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One Wall, One Work

October 22, 2022 – December 17, 2022

One Wall, One Work Archive

The Address Book

Sophie Calle The Address Book 2009 A set of prints: 28 pages, each with text and photographs, in a screenprinted binder; one etching with gold leaf, one blind embossment and one 5-color lithograph with book cloth

Edition of 45
Print size (approximately): 15 x 12 1/2 inches each (38.1 x 31.75 cm each)
Sleeve size: 14 7/8 x 11 3/8 inches each (37.8 x 29 cm each)
Binder size: 15 1/2 x 14 x 1 3/4 inches (39.4 x 35.5 x 4.4 cm)
Signed and dated lower right, numbered lower left on second row, last sheet colophon
(Inventory #31881)

“A remarkably poignant and tender portrait of a man she would never meet.”
Mary Kaye Schilling

“I found an address book on the Rue des Martyrs.
I decided to photocopy the contents before sending it back anonymously to its owner, whose address is inscribed on the endpaper. I will contact the people whose names are noted down. I will tell them, “I found an address book on the street by chance. Your number was in it. I’d like to meet you.” I’ll ask them to tell me about the owner of the address book, whose name I’ll only reveal in person, if they agree to meet me.
Thus, I will get to know this man through his friends and acquaintances. I will try to discover who he is without ever meeting him, and I will try to produce a portrait of him over an undetermined length of time that will depend on the willingness of his friends to talk about him—and on the turns taken by the events.
This project will be published daily in Libération. I have to turn my texts in three days before each publication.
The man’s name is Pierre D.”
Sophie Calle, “Libération”, Tuesday, August 2, 1983

Originally published as a serial in the newspaper, “Libération,” over the course of one month, Calle’s incisive written accounts with friends, family, and colleagues, juxtaposed with photographs, yield vivid subjective impressions of the address book’s owner, Pierre D., while also suggesting ever more complicated stories as information is parsed and withheld by the people she encounters. Collaged through a multitude of details–from the banal to the luminous, this fragile and strangely intimate portrait of Pierre D. is a prism through which to see the desire for, and the elusiveness of, knowledge. Upon learning of this work and its publication in the newspaper, Pierre D. expressed his anger, and Calle agreed not to republish the work until after his death, which he accepted, and thus, only in 2009 did Calle create the work that is currently on exhibition. The project presented consists of images of each episode as it was laid out in the newspaper, but now absent of all surrounding context. The stories are isolated except by three additional objects. Exhibited to one side of the narratives is a sculptural, five-color lithograph with book cloth that references the physical object of the address book. On the other side are a blind-embossed (the numbers are visible but un-inked) list of all the interviewee’s addresses and a crisply etched, textual portrait summarizing the collective portrait of Pierre D. as described by the interviewees/entries in the address book. The exhibited project is a poetic collection both visually and textually, documenting a process of discovery that drifts between anonymity, transparency, presence, and dislocation.

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Untitled

Robert Gober Untitled 2000 Lithograph on Arches Cover paper

Edition of 50
Paper size: 38 x 46 1/4 inches  (96.5 x 117.5 cm)
Frame size: 41 1/8 x 49 1/2 inches  (104.5 x 125.7 cm)
Signed and dated lower right and numbered lower left in graphite
(Inventory #33959)

In 2000, Robert Gober created this large-scale stone lithograph. The imagery is of a dictionary page showing the juxtaposition of such entries as “betoken” (to give evidence of”) “betray” (to lead astray), and “betroth” (to promise to marry or give in marriage), but this is not a photographic reproduction. The drawing of the imagery (text, at an angle, selectively cropped) is noticeable upon careful viewing and thus Gober leads a viewer on a journey about fact, fiction, humanity, society and authority. Are all the definitions accurate? Is there a dictionary with these words, so loaded in meaning in their juxtaposition? What words has the artist left out? The questions mount as one looks closer. Questioning definitions and pondering order are important themes for Gober and for the viewer.

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Locations

Richard Artschwager Locations 1969 Set of six elements in Formica, mirror, Plexiglas, rubberized horsehair and wood

Edition of 90
Overall size: 14 7/8 x 10 5/8 x 4 7/8 inches (37.8 x 27 x 12.4 cm)
Signed and numbered in blue ball-point pen on a label affixed to the reverse of the wood sculptural container
(Inventory #32014)

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Selections from Truisms

Jenny Holzer Selections from Truisms 1984 Horizontal LED sign: amber diodes, black powder-coated steel housing

Edition of 4
6 1/2 x 57 3/4 x 2 inches (16.5 x 146.7 x 5.1 cm)
Signed on affixed label on reverse
(Inventory #32051)

Read full text here

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Between You, Me, and the Sea

Kay Rosen Between You, Me, and the Sea 2019 Digital video with sound, runtime: 48 minutes

Edition of 10
Runtime: 48 minutes
Signed and numbered on accompanying certificate
(Inventory #31028)

This is an abbreviated version of the film. Please inquire to view entire film.

