robert Cottingham, Henri Fantin-Latour, Gego, Pieter Holdsteijn the Younger, William Hogarth, Käthe Kollwitz, Sol LeWitt, Mortimer Menpes, Thomas Milton, Crispin De Passe the Younger, Martin Puryear, Guido Reni, Adamo Scultori, Diana Scultori, Kiki Smith, Henry Ossawa Tanner, David Teniers the Younger, and Jacques Villon, along with two that are unidentified at the present time.

Download the PDF of this project here

Current installation dimensions: 86 x 118 inches (218.4 x 299.7 cm)
(Inventory #34971)

“Lines in Four Directions over 450 Years” explores the conceptual, formal, and social aspects of one particular technique from a contemporary perspective. As such, the collection of 28 works by 26 artists hang together on one wall as the latest iteration of Krakow Witkin Gallery’s “One Wall, One Work.” The unifying characteristic in the group is “hatching,” a technique used in Western drawing and printmaking mostly from the 1300’s and on. Hatching uses closely spaced parallel lines and, traditionally, it provides an image with depth, shade, and/or tone. “Crosshatching” uses another set of parallel lines which overlap or cross the hatching to provide further variations in shading. In the late 1960’s, Sol LeWitt used the technique of crosshatching and isolated it from its illustrative purpose. This provided him a visual vocabulary with endless and powerful iterative potential. With LeWitt’s work as inspiration, Krakow Witkin Gallery’s presentation explores differences between artists, techniques, and time periods, all while highlighting issues of equality, innovation, power, and space.

The collection began by putting the above works together and then spending the next few years slowly assembling a family of works that could live together and expand on the works’ conversations, both visually and conceptually. The full list of artists included are George Aikman, Cherubino Alberti, Cornelis Bloemaert, Louis Jacques Cathelin, William Charles, Daniel Nicolaus Chodowiecki, Robert Cottingham, Henri Fantin-Latour, Gego, Pieter Holdsteijn the Younger, William Hogarth, Käthe Kollwitz, Sol LeWitt, Mortimer Menpes, Thomas Milton, Crispin De Passe the Younger, Martin Puryear, Guido Reni, Adamo Scultori, Diana Scultori, Kiki Smith, Henry Ossawa Tanner, David Teniers the Younger, and Jacques Villon, along with two that are unidentified at the present time.

Download the PDF of this project here

Current installation dimensions: 86 x 118 inches (218.4 x 299.7 cm)
(Inventory #34971)

“Lines in Four Directions over 450 Years” explores the conceptual, formal, and social aspects of one particular technique from a contemporary perspective. As such, the collection of 28 works by 26 artists hang together on one wall as the latest iteration of Krakow Witkin Gallery’s “One Wall, One Work.” The unifying characteristic in the group is “hatching,” a technique used in Western drawing and printmaking mostly from the 1300’s and on. Hatching uses closely spaced parallel lines and, traditionally, it provides an image with depth, shade, and/or tone. “Crosshatching” uses another set of parallel lines which overlap or cross the hatching to provide further variations in shading. In the late 1960’s, Sol LeWitt used the technique of crosshatching and isolated it from its illustrative purpose. This provided him a visual vocabulary with endless and powerful iterative potential. With LeWitt’s work as inspiration, Krakow Witkin Gallery’s presentation explores differences between artists, techniques, and time periods, all while highlighting issues of equality, innovation, power, and space.

The collection began by putting the above works together and then spending the next few years slowly assembling a family of works that could live together and expand on the works’ conversations, both visually and conceptually. The full list of artists included are George Aikman, Cherubino Alberti, Cornelis Bloemaert, Louis Jacques Cathelin, William Charles, Daniel Nicolaus Chodowiecki, Robert Cottingham, Henri Fantin-Latour, Gego, Pieter Holdsteijn the Younger, William Hogarth, Käthe Kollwitz, Sol LeWitt, Mortimer Menpes, Thomas Milton, Crispin De Passe the Younger, Martin Puryear, Guido Reni, Adamo Scultori, Diana Scultori, Kiki Smith, Henry Ossawa Tanner, David Teniers the Younger, and Jacques Villon, along with two that are unidentified at the present time.

Download the PDF of this project here

Current installation dimensions: 86 x 118 inches (218.4 x 299.7 cm)
(Inventory #34971)

“Lines in Four Directions over 450 Years” explores the conceptual, formal, and social aspects of one particular technique from a contemporary perspective. As such, the collection of 28 works by 26 artists hang together on one wall as the latest iteration of Krakow Witkin Gallery’s “One Wall, One Work.” The unifying characteristic in the group is “hatching,” a technique used in Western drawing and printmaking mostly from the 1300’s and on. Hatching uses closely spaced parallel lines and, traditionally, it provides an image with depth, shade, and/or tone. “Crosshatching” uses another set of parallel lines which overlap or cross the hatching to provide further variations in shading. In the late 1960’s, Sol LeWitt used the technique of crosshatching and isolated it from its illustrative purpose. This provided him a visual vocabulary with endless and powerful iterative potential. With LeWitt’s work as inspiration, Krakow Witkin Gallery’s presentation explores differences between artists, techniques, and time periods, all while highlighting issues of equality, innovation, power, and space.

The collection began by putting the above works together and then spending the next few years slowly assembling a family of works that could live together and expand on the works’ conversations, both visually and conceptually. The full list of artists included are George Aikman, Cherubino Alberti, Cornelis Bloemaert, Louis Jacques Cathelin, William Charles, Daniel Nicolaus Chodowiecki, Robert Cottingham, Henri Fantin-Latour, Gego, Pieter Holdsteijn the Younger, William Hogarth, Käthe Kollwitz, Sol LeWitt, Mortimer Menpes, Thomas Milton, Crispin De Passe the Younger, Martin Puryear, Guido Reni, Adamo Scultori, Diana Scultori, Kiki Smith, Henry Ossawa Tanner, David Teniers the Younger, and Jacques Villon, along with two that are unidentified at the present time.

Download the PDF of this project here

Current installation dimensions: 86 x 118 inches (218.4 x 299.7 cm)
(Inventory #34971)

“Lines in Four Directions over 450 Years” explores the conceptual, formal, and social aspects of one particular technique from a contemporary perspective. As such, the collection of 28 works by 26 artists hang together on one wall as the latest iteration of Krakow Witkin Gallery’s “One Wall, One Work.” The unifying characteristic in the group is “hatching,” a technique used in Western drawing and printmaking mostly from the 1300’s and on. Hatching uses closely spaced parallel lines and, traditionally, it provides an image with depth, shade, and/or tone. “Crosshatching” uses another set of parallel lines which overlap or cross the hatching to provide further variations in shading. In the late 1960’s, Sol LeWitt used the technique of crosshatching and isolated it from its illustrative purpose. This provided him a visual vocabulary with endless and powerful iterative potential. With LeWitt’s work as inspiration, Krakow Witkin Gallery’s presentation explores differences between artists, techniques, and time periods, all while highlighting issues of equality, innovation, power, and space.

The collection began by putting the above works together and then spending the next few years slowly assembling a family of works that could live together and expand on the works’ conversations, both visually and conceptually. The full list of artists included are George Aikman, Cherubino Alberti, Cornelis Bloemaert, Louis Jacques Cathelin, William Charles, Daniel Nicolaus Chodowiecki, Robert Cottingham, Henri Fantin-Latour, Gego, Pieter Holdsteijn the Younger, William Hogarth, Käthe Kollwitz, Sol LeWitt, Mortimer Menpes, Thomas Milton, Crispin De Passe the Younger, Martin Puryear, Guido Reni, Adamo Scultori, Diana Scultori, Kiki Smith, Henry Ossawa Tanner, David Teniers the Younger, and Jacques Villon, along with two that are unidentified at the present time.

Download the PDF of this project here

Current installation dimensions: 86 x 118 inches (218.4 x 299.7 cm)
(Inventory #34971)

“Lines in Four Directions over 450 Years” explores the conceptual, formal, and social aspects of one particular technique from a contemporary perspective. As such, the collection of 28 works by 26 artists hang together on one wall as the latest iteration of Krakow Witkin Gallery’s “One Wall, One Work.” The unifying characteristic in the group is “hatching,” a technique used in Western drawing and printmaking mostly from the 1300’s and on. Hatching uses closely spaced parallel lines and, traditionally, it provides an image with depth, shade, and/or tone. “Crosshatching” uses another set of parallel lines which overlap or cross the hatching to provide further variations in shading. In the late 1960’s, Sol LeWitt used the technique of crosshatching and isolated it from its illustrative purpose. This provided him a visual vocabulary with endless and powerful iterative potential. With LeWitt’s work as inspiration, Krakow Witkin Gallery’s presentation explores differences between artists, techniques, and time periods, all while highlighting issues of equality, innovation, power, and space.

The collection began by putting the above works together and then spending the next few years slowly assembling a family of works that could live together and expand on the works’ conversations, both visually and conceptually. The full list of artists included are George Aikman, Cherubino Alberti, Cornelis Bloemaert, Louis Jacques Cathelin, William Charles, Daniel Nicolaus Chodowiecki, Robert Cottingham, Henri Fantin-Latour, Gego, Pieter Holdsteijn the Younger, William Hogarth, Käthe Kollwitz, Sol LeWitt, Mortimer Menpes, Thomas Milton, Crispin De Passe the Younger, Martin Puryear, Guido Reni, Adamo Scultori, Diana Scultori, Kiki Smith, Henry Ossawa Tanner, David Teniers the Younger, and Jacques Villon, along with two that are unidentified at the present time.