 

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The Shapes Project: Shapes to Paint

Allan McCollum The Shapes Project: Shapes to Paint 2005/2012 Each is a unique sculpture made from New England rock maple on a wood panel

 

We are happy to report that all “Shapes to Paint” have sold.  We are thrilled with such a positive response and thank you for supporting such a great cause !

For a $250 donation to Boston’s Artists for Humanity, you can purchase one of McCollum’s “Shapes to Paint”. Each “Shape” comes with a label card and unique identification number. They are purposefully left unpainted so that the owner can paint it how they see fit.

The artist originally made them as a benefit for Artists For Humanity at the time of his 2012 exhibition at Krakow Witkin Gallery which can be viewed here.  Allan McCollum: The Shapes Project: Perfect Couples

 

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Wood Chunk on Pieter Bruegel the Elder Book

Abelardo Morell Wood Chunk on Pieter Bruegel the Elder Book 2019 Color photograph

Image size: 45 x 60 inches (114.3 x 152.4 cm)
Paper size: 53 x 68 inches (134.6 x 172.7 cm)
Frame size: 53 1/4 x 68 3/8 inches (135.3 x 173.7 cm)

Edition of 10 / Image size: 30 x 40 inches / paper: 38 x 48 inches
Edition of 10 / Image size: 45 x 60 inches / paper: 53 x 68 inches
Edition of 5 / Image/paper size: 60 x 80 inches

Signed and numbered on reverse on label
(Inventory #31454)

Exhibited March 7, 2020 – April 4, 2020 (Postponed through April due to COVID-19 pandemic)

Read more about this work here

 

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OR

Peter Downsbrough OR 2017 Painted steel in four parts

65 x 65 x 1.5 inches (165.1 x 165.1 x 3.8 cm)
Signed on accompanying certificate
(Inventory #30803)

Exhibited November 9, 2019 – December 21, 2019

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Untitled

Robert Barry Untitled 2019 Etched black glass mirror in nine parts

12 x 12 x 1 inches each (30.5 x 30.5 x 2.5 cm each)
Installation arrangement and installation dimensions are variable
Edition of 15
Signed and numbered on accompanying certificate
(Inventory #30392)

Exhibited September 21, 2019 – November 2, 2019

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array I

Amy Stacey Curtis array I 2018 Wood, acrylic, vinyl, audience

Each of 2 shelves:  1 1/4 x 104 3/4 x 1 1/8 inches  (3.2 x 266.1 x 2.9 cm)
Each of 99 cubes:  7/8 x 7/8 x 7/8 inches  (2.2 x 2.2 x 2.2 cm)
Vinyl: 8 x 30 inches  (20.3 x 76.2 cm)
Top shelf at: 59 inches  (149.9 cm)
Bottom shelf at: 56 inches  (142.2 cm)
Signed and dated on reverse of top shelf in graphite
(Inventory #30241)

Exhibited June 22, 2019 – July 26, 2019

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Wall Drawing #815

Sol LeWitt Wall Drawing #815 March 1997 Thirty randomly placed points connected to one another using nails, white string on a black wall

First drawn by: Anders Hagman, Barbara O’Brien, Rose Olson
First installation: Montserrat College of Art Gallery, Beverly, Massachusetts
This installation size: 96 x 128 inches (243.8 x 325.1 cm)
Signed on accompanying certificate
(Inventory #30329)

Exhibited: March 29, 2019 – June 15, 2019

Read more about this work here

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Various Strata

Kay Rosen Various Strata 1985 1-Shot sign paint on wall

Dimensions variable
This installation size: 78 x 78 inches (198.1 x 198.1 cm)
Signed on accompanying certificate
(Inventory #24255)

Exhibited February 16, 2019 – March 23, 2019

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The Flood from Triumphs and Laments

William Kentridge The Flood from Triumphs and Laments 2016 Set of fifteen woodcuts from ten woodblocks onto nine large sheets

and six pieces of Somerset Soft White paper adhered by 30 aluminum pins
Overall size:  71 1/4 x 84 inches  (181 x 213.4 cm)
Edition of 12
Signed and numbered on accompanying certificate
(Inventory #29857)