Download the PDF of this project here

Current installation dimensions: 86 x 118 inches (218.4 x 299.7 cm)
(Inventory #34971)

“Lines in Four Directions over 450 Years” explores the conceptual, formal, and social aspects of one particular technique from a contemporary perspective. As such, the collection of 28 works by 26 artists hang together on one wall as the latest iteration of Krakow Witkin Gallery’s “One Wall, One Work.” The unifying characteristic in the group is “hatching,” a technique used in Western drawing and printmaking mostly from the 1300’s and on. Hatching uses closely spaced parallel lines and, traditionally, it provides an image with depth, shade, and/or tone. “Crosshatching” uses another set of parallel lines which overlap or cross the hatching to provide further variations in shading. In the late 1960’s, Sol LeWitt used the technique of crosshatching and isolated it from its illustrative purpose. This provided him a visual vocabulary with endless and powerful iterative potential. With LeWitt’s work as inspiration, Krakow Witkin Gallery’s presentation explores differences between artists, techniques, and time periods, all while highlighting issues of equality, innovation, power, and space.

The collection began by putting the above works together and then spending the next few years slowly assembling a family of works that could live together and expand on the works’ conversations, both visually and conceptually. The full list of artists included are George Aikman, Cherubino Alberti, Cornelis Bloemaert, Louis Jacques Cathelin, William Charles, Daniel Nicolaus Chodowiecki, Robert Cottingham, Henri Fantin-Latour, Gego, Pieter Holdsteijn the Younger, William Hogarth, Käthe Kollwitz, Sol LeWitt, Mortimer Menpes, Thomas Milton, Crispin De Passe the Younger, Martin Puryear, Guido Reni, Adamo Scultori, Diana Scultori, Kiki Smith, Henry Ossawa Tanner, David Teniers the Younger, and Jacques Villon, along with two that are unidentified at the present time.

Download the PDF of this project here

Current installation dimensions: 86 x 118 inches (218.4 x 299.7 cm)
(Inventory #34971)

“Lines in Four Directions over 450 Years” explores the conceptual, formal, and social aspects of one particular technique from a contemporary perspective. As such, the collection of 28 works by 26 artists hang together on one wall as the latest iteration of Krakow Witkin Gallery’s “One Wall, One Work.” The unifying characteristic in the group is “hatching,” a technique used in Western drawing and printmaking mostly from the 1300’s and on. Hatching uses closely spaced parallel lines and, traditionally, it provides an image with depth, shade, and/or tone. “Crosshatching” uses another set of parallel lines which overlap or cross the hatching to provide further variations in shading. In the late 1960’s, Sol LeWitt used the technique of crosshatching and isolated it from its illustrative purpose. This provided him a visual vocabulary with endless and powerful iterative potential. With LeWitt’s work as inspiration, Krakow Witkin Gallery’s presentation explores differences between artists, techniques, and time periods, all while highlighting issues of equality, innovation, power, and space.

The collection began by putting the above works together and then spending the next few years slowly assembling a family of works that could live together and expand on the works’ conversations, both visually and conceptually. The full list of artists included are George Aikman, Cherubino Alberti, Cornelis Bloemaert, Louis Jacques Cathelin, William Charles, Daniel Nicolaus Chodowiecki, Robert Cottingham, Henri Fantin-Latour, Gego, Pieter Holdsteijn the Younger, William Hogarth, Käthe Kollwitz, Sol LeWitt, Mortimer Menpes, Thomas Milton, Crispin De Passe the Younger, Martin Puryear, Guido Reni, Adamo Scultori, Diana Scultori, Kiki Smith, Henry Ossawa Tanner, David Teniers the Younger, and Jacques Villon, along with two that are unidentified at the present time.

Download the PDF of this project here

Current installation dimensions: 86 x 118 inches (218.4 x 299.7 cm)
(Inventory #34971)

“Lines in Four Directions over 450 Years” explores the conceptual, formal, and social aspects of one particular technique from a contemporary perspective. As such, the collection of 28 works by 26 artists hang together on one wall as the latest iteration of Krakow Witkin Gallery’s “One Wall, One Work.” The unifying characteristic in the group is “hatching,” a technique used in Western drawing and printmaking mostly from the 1300’s and on. Hatching uses closely spaced parallel lines and, traditionally, it provides an image with depth, shade, and/or tone. “Crosshatching” uses another set of parallel lines which overlap or cross the hatching to provide further variations in shading. In the late 1960’s, Sol LeWitt used the technique of crosshatching and isolated it from its illustrative purpose. This provided him a visual vocabulary with endless and powerful iterative potential. With LeWitt’s work as inspiration, Krakow Witkin Gallery’s presentation explores differences between artists, techniques, and time periods, all while highlighting issues of equality, innovation, power, and space.

The collection began by putting the above works together and then spending the next few years slowly assembling a family of works that could live together and expand on the works’ conversations, both visually and conceptually. The full list of artists included are George Aikman, Cherubino Alberti, Cornelis Bloemaert, Louis Jacques Cathelin, William Charles, Daniel Nicolaus Chodowiecki, Robert Cottingham, Henri Fantin-Latour, Gego, Pieter Holdsteijn the Younger, William Hogarth, Käthe Kollwitz, Sol LeWitt, Mortimer Menpes, Thomas Milton, Crispin De Passe the Younger, Martin Puryear, Guido Reni, Adamo Scultori, Diana Scultori, Kiki Smith, Henry Ossawa Tanner, David Teniers the Younger, and Jacques Villon, along with two that are unidentified at the present time.

Download the PDF of this project here

Current installation dimensions: 86 x 118 inches (218.4 x 299.7 cm)
(Inventory #34971)

“Lines in Four Directions over 450 Years” explores the conceptual, formal, and social aspects of one particular technique from a contemporary perspective. As such, the collection of 28 works by 26 artists hang together on one wall as the latest iteration of Krakow Witkin Gallery’s “One Wall, One Work.” The unifying characteristic in the group is “hatching,” a technique used in Western drawing and printmaking mostly from the 1300’s and on. Hatching uses closely spaced parallel lines and, traditionally, it provides an image with depth, shade, and/or tone. “Crosshatching” uses another set of parallel lines which overlap or cross the hatching to provide further variations in shading. In the late 1960’s, Sol LeWitt used the technique of crosshatching and isolated it from its illustrative purpose. This provided him a visual vocabulary with endless and powerful iterative potential. With LeWitt’s work as inspiration, Krakow Witkin Gallery’s presentation explores differences between artists, techniques, and time periods, all while highlighting issues of equality, innovation, power, and space.

The collection began by putting the above works together and then spending the next few years slowly assembling a family of works that could live together and expand on the works’ conversations, both visually and conceptually. The full list of artists included are George Aikman, Cherubino Alberti, Cornelis Bloemaert, Louis Jacques Cathelin, William Charles, Daniel Nicolaus Chodowiecki, Robert Cottingham, Henri Fantin-Latour, Gego, Pieter Holdsteijn the Younger, William Hogarth, Käthe Kollwitz, Sol LeWitt, Mortimer Menpes, Thomas Milton, Crispin De Passe the Younger, Martin Puryear, Guido Reni, Adamo Scultori, Diana Scultori, Kiki Smith, Henry Ossawa Tanner, David Teniers the Younger, and Jacques Villon, along with two that are unidentified at the present time.

Download the PDF of this project here

Current installation dimensions: 86 x 118 inches (218.4 x 299.7 cm)
(Inventory #34971)

“Lines in Four Directions over 450 Years” explores the conceptual, formal, and social aspects of one particular technique from a contemporary perspective. As such, the collection of 28 works by 26 artists hang together on one wall as the latest iteration of Krakow Witkin Gallery’s “One Wall, One Work.” The unifying characteristic in the group is “hatching,” a technique used in Western drawing and printmaking mostly from the 1300’s and on. Hatching uses closely spaced parallel lines and, traditionally, it provides an image with depth, shade, and/or tone. “Crosshatching” uses another set of parallel lines which overlap or cross the hatching to provide further variations in shading. In the late 1960’s, Sol LeWitt used the technique of crosshatching and isolated it from its illustrative purpose. This provided him a visual vocabulary with endless and powerful iterative potential. With LeWitt’s work as inspiration, Krakow Witkin Gallery’s presentation explores differences between artists, techniques, and time periods, all while highlighting issues of equality, innovation, power, and space.

The collection began by putting the above works together and then spending the next few years slowly assembling a family of works that could live together and expand on the works’ conversations, both visually and conceptually. The full list of artists included are George Aikman, Cherubino Alberti, Cornelis Bloemaert, Louis Jacques Cathelin, William Charles, Daniel Nicolaus Chodowiecki, Robert Cottingham, Henri Fantin-Latour, Gego, Pieter Holdsteijn the Younger, William Hogarth, Käthe Kollwitz, Sol LeWitt, Mortimer Menpes, Thomas Milton, Crispin De Passe the Younger, Martin Puryear, Guido Reni, Adamo Scultori, Diana Scultori, Kiki Smith, Henry Ossawa Tanner, David Teniers the Younger, and Jacques Villon, along with two that are unidentified at the present time.