Exhibited January 5 – February 9, 2019

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Queen of Spades

Fred Wilson Queen of Spades 2016 Set of three pigment prints on Hot Press

Image sizes vary for each
Paper size:  32 x 24 1/2 inches each  (81.3 x 62.2 cm each)
Frame size:  34 3/4 x 27 3/8 inches each  (88.3 x 69.5 cm each)
Edition of 18
Signed and dated lower right, numbered lower left and titled lower center in graphite on each sheet
(Inventory #30230)

Exhibited November 17, 2018 – December 22, 2018

Read more about this work here

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Consider listening

Sam Durant Consider listening 2018 Screenprint on translucent film, light box

11 3/4 x 15 3/4 x 4 3/4 inches  (30 x 40 x 12 cm)
Edition of 25
Signed and numbered on label on reverse with an accompanied certificate
(Inventory #30032)

Exhibited June 23 – August 3, 2018

Antwaun Sargent describes Sam Durant’s work this way: “When highly charged language is isolated and removed from its original context, does it have the same meaning? … [Sam Durant has] appropriated protest signs [and] colorfully reimagined [them as] light boxes … the artist isolates the language of protest as a way to expand its punch, while simultaneously highlighting that there are a range of issues on which the public and art can speak truth to power… To create the signs, Durant searched image archives of protest signs from around the world. He then transferred the handwritten vernacular statements onto colorful monochrome light boxes, typically used for commercial advertisement… Looking at the sign, one is reminded of how, over the course of the Black Lives Matter movement’s existence, the chant’s language has evolved to become more explicit…The statements may be decontextualized, mounted as they are on white walls in a gallery, but Durant brings together many voices seeking justice and equality. By exhibiting the anger, collective yearning, and optimism of the people, they are being heard clearly, even in a gallery.”

Read more about this work here

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Everyone deserves a dream!

Sam Durant Everyone deserves a dream! 2018 Screenprint on translucent film, light box

11 3/4 x 15 3/4 x 4 3/4 inches  (30 x 40 x 12 cm)
Edition of 25
Signed and numbered on label on reverse with an accompanied certificate
(Inventory #29769)

Exhibited May 12, 2018 – June 23, 2018

Read more about this work here

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DUH!

Mel Bochner DUH! 2017 Monoprint with collage, engraving and embossment

on hand-dyed Twinrocker handmade paper
Image/paper size:  22 x 57 1/2 inches  (55.9 x 146.1 cm)
Frame size:  26 3/8 x 61 3/4 inches  (67 x 156.8 cm)
Signed and dated lower right in graphite
(Inventory #29554)

Exhibited March 31, 2018 – May 5, 2018

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Water Tower – Oxford, AL

Frank Poor Water Tower – Oxford, AL 2017 Basswood and inkjet print

76 x 36 x 12 inches  (193 x 91.4 x 30.5 cm)
(Inventory #29397)

Exhibited February 17, 2018 – March 24, 2018

Read more about this work here

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Arno, Blue

Jenny Holzer Arno, Blue 2005 Vertical LED sign: white diodes, stainless steel housing

76 7/8 x 5 1/4 x 3 inches  (195.3 x 13.3 x 7.6 cm)
Edition of 6
(Inventory #27201)

Exhibited January 6, 2018 – February 10, 2018

Read more about this work here

 

 

 

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15 Mouths

Lorna Simpson 15 Mouths 2002 Fifteen iris printed images on Velour paper with deckled edge,

mounted on Hahnemühle Copperplate with letterpress printed text, series of fifteen
Image size:  1 1/2 x 3 1/4 inches each  (3.8 x 8.3 cm each)
Plate size:  1 3/4 x 3 3/8 inches each  (4.4 x 8.6 cm each)
Paper size:  10 x 8 inches each  (25.4 x 20.3 cm each)
Edition of 40, 10 AP
Signed and numbered on colophon in graphite
(Inventory #32958)

Exhibited: November 11, 2017 – December 23, 2018

Read more about this work here

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Untitled

Robert Barry Untitled 2017 Etched black glass mirror in two parts, unique

Square:  30 x 30 inches  (76.2 x 76.2 cm)
Circle:  30″ diameter (76.2 cm)
Signed and dated on accompanied certificate
(Inventory #29251)

Exhibited: September 16, 2017 – November 4, 2017

Read more about this work here

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Everything is Different

Suara Welitoff Everything is Different 2017 Continuously looping video with sound

Endless loop, monitor size variable
Edition of 10
Signed, titled, dated and numbered on each disk
(Inventory #28940)

The above imagery is an abbreviated clip of a longer work.