Download the PDF of this project here

Current installation dimensions: 86 x 118 inches (218.4 x 299.7 cm)
(Inventory #34971)

“Lines in Four Directions over 450 Years” explores the conceptual, formal, and social aspects of one particular technique from a contemporary perspective. As such, the collection of 28 works by 26 artists hang together on one wall as the latest iteration of Krakow Witkin Gallery’s “One Wall, One Work.” The unifying characteristic in the group is “hatching,” a technique used in Western drawing and printmaking mostly from the 1300’s and on. Hatching uses closely spaced parallel lines and, traditionally, it provides an image with depth, shade, and/or tone. “Crosshatching” uses another set of parallel lines which overlap or cross the hatching to provide further variations in shading. In the late 1960’s, Sol LeWitt used the technique of crosshatching and isolated it from its illustrative purpose. This provided him a visual vocabulary with endless and powerful iterative potential. With LeWitt’s work as inspiration, Krakow Witkin Gallery’s presentation explores differences between artists, techniques, and time periods, all while highlighting issues of equality, innovation, power, and space.

The collection began by putting the above works together and then spending the next few years slowly assembling a family of works that could live together and expand on the works’ conversations, both visually and conceptually. The full list of artists included are George Aikman, Cherubino Alberti, Cornelis Bloemaert, Louis Jacques Cathelin, William Charles, Daniel Nicolaus Chodowiecki, Robert Cottingham, Henri Fantin-Latour, Gego, Pieter Holdsteijn the Younger, William Hogarth, Käthe Kollwitz, Sol LeWitt, Mortimer Menpes, Thomas Milton, Crispin De Passe the Younger, Martin Puryear, Guido Reni, Adamo Scultori, Diana Scultori, Kiki Smith, Henry Ossawa Tanner, David Teniers the Younger, and Jacques Villon, along with two that are unidentified at the present time.

Download the PDF of this project here

Current installation dimensions: 86 x 118 inches (218.4 x 299.7 cm)
(Inventory #34971)

“Lines in Four Directions over 450 Years” explores the conceptual, formal, and social aspects of one particular technique from a contemporary perspective. As such, the collection of 28 works by 26 artists hang together on one wall as the latest iteration of Krakow Witkin Gallery’s “One Wall, One Work.” The unifying characteristic in the group is “hatching,” a technique used in Western drawing and printmaking mostly from the 1300’s and on. Hatching uses closely spaced parallel lines and, traditionally, it provides an image with depth, shade, and/or tone. “Crosshatching” uses another set of parallel lines which overlap or cross the hatching to provide further variations in shading. In the late 1960’s, Sol LeWitt used the technique of crosshatching and isolated it from its illustrative purpose. This provided him a visual vocabulary with endless and powerful iterative potential. With LeWitt’s work as inspiration, Krakow Witkin Gallery’s presentation explores differences between artists, techniques, and time periods, all while highlighting issues of equality, innovation, power, and space.

The collection began by putting the above works together and then spending the next few years slowly assembling a family of works that could live together and expand on the works’ conversations, both visually and conceptually. The full list of artists included are George Aikman, Cherubino Alberti, Cornelis Bloemaert, Louis Jacques Cathelin, William Charles, Daniel Nicolaus Chodowiecki, Robert Cottingham, Henri Fantin-Latour, Gego, Pieter Holdsteijn the Younger, William Hogarth, Käthe Kollwitz, Sol LeWitt, Mortimer Menpes, Thomas Milton, Crispin De Passe the Younger, Martin Puryear, Guido Reni, Adamo Scultori, Diana Scultori, Kiki Smith, Henry Ossawa Tanner, David Teniers the Younger, and Jacques Villon, along with two that are unidentified at the present time.

Download the PDF of this project here

Current installation dimensions: 86 x 118 inches (218.4 x 299.7 cm)
(Inventory #34971)

“Lines in Four Directions over 450 Years” explores the conceptual, formal, and social aspects of one particular technique from a contemporary perspective. As such, the collection of 28 works by 26 artists hang together on one wall as the latest iteration of Krakow Witkin Gallery’s “One Wall, One Work.” The unifying characteristic in the group is “hatching,” a technique used in Western drawing and printmaking mostly from the 1300’s and on. Hatching uses closely spaced parallel lines and, traditionally, it provides an image with depth, shade, and/or tone. “Crosshatching” uses another set of parallel lines which overlap or cross the hatching to provide further variations in shading. In the late 1960’s, Sol LeWitt used the technique of crosshatching and isolated it from its illustrative purpose. This provided him a visual vocabulary with endless and powerful iterative potential. With LeWitt’s work as inspiration, Krakow Witkin Gallery’s presentation explores differences between artists, techniques, and time periods, all while highlighting issues of equality, innovation, power, and space.

The collection began by putting the above works together and then spending the next few years slowly assembling a family of works that could live together and expand on the works’ conversations, both visually and conceptually. The full list of artists included are George Aikman, Cherubino Alberti, Cornelis Bloemaert, Louis Jacques Cathelin, William Charles, Daniel Nicolaus Chodowiecki, Robert Cottingham, Henri Fantin-Latour, Gego, Pieter Holdsteijn the Younger, William Hogarth, Käthe Kollwitz, Sol LeWitt, Mortimer Menpes, Thomas Milton, Crispin De Passe the Younger, Martin Puryear, Guido Reni, Adamo Scultori, Diana Scultori, Kiki Smith, Henry Ossawa Tanner, David Teniers the Younger, and Jacques Villon, along with two that are unidentified at the present time.

Download the PDF of this project here

Current installation dimensions: 86 x 118 inches (218.4 x 299.7 cm)
(Inventory #34971)

“Lines in Four Directions over 450 Years” explores the conceptual, formal, and social aspects of one particular technique from a contemporary perspective. As such, the collection of 28 works by 26 artists hang together on one wall as the latest iteration of Krakow Witkin Gallery’s “One Wall, One Work.” The unifying characteristic in the group is “hatching,” a technique used in Western drawing and printmaking mostly from the 1300’s and on. Hatching uses closely spaced parallel lines and, traditionally, it provides an image with depth, shade, and/or tone. “Crosshatching” uses another set of parallel lines which overlap or cross the hatching to provide further variations in shading. In the late 1960’s, Sol LeWitt used the technique of crosshatching and isolated it from its illustrative purpose. This provided him a visual vocabulary with endless and powerful iterative potential. With LeWitt’s work as inspiration, Krakow Witkin Gallery’s presentation explores differences between artists, techniques, and time periods, all while highlighting issues of equality, innovation, power, and space.

The collection began by putting the above works together and then spending the next few years slowly assembling a family of works that could live together and expand on the works’ conversations, both visually and conceptually. The full list of artists included are George Aikman, Cherubino Alberti, Cornelis Bloemaert, Louis Jacques Cathelin, William Charles, Daniel Nicolaus Chodowiecki, Robert Cottingham, Henri Fantin-Latour, Gego, Pieter Holdsteijn the Younger, William Hogarth, Käthe Kollwitz, Sol LeWitt, Mortimer Menpes, Thomas Milton, Crispin De Passe the Younger, Martin Puryear, Guido Reni, Adamo Scultori, Diana Scultori, Kiki Smith, Henry Ossawa Tanner, David Teniers the Younger, and Jacques Villon, along with two that are unidentified at the present time.

Download the PDF of this project here

Current installation dimensions: 86 x 118 inches (218.4 x 299.7 cm)
(Inventory #34971)

“Lines in Four Directions over 450 Years” explores the conceptual, formal, and social aspects of one particular technique from a contemporary perspective. As such, the collection of 28 works by 26 artists hang together on one wall as the latest iteration of Krakow Witkin Gallery’s “One Wall, One Work.” The unifying characteristic in the group is “hatching,” a technique used in Western drawing and printmaking mostly from the 1300’s and on. Hatching uses closely spaced parallel lines and, traditionally, it provides an image with depth, shade, and/or tone. “Crosshatching” uses another set of parallel lines which overlap or cross the hatching to provide further variations in shading. In the late 1960’s, Sol LeWitt used the technique of crosshatching and isolated it from its illustrative purpose. This provided him a visual vocabulary with endless and powerful iterative potential. With LeWitt’s work as inspiration, Krakow Witkin Gallery’s presentation explores differences between artists, techniques, and time periods, all while highlighting issues of equality, innovation, power, and space.

The collection began by putting the above works together and then spending the next few years slowly assembling a family of works that could live together and expand on the works’ conversations, both visually and conceptually. The full list of artists included are George Aikman, Cherubino Alberti, Cornelis Bloemaert, Louis Jacques Cathelin, William Charles, Daniel Nicolaus Chodowiecki, Robert Cottingham, Henri Fantin-Latour, Gego, Pieter Holdsteijn the Younger, William Hogarth, Käthe Kollwitz, Sol LeWitt, Mortimer Menpes, Thomas Milton, Crispin De Passe the Younger, Martin Puryear, Guido Reni, Adamo Scultori, Diana Scultori, Kiki Smith, Henry Ossawa Tanner, David Teniers the Younger, and Jacques Villon, along with two that are unidentified at the present time.

Download the PDF of this project here

Current installation dimensions: 86 x 118 inches (218.4 x 299.7 cm)
(Inventory #34971)

“Lines in Four Directions over 450 Years” explores the conceptual, formal, and social aspects of one particular technique from a contemporary perspective. As such, the collection of 28 works by 26 artists hang together on one wall as the latest iteration of Krakow Witkin Gallery’s “One Wall, One Work.” The unifying characteristic in the group is “hatching,” a technique used in Western drawing and printmaking mostly from the 1300’s and on. Hatching uses closely spaced parallel lines and, traditionally, it provides an image with depth, shade, and/or tone. “Crosshatching” uses another set of parallel lines which overlap or cross the hatching to provide further variations in shading. In the late 1960’s, Sol LeWitt used the technique of crosshatching and isolated it from its illustrative purpose. This provided him a visual vocabulary with endless and powerful iterative potential. With LeWitt’s work as inspiration, Krakow Witkin Gallery’s presentation explores differences between artists, techniques, and time periods, all while highlighting issues of equality, innovation, power, and space.

The collection began by putting the above works together and then spending the next few years slowly assembling a family of works that could live together and expand on the works’ conversations, both visually and conceptually. The full list of artists included are George Aikman, Cherubino Alberti, Cornelis Bloemaert, Louis Jacques Cathelin, William Charles, Daniel Nicolaus Chodowiecki, Robert Cottingham, Henri Fantin-Latour, Gego, Pieter Holdsteijn the Younger, William Hogarth, Käthe Kollwitz, Sol LeWitt, Mortimer Menpes, Thomas Milton, Crispin De Passe the Younger, Martin Puryear, Guido Reni, Adamo Scultori, Diana Scultori, Kiki Smith, Henry Ossawa Tanner, David Teniers the Younger, and Jacques Villon, along with two that are unidentified at the present time.

Download the PDF of this project here

Current installation dimensions: 86 x 118 inches (218.4 x 299.7 cm)
(Inventory #34971)

“Lines in Four Directions over 450 Years” explores the conceptual, formal, and social aspects of one particular technique from a contemporary perspective. As such, the collection of 28 works by 26 artists hang together on one wall as the latest iteration of Krakow Witkin Gallery’s “One Wall, One Work.” The unifying characteristic in the group is “hatching,” a technique used in Western drawing and printmaking mostly from the 1300’s and on. Hatching uses closely spaced parallel lines and, traditionally, it provides an image with depth, shade, and/or tone. “Crosshatching” uses another set of parallel lines which overlap or cross the hatching to provide further variations in shading. In the late 1960’s, Sol LeWitt used the technique of crosshatching and isolated it from its illustrative purpose. This provided him a visual vocabulary with endless and powerful iterative potential. With LeWitt’s work as inspiration, Krakow Witkin Gallery’s presentation explores differences between artists, techniques, and time periods, all while highlighting issues of equality, innovation, power, and space.

The collection began by putting the above works together and then spending the next few years slowly assembling a family of works that could live together and expand on the works’ conversations, both visually and conceptually. The full list of artists included are George Aikman, Cherubino Alberti, Cornelis Bloemaert, Louis Jacques Cathelin, William Charles, Daniel Nicolaus Chodowiecki, Robert Cottingham, Henri Fantin-Latour, Gego, Pieter Holdsteijn the Younger, William Hogarth, Käthe Kollwitz, Sol LeWitt, Mortimer Menpes, Thomas Milton, Crispin De Passe the Younger, Martin Puryear, Guido Reni, Adamo Scultori, Diana Scultori, Kiki Smith, Henry Ossawa Tanner, David Teniers the Younger, and Jacques Villon, along with two that are unidentified at the present time.

Download the PDF of this project here

Current installation dimensions: 86 x 118 inches (218.4 x 299.7 cm)
(Inventory #34971)

“Lines in Four Directions over 450 Years” explores the conceptual, formal, and social aspects of one particular technique from a contemporary perspective. As such, the collection of 28 works by 26 artists hang together on one wall as the latest iteration of Krakow Witkin Gallery’s “One Wall, One Work.” The unifying characteristic in the group is “hatching,” a technique used in Western drawing and printmaking mostly from the 1300’s and on. Hatching uses closely spaced parallel lines and, traditionally, it provides an image with depth, shade, and/or tone. “Crosshatching” uses another set of parallel lines which overlap or cross the hatching to provide further variations in shading. In the late 1960’s, Sol LeWitt used the technique of crosshatching and isolated it from its illustrative purpose. This provided him a visual vocabulary with endless and powerful iterative potential. With LeWitt’s work as inspiration, Krakow Witkin Gallery’s presentation explores differences between artists, techniques, and time periods, all while highlighting issues of equality, innovation, power, and space.

The collection began by putting the above works together and then spending the next few years slowly assembling a family of works that could live together and expand on the works’ conversations, both visually and conceptually. The full list of artists included are George Aikman, Cherubino Alberti, Cornelis Bloemaert, Louis Jacques Cathelin, William Charles, Daniel Nicolaus Chodowiecki, Robert Cottingham, Henri Fantin-Latour, Gego, Pieter Holdsteijn the Younger, William Hogarth, Käthe Kollwitz, Sol LeWitt, Mortimer Menpes, Thomas Milton, Crispin De Passe the Younger, Martin Puryear, Guido Reni, Adamo Scultori, Diana Scultori, Kiki Smith, Henry Ossawa Tanner, David Teniers the Younger, and Jacques Villon, along with two that are unidentified at the present time.

Download the PDF of this project here

Current installation dimensions: 86 x 118 inches (218.4 x 299.7 cm)
(Inventory #34971)

“Lines in Four Directions over 450 Years” explores the conceptual, formal, and social aspects of one particular technique from a contemporary perspective. As such, the collection of 28 works by 26 artists hang together on one wall as the latest iteration of Krakow Witkin Gallery’s “One Wall, One Work.” The unifying characteristic in the group is “hatching,” a technique used in Western drawing and printmaking mostly from the 1300’s and on. Hatching uses closely spaced parallel lines and, traditionally, it provides an image with depth, shade, and/or tone. “Crosshatching” uses another set of parallel lines which overlap or cross the hatching to provide further variations in shading. In the late 1960’s, Sol LeWitt used the technique of crosshatching and isolated it from its illustrative purpose. This provided him a visual vocabulary with endless and powerful iterative potential. With LeWitt’s work as inspiration, Krakow Witkin Gallery’s presentation explores differences between artists, techniques, and time periods, all while highlighting issues of equality, innovation, power, and space.

The collection began by putting the above works together and then spending the next few years slowly assembling a family of works that could live together and expand on the works’ conversations, both visually and conceptually. The full list of artists included are George Aikman, Cherubino Alberti, Cornelis Bloemaert, Louis Jacques Cathelin, William Charles, Daniel Nicolaus Chodowiecki, Robert Cottingham, Henri Fantin-Latour, Gego, Pieter Holdsteijn the Younger, William Hogarth, Käthe Kollwitz, Sol LeWitt, Mortimer Menpes, Thomas Milton, Crispin De Passe the Younger, Martin Puryear, Guido Reni, Adamo Scultori, Diana Scultori, Kiki Smith, Henry Ossawa Tanner, David Teniers the Younger, and Jacques Villon, along with two that are unidentified at the present time.

Download the PDF of this project here

Current installation dimensions: 86 x 118 inches (218.4 x 299.7 cm)
(Inventory #34971)

“Lines in Four Directions over 450 Years” explores the conceptual, formal, and social aspects of one particular technique from a contemporary perspective. As such, the collection of 28 works by 26 artists hang together on one wall as the latest iteration of Krakow Witkin Gallery’s “One Wall, One Work.” The unifying characteristic in the group is “hatching,” a technique used in Western drawing and printmaking mostly from the 1300’s and on. Hatching uses closely spaced parallel lines and, traditionally, it provides an image with depth, shade, and/or tone. “Crosshatching” uses another set of parallel lines which overlap or cross the hatching to provide further variations in shading. In the late 1960’s, Sol LeWitt used the technique of crosshatching and isolated it from its illustrative purpose. This provided him a visual vocabulary with endless and powerful iterative potential. With LeWitt’s work as inspiration, Krakow Witkin Gallery’s presentation explores differences between artists, techniques, and time periods, all while highlighting issues of equality, innovation, power, and space.

The collection began by putting the above works together and then spending the next few years slowly assembling a family of works that could live together and expand on the works’ conversations, both visually and conceptually. The full list of artists included are George Aikman, Cherubino Alberti, Cornelis Bloemaert, Louis Jacques Cathelin, William Charles, Daniel Nicolaus Chodowiecki, Robert Cottingham, Henri Fantin-Latour, Gego, Pieter Holdsteijn the Younger, William Hogarth, Käthe Kollwitz, Sol LeWitt, Mortimer Menpes, Thomas Milton, Crispin De Passe the Younger, Martin Puryear, Guido Reni, Adamo Scultori, Diana Scultori, Kiki Smith, Henry Ossawa Tanner, David Teniers the Younger, and Jacques Villon, along with two that are unidentified at the present time.

Download the PDF of this project here

Current installation dimensions: 86 x 118 inches (218.4 x 299.7 cm)
(Inventory #34971)

“Lines in Four Directions over 450 Years” explores the conceptual, formal, and social aspects of one particular technique from a contemporary perspective. As such, the collection of 28 works by 26 artists hang together on one wall as the latest iteration of Krakow Witkin Gallery’s “One Wall, One Work.” The unifying characteristic in the group is “hatching,” a technique used in Western drawing and printmaking mostly from the 1300’s and on. Hatching uses closely spaced parallel lines and, traditionally, it provides an image with depth, shade, and/or tone. “Crosshatching” uses another set of parallel lines which overlap or cross the hatching to provide further variations in shading. In the late 1960’s, Sol LeWitt used the technique of crosshatching and isolated it from its illustrative purpose. This provided him a visual vocabulary with endless and powerful iterative potential. With LeWitt’s work as inspiration, Krakow Witkin Gallery’s presentation explores differences between artists, techniques, and time periods, all while highlighting issues of equality, innovation, power, and space.

The collection began by putting the above works together and then spending the next few years slowly assembling a family of works that could live together and expand on the works’ conversations, both visually and conceptually. The full list of artists included are George Aikman, Cherubino Alberti, Cornelis Bloemaert, Louis Jacques Cathelin, William Charles, Daniel Nicolaus Chodowiecki, Robert Cottingham, Henri Fantin-Latour, Gego, Pieter Holdsteijn the Younger, William Hogarth, Käthe Kollwitz, Sol LeWitt, Mortimer Menpes, Thomas Milton, Crispin De Passe the Younger, Martin Puryear, Guido Reni, Adamo Scultori, Diana Scultori, Kiki Smith, Henry Ossawa Tanner, David Teniers the Younger, and Jacques Villon, along with two that are unidentified at the present time.

Download the PDF of this project here

Current installation dimensions: 86 x 118 inches (218.4 x 299.7 cm)
(Inventory #34971)

“Lines in Four Directions over 450 Years” explores the conceptual, formal, and social aspects of one particular technique from a contemporary perspective. As such, the collection of 28 works by 26 artists hang together on one wall as the latest iteration of Krakow Witkin Gallery’s “One Wall, One Work.” The unifying characteristic in the group is “hatching,” a technique used in Western drawing and printmaking mostly from the 1300’s and on. Hatching uses closely spaced parallel lines and, traditionally, it provides an image with depth, shade, and/or tone. “Crosshatching” uses another set of parallel lines which overlap or cross the hatching to provide further variations in shading. In the late 1960’s, Sol LeWitt used the technique of crosshatching and isolated it from its illustrative purpose. This provided him a visual vocabulary with endless and powerful iterative potential. With LeWitt’s work as inspiration, Krakow Witkin Gallery’s presentation explores differences between artists, techniques, and time periods, all while highlighting issues of equality, innovation, power, and space.

The collection began by putting the above works together and then spending the next few years slowly assembling a family of works that could live together and expand on the works’ conversations, both visually and conceptually. The full list of artists included are George Aikman, Cherubino Alberti, Cornelis Bloemaert, Louis Jacques Cathelin, William Charles, Daniel Nicolaus Chodowiecki, Robert Cottingham, Henri Fantin-Latour, Gego, Pieter Holdsteijn the Younger, William Hogarth, Käthe Kollwitz, Sol LeWitt, Mortimer Menpes, Thomas Milton, Crispin De Passe the Younger, Martin Puryear, Guido Reni, Adamo Scultori, Diana Scultori, Kiki Smith, Henry Ossawa Tanner, David Teniers the Younger, and Jacques Villon, along with two that are unidentified at the present time.

Download the PDF of this project here

Current installation dimensions: 86 x 118 inches (218.4 x 299.7 cm)
(Inventory #34971)

“Lines in Four Directions over 450 Years” explores the conceptual, formal, and social aspects of one particular technique from a contemporary perspective. As such, the collection of 28 works by 26 artists hang together on one wall as the latest iteration of Krakow Witkin Gallery’s “One Wall, One Work.” The unifying characteristic in the group is “hatching,” a technique used in Western drawing and printmaking mostly from the 1300’s and on. Hatching uses closely spaced parallel lines and, traditionally, it provides an image with depth, shade, and/or tone. “Crosshatching” uses another set of parallel lines which overlap or cross the hatching to provide further variations in shading. In the late 1960’s, Sol LeWitt used the technique of crosshatching and isolated it from its illustrative purpose. This provided him a visual vocabulary with endless and powerful iterative potential. With LeWitt’s work as inspiration, Krakow Witkin Gallery’s presentation explores differences between artists, techniques, and time periods, all while highlighting issues of equality, innovation, power, and space.

The collection began by putting the above works together and then spending the next few years slowly assembling a family of works that could live together and expand on the works’ conversations, both visually and conceptually. The full list of artists included are George Aikman, Cherubino Alberti, Cornelis Bloemaert, Louis Jacques Cathelin, William Charles, Daniel Nicolaus Chodowiecki, Robert Cottingham, Henri Fantin-Latour, Gego, Pieter Holdsteijn the Younger, William Hogarth, Käthe Kollwitz, Sol LeWitt, Mortimer Menpes, Thomas Milton, Crispin De Passe the Younger, Martin Puryear, Guido Reni, Adamo Scultori, Diana Scultori, Kiki Smith, Henry Ossawa Tanner, David Teniers the Younger, and Jacques Villon, along with two that are unidentified at the present time.

Download the PDF of this project here

Current installation dimensions: 86 x 118 inches (218.4 x 299.7 cm)
(Inventory #34971)

“Lines in Four Directions over 450 Years” explores the conceptual, formal, and social aspects of one particular technique from a contemporary perspective. As such, the collection of 28 works by 26 artists hang together on one wall as the latest iteration of Krakow Witkin Gallery’s “One Wall, One Work.” The unifying characteristic in the group is “hatching,” a technique used in Western drawing and printmaking mostly from the 1300’s and on. Hatching uses closely spaced parallel lines and, traditionally, it provides an image with depth, shade, and/or tone. “Crosshatching” uses another set of parallel lines which overlap or cross the hatching to provide further variations in shading. In the late 1960’s, Sol LeWitt used the technique of crosshatching and isolated it from its illustrative purpose. This provided him a visual vocabulary with endless and powerful iterative potential. With LeWitt’s work as inspiration, Krakow Witkin Gallery’s presentation explores differences between artists, techniques, and time periods, all while highlighting issues of equality, innovation, power, and space.

The collection began by putting the above works together and then spending the next few years slowly assembling a family of works that could live together and expand on the works’ conversations, both visually and conceptually. The full list of artists included are George Aikman, Cherubino Alberti, Cornelis Bloemaert, Louis Jacques Cathelin, William Charles, Daniel Nicolaus Chodowiecki, Robert Cottingham, Henri Fantin-Latour, Gego, Pieter Holdsteijn the Younger, William Hogarth, Käthe Kollwitz, Sol LeWitt, Mortimer Menpes, Thomas Milton, Crispin De Passe the Younger, Martin Puryear, Guido Reni, Adamo Scultori, Diana Scultori, Kiki Smith, Henry Ossawa Tanner, David Teniers the Younger, and Jacques Villon, along with two that are unidentified at the present time.

Download the PDF of this project here

Current installation dimensions: 86 x 118 inches (218.4 x 299.7 cm)
(Inventory #34971)

“Lines in Four Directions over 450 Years” explores the conceptual, formal, and social aspects of one particular technique from a contemporary perspective. As such, the collection of 28 works by 26 artists hang together on one wall as the latest iteration of Krakow Witkin Gallery’s “One Wall, One Work.” The unifying characteristic in the group is “hatching,” a technique used in Western drawing and printmaking mostly from the 1300’s and on. Hatching uses closely spaced parallel lines and, traditionally, it provides an image with depth, shade, and/or tone. “Crosshatching” uses another set of parallel lines which overlap or cross the hatching to provide further variations in shading. In the late 1960’s, Sol LeWitt used the technique of crosshatching and isolated it from its illustrative purpose. This provided him a visual vocabulary with endless and powerful iterative potential. With LeWitt’s work as inspiration, Krakow Witkin Gallery’s presentation explores differences between artists, techniques, and time periods, all while highlighting issues of equality, innovation, power, and space.

The collection began by putting the above works together and then spending the next few years slowly assembling a family of works that could live together and expand on the works’ conversations, both visually and conceptually. The full list of artists included are George Aikman, Cherubino Alberti, Cornelis Bloemaert, Louis Jacques Cathelin, William Charles, Daniel Nicolaus Chodowiecki, Robert Cottingham, Henri Fantin-Latour, Gego, Pieter Holdsteijn the Younger, William Hogarth, Käthe Kollwitz, Sol LeWitt, Mortimer Menpes, Thomas Milton, Crispin De Passe the Younger, Martin Puryear, Guido Reni, Adamo Scultori, Diana Scultori, Kiki Smith, Henry Ossawa Tanner, David Teniers the Younger, and Jacques Villon, along with two that are unidentified at the present time.

Download the PDF of this project here

Current installation dimensions: 86 x 118 inches (218.4 x 299.7 cm)
(Inventory #34971)

“Lines in Four Directions over 450 Years” explores the conceptual, formal, and social aspects of one particular technique from a contemporary perspective. As such, the collection of 28 works by 26 artists hang together on one wall as the latest iteration of Krakow Witkin Gallery’s “One Wall, One Work.” The unifying characteristic in the group is “hatching,” a technique used in Western drawing and printmaking mostly from the 1300’s and on. Hatching uses closely spaced parallel lines and, traditionally, it provides an image with depth, shade, and/or tone. “Crosshatching” uses another set of parallel lines which overlap or cross the hatching to provide further variations in shading. In the late 1960’s, Sol LeWitt used the technique of crosshatching and isolated it from its illustrative purpose. This provided him a visual vocabulary with endless and powerful iterative potential. With LeWitt’s work as inspiration, Krakow Witkin Gallery’s presentation explores differences between artists, techniques, and time periods, all while highlighting issues of equality, innovation, power, and space.

The collection began by putting the above works together and then spending the next few years slowly assembling a family of works that could live together and expand on the works’ conversations, both visually and conceptually. The full list of artists included are George Aikman, Cherubino Alberti, Cornelis Bloemaert, Louis Jacques Cathelin, William Charles, Daniel Nicolaus Chodowiecki, Robert Cottingham, Henri Fantin-Latour, Gego, Pieter Holdsteijn the Younger, William Hogarth, Käthe Kollwitz, Sol LeWitt, Mortimer Menpes, Thomas Milton, Crispin De Passe the Younger, Martin Puryear, Guido Reni, Adamo Scultori, Diana Scultori, Kiki Smith, Henry Ossawa Tanner, David Teniers the Younger, and Jacques Villon, along with two that are unidentified at the present time.

Download the PDF of this project here

Current installation dimensions: 86 x 118 inches (218.4 x 299.7 cm)
(Inventory #34971)

“Lines in Four Directions over 450 Years” explores the conceptual, formal, and social aspects of one particular technique from a contemporary perspective. As such, the collection of 28 works by 26 artists hang together on one wall as the latest iteration of Krakow Witkin Gallery’s “One Wall, One Work.” The unifying characteristic in the group is “hatching,” a technique used in Western drawing and printmaking mostly from the 1300’s and on. Hatching uses closely spaced parallel lines and, traditionally, it provides an image with depth, shade, and/or tone. “Crosshatching” uses another set of parallel lines which overlap or cross the hatching to provide further variations in shading. In the late 1960’s, Sol LeWitt used the technique of crosshatching and isolated it from its illustrative purpose. This provided him a visual vocabulary with endless and powerful iterative potential. With LeWitt’s work as inspiration, Krakow Witkin Gallery’s presentation explores differences between artists, techniques, and time periods, all while highlighting issues of equality, innovation, power, and space.

The collection began by putting the above works together and then spending the next few years slowly assembling a family of works that could live together and expand on the works’ conversations, both visually and conceptually. The full list of artists included are George Aikman, Cherubino Alberti, Cornelis Bloemaert, Louis Jacques Cathelin, William Charles, Daniel Nicolaus Chodowiecki, Robert Cottingham, Henri Fantin-Latour, Gego, Pieter Holdsteijn the Younger, William Hogarth, Käthe Kollwitz, Sol LeWitt, Mortimer Menpes, Thomas Milton, Crispin De Passe the Younger, Martin Puryear, Guido Reni, Adamo Scultori, Diana Scultori, Kiki Smith, Henry Ossawa Tanner, David Teniers the Younger, and Jacques Villon, along with two that are unidentified at the present time.

Download the PDF of this project here

Current installation dimensions: 86 x 118 inches (218.4 x 299.7 cm)
(Inventory #34971)

“Lines in Four Directions over 450 Years” explores the conceptual, formal, and social aspects of one particular technique from a contemporary perspective. As such, the collection of 28 works by 26 artists hang together on one wall as the latest iteration of Krakow Witkin Gallery’s “One Wall, One Work.” The unifying characteristic in the group is “hatching,” a technique used in Western drawing and printmaking mostly from the 1300’s and on. Hatching uses closely spaced parallel lines and, traditionally, it provides an image with depth, shade, and/or tone. “Crosshatching” uses another set of parallel lines which overlap or cross the hatching to provide further variations in shading. In the late 1960’s, Sol LeWitt used the technique of crosshatching and isolated it from its illustrative purpose. This provided him a visual vocabulary with endless and powerful iterative potential. With LeWitt’s work as inspiration, Krakow Witkin Gallery’s presentation explores differences between artists, techniques, and time periods, all while highlighting issues of equality, innovation, power, and space.

The collection began by putting the above works together and then spending the next few years slowly assembling a family of works that could live together and expand on the works’ conversations, both visually and conceptually. The full list of artists included are George Aikman, Cherubino Alberti, Cornelis Bloemaert, Louis Jacques Cathelin, William Charles, Daniel Nicolaus Chodowiecki, Robert Cottingham, Henri Fantin-Latour, Gego, Pieter Holdsteijn the Younger, William Hogarth, Käthe Kollwitz, Sol LeWitt, Mortimer Menpes, Thomas Milton, Crispin De Passe the Younger, Martin Puryear, Guido Reni, Adamo Scultori, Diana Scultori, Kiki Smith, Henry Ossawa Tanner, David Teniers the Younger, and Jacques Villon, along with two that are unidentified at the present time.

Download the PDF of this project here

Current installation dimensions: 86 x 118 inches (218.4 x 299.7 cm)
(Inventory #34971)

“Lines in Four Directions over 450 Years” explores the conceptual, formal, and social aspects of one particular technique from a contemporary perspective. As such, the collection of 28 works by 26 artists hang together on one wall as the latest iteration of Krakow Witkin Gallery’s “One Wall, One Work.” The unifying characteristic in the group is “hatching,” a technique used in Western drawing and printmaking mostly from the 1300’s and on. Hatching uses closely spaced parallel lines and, traditionally, it provides an image with depth, shade, and/or tone. “Crosshatching” uses another set of parallel lines which overlap or cross the hatching to provide further variations in shading. In the late 1960’s, Sol LeWitt used the technique of crosshatching and isolated it from its illustrative purpose. This provided him a visual vocabulary with endless and powerful iterative potential. With LeWitt’s work as inspiration, Krakow Witkin Gallery’s presentation explores differences between artists, techniques, and time periods, all while highlighting issues of equality, innovation, power, and space.

The collection began by putting the above works together and then spending the next few years slowly assembling a family of works that could live together and expand on the works’ conversations, both visually and conceptually. The full list of artists included are George Aikman, Cherubino Alberti, Cornelis Bloemaert, Louis Jacques Cathelin, William Charles, Daniel Nicolaus Chodowiecki, Robert Cottingham, Henri Fantin-Latour, Gego, Pieter Holdsteijn the Younger, William Hogarth, Käthe Kollwitz, Sol LeWitt, Mortimer Menpes, Thomas Milton, Crispin De Passe the Younger, Martin Puryear, Guido Reni, Adamo Scultori, Diana Scultori, Kiki Smith, Henry Ossawa Tanner, David Teniers the Younger, and Jacques Villon, along with two that are unidentified at the present time.

Download the PDF of this project here

62 x 72 x 3 1/4 inches (157.5 x 182.9 x 8.3 cm)
Signed, titled, and dated top left on reverse
(Inventory #34061)

Exhibited October 22, 2022 – December 17, 2022

62 x 72 x 3 1/4 inches (157.5 x 182.9 x 8.3 cm)
Signed, titled, and dated top left on reverse
(Inventory #34061)

Exhibited October 22, 2022 – December 17, 2022

62 x 72 x 3 1/4 inches (157.5 x 182.9 x 8.3 cm)
Signed, titled, and dated top left on reverse
(Inventory #34061)

Exhibited October 22, 2022 – December 17, 2022

62 x 72 x 3 1/4 inches (157.5 x 182.9 x 8.3 cm)
Signed, titled, and dated top left on reverse
(Inventory #34061)

Exhibited October 22, 2022 – December 17, 2022

62 x 72 x 3 1/4 inches (157.5 x 182.9 x 8.3 cm)
Signed, titled, and dated top left on reverse
(Inventory #34061)

Exhibited October 22, 2022 – December 17, 2022

62 x 72 x 3 1/4 inches (157.5 x 182.9 x 8.3 cm)
Signed, titled, and dated top left on reverse
(Inventory #34061)

Exhibited October 22, 2022 – December 17, 2022

62 x 72 x 3 1/4 inches (157.5 x 182.9 x 8.3 cm)
Signed, titled, and dated top left on reverse
(Inventory #34061)

Exhibited October 22, 2022 – December 17, 2022

62 x 72 x 3 1/4 inches (157.5 x 182.9 x 8.3 cm)
Signed, titled, and dated top left on reverse
(Inventory #34061)

Exhibited October 22, 2022 – December 17, 2022

Edition of 45
Print size (approximately): 15 x 12 1/2 inches each (38.1 x 31.75 cm each)
Sleeve size: 14 7/8 x 11 3/8 inches each (37.8 x 29 cm each)
Binder size: 15 1/2 x 14 x 1 3/4 inches (39.4 x 35.5 x 4.4 cm)
Signed and dated lower right, numbered lower left on second row, last sheet colophon
(Inventory #31881)

Exhibited September 10, 2022 – October 15, 2022

Edition of 45
Print size (approximately): 15 x 12 1/2 inches each (38.1 x 31.75 cm each)
Sleeve size: 14 7/8 x 11 3/8 inches each (37.8 x 29 cm each)
Binder size: 15 1/2 x 14 x 1 3/4 inches (39.4 x 35.5 x 4.4 cm)
Signed and dated lower right, numbered lower left on second row, last sheet colophon
(Inventory #31881)

Exhibited September 10, 2022 – October 15, 2022

Edition of 45
Print size (approximately): 15 x 12 1/2 inches each (38.1 x 31.75 cm each)
Sleeve size: 14 7/8 x 11 3/8 inches each (37.8 x 29 cm each)
Binder size: 15 1/2 x 14 x 1 3/4 inches (39.4 x 35.5 x 4.4 cm)
Signed and dated lower right, numbered lower left on second row, last sheet colophon
(Inventory #31881)

Exhibited September 10, 2022 – October 15, 2022

Edition of 45
Print size (approximately): 15 x 12 1/2 inches each (38.1 x 31.75 cm each)
Sleeve size: 14 7/8 x 11 3/8 inches each (37.8 x 29 cm each)
Binder size: 15 1/2 x 14 x 1 3/4 inches (39.4 x 35.5 x 4.4 cm)
Signed and dated lower right, numbered lower left on second row, last sheet colophon
(Inventory #31881)

Exhibited September 10, 2022 – October 15, 2022

Edition of 45
Print size (approximately): 15 x 12 1/2 inches each (38.1 x 31.75 cm each)
Sleeve size: 14 7/8 x 11 3/8 inches each (37.8 x 29 cm each)
Binder size: 15 1/2 x 14 x 1 3/4 inches (39.4 x 35.5 x 4.4 cm)
Signed and dated lower right, numbered lower left on second row, last sheet colophon
(Inventory #31881)

Exhibited September 10, 2022 – October 15, 2022

Edition of 50
Paper size: 38 x 46 1/4 inches  (96.5 x 117.5 cm)
Frame size: 41 1/8 x 49 1/2 inches  (104.5 x 125.7 cm)
Signed and dated lower right and numbered lower left in graphite
(Inventory #33959)

Exhibited June 4, 2022 – August 5, 2022

Edition of 50
Paper size: 38 x 46 1/4 inches  (96.5 x 117.5 cm)
Frame size: 41 1/8 x 49 1/2 inches  (104.5 x 125.7 cm)
Signed and dated lower right and numbered lower left in graphite
(Inventory #33959)

Exhibited June 4, 2022 – August 5, 2022

Edition of 90
Overall size: 14 7/8 x 10 5/8 x 4 7/8 inches (37.8 x 27 x 12.4 cm)
Signed and numbered in blue ball-point pen on a label affixed to the reverse of the wood sculptural container
(Inventory #32014)

Exhibited April 23, 2022 – June 1, 2022

Edition of 90
Overall size: 14 7/8 x 10 5/8 x 4 7/8 inches (37.8 x 27 x 12.4 cm)
Signed and numbered in blue ball-point pen on a label affixed to the reverse of the wood sculptural container
(Inventory #32014)

Exhibited April 23, 2022 – June 1, 2022

Edition of 90
Overall size: 14 7/8 x 10 5/8 x 4 7/8 inches (37.8 x 27 x 12.4 cm)
Signed and numbered in blue ball-point pen on a label affixed to the reverse of the wood sculptural container
(Inventory #32014)

Exhibited April 23, 2022 – June 1, 2022

Edition of 90
Overall size: 14 7/8 x 10 5/8 x 4 7/8 inches (37.8 x 27 x 12.4 cm)
Signed and numbered in blue ball-point pen on a label affixed to the reverse of the wood sculptural container
(Inventory #32014)

Exhibited April 23, 2022 – June 1, 2022

Edition of 90
Overall size: 14 7/8 x 10 5/8 x 4 7/8 inches (37.8 x 27 x 12.4 cm)
Signed and numbered in blue ball-point pen on a label affixed to the reverse of the wood sculptural container
(Inventory #32014)

Exhibited April 23, 2022 – June 1, 2022

Edition of 4
6 1/2 x 57 3/4 x 2 inches (16.5 x 146.7 x 5.1 cm)
Signed on affixed label on reverse
(Inventory #32051)

Exhibited January 13, 2022 – April 14, 2022

Read full text here

Edition of 4
6 1/2 x 57 3/4 x 2 inches (16.5 x 146.7 x 5.1 cm)
Signed on affixed label on reverse
(Inventory #32051)

Exhibited January 13, 2022 – April 14, 2022

Read full text here

Edition of 4
6 1/2 x 57 3/4 x 2 inches (16.5 x 146.7 x 5.1 cm)
Signed on affixed label on reverse
(Inventory #32051)

Exhibited January 13, 2022 – April 14, 2022

Read full text here

Edition of 4
6 1/2 x 57 3/4 x 2 inches (16.5 x 146.7 x 5.1 cm)
Signed on affixed label on reverse
(Inventory #32051)

Exhibited January 13, 2022 – April 14, 2022

Read full text here

Edition of 4
6 1/2 x 57 3/4 x 2 inches (16.5 x 146.7 x 5.1 cm)
Signed on affixed label on reverse
(Inventory #32051)

Exhibited January 13, 2022 – April 14, 2022

Read full text here

Edition of 4
6 1/2 x 57 3/4 x 2 inches (16.5 x 146.7 x 5.1 cm)
Signed on affixed label on reverse
(Inventory #32051)

Exhibited January 13, 2022 – April 14, 2022

Read full text here

We are happy to report that all “Shapes to Paint” have sold.  We are thrilled with such a positive response and thank you for supporting such a great cause !

For a $250 donation to Boston’s Artists for Humanity, you can purchase one of McCollum’s “Shapes to Paint”. Each “Shape” comes with a label card and unique identification number. They are purposefully left unpainted so that the owner can paint it how they see fit.

The artist originally made them as a benefit for Artists For Humanity at the time of his 2012 exhibition at Krakow Witkin Gallery which can be viewed here.  Allan McCollum: The Shapes Project: Perfect Couples

We are happy to report that all “Shapes to Paint” have sold.  We are thrilled with such a positive response and thank you for supporting such a great cause !

For a $250 donation to Boston’s Artists for Humanity, you can purchase one of McCollum’s “Shapes to Paint”. Each “Shape” comes with a label card and unique identification number. They are purposefully left unpainted so that the owner can paint it how they see fit.

The artist originally made them as a benefit for Artists For Humanity at the time of his 2012 exhibition at Krakow Witkin Gallery which can be viewed here.  Allan McCollum: The Shapes Project: Perfect Couples

We are happy to report that all “Shapes to Paint” have sold.  We are thrilled with such a positive response and thank you for supporting such a great cause !

For a $250 donation to Boston’s Artists for Humanity, you can purchase one of McCollum’s “Shapes to Paint”. Each “Shape” comes with a label card and unique identification number. They are purposefully left unpainted so that the owner can paint it how they see fit.

The artist originally made them as a benefit for Artists For Humanity at the time of his 2012 exhibition at Krakow Witkin Gallery which can be viewed here.  Allan McCollum: The Shapes Project: Perfect Couples

We are happy to report that all “Shapes to Paint” have sold.  We are thrilled with such a positive response and thank you for supporting such a great cause !

For a $250 donation to Boston’s Artists for Humanity, you can purchase one of McCollum’s “Shapes to Paint”. Each “Shape” comes with a label card and unique identification number. They are purposefully left unpainted so that the owner can paint it how they see fit.

The artist originally made them as a benefit for Artists For Humanity at the time of his 2012 exhibition at Krakow Witkin Gallery which can be viewed here.  Allan McCollum: The Shapes Project: Perfect Couples

We are happy to report that all “Shapes to Paint” have sold.  We are thrilled with such a positive response and thank you for supporting such a great cause !

For a $250 donation to Boston’s Artists for Humanity, you can purchase one of McCollum’s “Shapes to Paint”. Each “Shape” comes with a label card and unique identification number. They are purposefully left unpainted so that the owner can paint it how they see fit.

The artist originally made them as a benefit for Artists For Humanity at the time of his 2012 exhibition at Krakow Witkin Gallery which can be viewed here.  Allan McCollum: The Shapes Project: Perfect Couples

We are happy to report that all “Shapes to Paint” have sold.  We are thrilled with such a positive response and thank you for supporting such a great cause !

For a $250 donation to Boston’s Artists for Humanity, you can purchase one of McCollum’s “Shapes to Paint”. Each “Shape” comes with a label card and unique identification number. They are purposefully left unpainted so that the owner can paint it how they see fit.

The artist originally made them as a benefit for Artists For Humanity at the time of his 2012 exhibition at Krakow Witkin Gallery which can be viewed here.  Allan McCollum: The Shapes Project: Perfect Couples

We are happy to report that all “Shapes to Paint” have sold.  We are thrilled with such a positive response and thank you for supporting such a great cause !

For a $250 donation to Boston’s Artists for Humanity, you can purchase one of McCollum’s “Shapes to Paint”. Each “Shape” comes with a label card and unique identification number. They are purposefully left unpainted so that the owner can paint it how they see fit.

The artist originally made them as a benefit for Artists For Humanity at the time of his 2012 exhibition at Krakow Witkin Gallery which can be viewed here.  Allan McCollum: The Shapes Project: Perfect Couples

We are happy to report that all “Shapes to Paint” have sold.  We are thrilled with such a positive response and thank you for supporting such a great cause !

For a $250 donation to Boston’s Artists for Humanity, you can purchase one of McCollum’s “Shapes to Paint”. Each “Shape” comes with a label card and unique identification number. They are purposefully left unpainted so that the owner can paint it how they see fit.

The artist originally made them as a benefit for Artists For Humanity at the time of his 2012 exhibition at Krakow Witkin Gallery which can be viewed here.  Allan McCollum: The Shapes Project: Perfect Couples

We are happy to report that all “Shapes to Paint” have sold.  We are thrilled with such a positive response and thank you for supporting such a great cause !

For a $250 donation to Boston’s Artists for Humanity, you can purchase one of McCollum’s “Shapes to Paint”. Each “Shape” comes with a label card and unique identification number. They are purposefully left unpainted so that the owner can paint it how they see fit.

The artist originally made them as a benefit for Artists For Humanity at the time of his 2012 exhibition at Krakow Witkin Gallery which can be viewed here.  Allan McCollum: The Shapes Project: Perfect Couples

We are happy to report that all “Shapes to Paint” have sold.  We are thrilled with such a positive response and thank you for supporting such a great cause !

For a $250 donation to Boston’s Artists for Humanity, you can purchase one of McCollum’s “Shapes to Paint”. Each “Shape” comes with a label card and unique identification number. They are purposefully left unpainted so that the owner can paint it how they see fit.

The artist originally made them as a benefit for Artists For Humanity at the time of his 2012 exhibition at Krakow Witkin Gallery which can be viewed here.  Allan McCollum: The Shapes Project: Perfect Couples

We are happy to report that all “Shapes to Paint” have sold.  We are thrilled with such a positive response and thank you for supporting such a great cause !

For a $250 donation to Boston’s Artists for Humanity, you can purchase one of McCollum’s “Shapes to Paint”. Each “Shape” comes with a label card and unique identification number. They are purposefully left unpainted so that the owner can paint it how they see fit.

The artist originally made them as a benefit for Artists For Humanity at the time of his 2012 exhibition at Krakow Witkin Gallery which can be viewed here.  Allan McCollum: The Shapes Project: Perfect Couples

We are happy to report that all “Shapes to Paint” have sold.  We are thrilled with such a positive response and thank you for supporting such a great cause !

For a $250 donation to Boston’s Artists for Humanity, you can purchase one of McCollum’s “Shapes to Paint”. Each “Shape” comes with a label card and unique identification number. They are purposefully left unpainted so that the owner can paint it how they see fit.

The artist originally made them as a benefit for Artists For Humanity at the time of his 2012 exhibition at Krakow Witkin Gallery which can be viewed here.  Allan McCollum: The Shapes Project: Perfect Couples

We are happy to report that all “Shapes to Paint” have sold.  We are thrilled with such a positive response and thank you for supporting such a great cause !

For a $250 donation to Boston’s Artists for Humanity, you can purchase one of McCollum’s “Shapes to Paint”. Each “Shape” comes with a label card and unique identification number. They are purposefully left unpainted so that the owner can paint it how they see fit.

The artist originally made them as a benefit for Artists For Humanity at the time of his 2012 exhibition at Krakow Witkin Gallery which can be viewed here.  Allan McCollum: The Shapes Project: Perfect Couples

We are happy to report that all “Shapes to Paint” have sold.  We are thrilled with such a positive response and thank you for supporting such a great cause !

For a $250 donation to Boston’s Artists for Humanity, you can purchase one of McCollum’s “Shapes to Paint”. Each “Shape” comes with a label card and unique identification number. They are purposefully left unpainted so that the owner can paint it how they see fit.

The artist originally made them as a benefit for Artists For Humanity at the time of his 2012 exhibition at Krakow Witkin Gallery which can be viewed here.  Allan McCollum: The Shapes Project: Perfect Couples

We are happy to report that all “Shapes to Paint” have sold.  We are thrilled with such a positive response and thank you for supporting such a great cause !

For a $250 donation to Boston’s Artists for Humanity, you can purchase one of McCollum’s “Shapes to Paint”. Each “Shape” comes with a label card and unique identification number. They are purposefully left unpainted so that the owner can paint it how they see fit.

The artist originally made them as a benefit for Artists For Humanity at the time of his 2012 exhibition at Krakow Witkin Gallery which can be viewed here.  Allan McCollum: The Shapes Project: Perfect Couples

We are happy to report that all “Shapes to Paint” have sold.  We are thrilled with such a positive response and thank you for supporting such a great cause !

For a $250 donation to Boston’s Artists for Humanity, you can purchase one of McCollum’s “Shapes to Paint”. Each “Shape” comes with a label card and unique identification number. They are purposefully left unpainted so that the owner can paint it how they see fit.

The artist originally made them as a benefit for Artists For Humanity at the time of his 2012 exhibition at Krakow Witkin Gallery which can be viewed here.  Allan McCollum: The Shapes Project: Perfect Couples

We are happy to report that all “Shapes to Paint” have sold.  We are thrilled with such a positive response and thank you for supporting such a great cause !

For a $250 donation to Boston’s Artists for Humanity, you can purchase one of McCollum’s “Shapes to Paint”. Each “Shape” comes with a label card and unique identification number. They are purposefully left unpainted so that the owner can paint it how they see fit.

The artist originally made them as a benefit for Artists For Humanity at the time of his 2012 exhibition at Krakow Witkin Gallery which can be viewed here.  Allan McCollum: The Shapes Project: Perfect Couples

We are happy to report that all “Shapes to Paint” have sold.  We are thrilled with such a positive response and thank you for supporting such a great cause !

For a $250 donation to Boston’s Artists for Humanity, you can purchase one of McCollum’s “Shapes to Paint”. Each “Shape” comes with a label card and unique identification number. They are purposefully left unpainted so that the owner can paint it how they see fit.

The artist originally made them as a benefit for Artists For Humanity at the time of his 2012 exhibition at Krakow Witkin Gallery which can be viewed here.  Allan McCollum: The Shapes Project: Perfect Couples

We are happy to report that all “Shapes to Paint” have sold.  We are thrilled with such a positive response and thank you for supporting such a great cause !

For a $250 donation to Boston’s Artists for Humanity, you can purchase one of McCollum’s “Shapes to Paint”. Each “Shape” comes with a label card and unique identification number. They are purposefully left unpainted so that the owner can paint it how they see fit.

The artist originally made them as a benefit for Artists For Humanity at the time of his 2012 exhibition at Krakow Witkin Gallery which can be viewed here.  Allan McCollum: The Shapes Project: Perfect Couples

We are happy to report that all “Shapes to Paint” have sold.  We are thrilled with such a positive response and thank you for supporting such a great cause !

For a $250 donation to Boston’s Artists for Humanity, you can purchase one of McCollum’s “Shapes to Paint”. Each “Shape” comes with a label card and unique identification number. They are purposefully left unpainted so that the owner can paint it how they see fit.

The artist originally made them as a benefit for Artists For Humanity at the time of his 2012 exhibition at Krakow Witkin Gallery which can be viewed here.  Allan McCollum: The Shapes Project: Perfect Couples

We are happy to report that all “Shapes to Paint” have sold.  We are thrilled with such a positive response and thank you for supporting such a great cause !

For a $250 donation to Boston’s Artists for Humanity, you can purchase one of McCollum’s “Shapes to Paint”. Each “Shape” comes with a label card and unique identification number. They are purposefully left unpainted so that the owner can paint it how they see fit.

The artist originally made them as a benefit for Artists For Humanity at the time of his 2012 exhibition at Krakow Witkin Gallery which can be viewed here.  Allan McCollum: The Shapes Project: Perfect Couples

We are happy to report that all “Shapes to Paint” have sold.  We are thrilled with such a positive response and thank you for supporting such a great cause !

For a $250 donation to Boston’s Artists for Humanity, you can purchase one of McCollum’s “Shapes to Paint”. Each “Shape” comes with a label card and unique identification number. They are purposefully left unpainted so that the owner can paint it how they see fit.

The artist originally made them as a benefit for Artists For Humanity at the time of his 2012 exhibition at Krakow Witkin Gallery which can be viewed here.  Allan McCollum: The Shapes Project: Perfect Couples

Image size: 45 x 60 inches (114.3 x 152.4 cm)
Paper size: 53 x 68 inches (134.6 x 172.7 cm)
Frame size: 53 1/4 x 68 3/8 inches (135.3 x 173.7 cm)

Edition of 10 / Image size: 30 x 40 inches / paper: 38 x 48 inches
Edition of 10 / Image size: 45 x 60 inches / paper: 53 x 68 inches
Edition of 5 / Image/paper size: 60 x 80 inches

Signed and numbered on reverse on label
(Inventory #31454)

Image size: 45 x 60 inches (114.3 x 152.4 cm)
Paper size: 53 x 68 inches (134.6 x 172.7 cm)
Frame size: 53 1/4 x 68 3/8 inches (135.3 x 173.7 cm)

Edition of 10 / Image size: 30 x 40 inches / paper: 38 x 48 inches
Edition of 10 / Image size: 45 x 60 inches / paper: 53 x 68 inches
Edition of 5 / Image/paper size: 60 x 80 inches

Signed and numbered on reverse on label
(Inventory #31454)

65 x 65 x 1.5 inches (165.1 x 165.1 x 3.8 cm)
Signed on accompanying certificate
(Inventory #30803)

Exhibited November 9, 2019 – December 21, 2019

12 x 12 x 1 inches each (30.5 x 30.5 x 2.5 cm each)
Installation arrangement and installation dimensions are variable
Edition of 15
Signed and numbered on accompanying certificate
(Inventory #30392)

Exhibited September 21, 2019 – November 2, 2019

12 x 12 x 1 inches each (30.5 x 30.5 x 2.5 cm each)
Installation arrangement and installation dimensions are variable
Edition of 15
Signed and numbered on accompanying certificate
(Inventory #30392)

Exhibited September 21, 2019 – November 2, 2019

12 x 12 x 1 inches each (30.5 x 30.5 x 2.5 cm each)
Installation arrangement and installation dimensions are variable
Edition of 15
Signed and numbered on accompanying certificate
(Inventory #30392)

Exhibited September 21, 2019 – November 2, 2019

12 x 12 x 1 inches each (30.5 x 30.5 x 2.5 cm each)
Installation arrangement and installation dimensions are variable
Edition of 15
Signed and numbered on accompanying certificate
(Inventory #30392)

Exhibited September 21, 2019 – November 2, 2019