Exhibited: April 29, 2017 – May 6, 2017

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Untitled

Suara Welitoff Untitled 2015 Continuously looping video (silent)

Edition of 10
Signed, titled, dated and numbered on each disk
(Inventory #28405)

The above imagery is an abbreviated clip of a longer work.

Exhibited: May 6, 2017 – May 13, 2017

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The Air Between Us

Suara Welitoff The Air Between Us 2017 Continuously looping video (silent)

Endless loop, monitor size variable
Edition of 10
Signed, titled, dated and numbered on each disk
(Inventory #28939)

The above imagery is an abbreviated clip of a longer work.

Exhibited: May 13, 2017 – May 19, 2017

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Train 1

Julian Opie Train 1 2016 Continuous computer animation with sound on a 46" LCD screen with inkjet print,

face mounted on toughened glass in aluminum frame, unique
40 3/4 x 4 3/8 x 77 1/2 inches  (103.6 x 11 x 197 cm)
Signed on label on reverse
(Inventory #28879)

Exhibited: May 19, 2017 – July 28, 2017

Read more about this work here

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Actualidades/Breaking News

Liliana Porter Actualidades/Breaking News 2016 Digital video

Duration: 22 minutes
Edition of 8
Signed and numbered
Conceived & Directed by Liliana Porter
Co-Director: Ana Tiscornia
Music: Sylvia Meyer
Videography and editing: Federico Lo Bianco
© Liliana Porter, 2016
(Inventory #28472)

Exhibited April 8, 2017 – April 28, 2017

This film was included in a rotating program of works created in video by four artists: Christian Marclay, Liliana Porter, Suara Welitoff and Julian Opie.  Instead of a group show where multiple videos are playing simultaneously, each artist’s work will be on view, on its own, for three weeks.  The choice of these four artists was an active one – to show the breadth and depth of work being made in and with video.

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Telephones

Christian Marclay Telephones 1995 DVD

Running time 7:30 minutes
Edition of 250
Signed on accompanying certificate
(Inventory #27661)

Exhibited March 18, 2017 – April 7, 2017

Read more about this work here

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Wall Drawing #239

Sol LeWitt Wall Drawing #239 June 1974 Black crayon and black pencil

First Drawn by: Kazuko Miyamoto
First Installation: Paula Cooper Gallery, New York, NY

Location of a line
A straight line from the lower left corner of the wall to a point halfway between the center of the wall and the midpoint of the left side
(Inventory #28439)

Exhibited: February 14, 2017 – March 18, 2017

Read more about Seven Weeks / Seven Wall Drawings here

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Wall Drawing #177

Sol LeWitt Wall Drawing #177 May 1973 Black crayon

First Drawn by: Paula Cooper
First Installation: Paula Cooper Gallery, New York, NY

A 48″ (120 cm) horizontal line from the right side of the wall, 48″ (120 cm) above the floor

(Inventory #28437)

Exhibited: February 7, 2017 – February 11, 2017

Read more about Seven Weeks / Seven Wall Drawings here

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Wall Drawing #172

Sol LeWitt Wall Drawing #172 May 1973 Black and red crayon

First Drawn by: Sol LeWitt, Nicholas Logsdail
First Installation: Lisson Gallery, London, England
Lines through the center of the wall toward midpoints of sides and corners
(Inventory #28436)

 

Exhibited: January 31, 2017 – February 4, 2017

Read more about Seven Weeks / Seven Wall Drawings here

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Wall Drawing #167

Sol LeWitt Wall Drawing #167 May 1973 Black and red crayon

First Drawn by: Sol LeWitt, Nicholas Logsdail
First Installation: Lisson Gallery, London, England
A line from the center of the wall to the midpoint of the top side, and a line from the midpoint of the first line to the midpoint of the left side
(Inventory #28435)

Exhibited: January 25, 2017 – January 28, 2017

Read more about Seven Weeks / Seven Wall Drawings here

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Wall Drawing #166

Sol LeWitt Wall Drawing #166 May 1973 Black and red crayon

First Drawn by: Sol LeWitt, Nicholas Logsdail
First Installation: Lisson Gallery, London, England
A line through the center of the wall toward the midpoint of the top side and a line from the midpoint of the left side to the midpoint of the right side
(Inventory #28434)

Exhibited: January 18, 2017 – January 21, 2017

Read more about Seven Weeks / Seven Wall Drawings here

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Wall Drawing #126

Sol LeWitt Wall Drawing #126 March 1972 Black pencil

First Drawn by: C. Kaufman, S. Kuffler, Matt Mullican, R. Rosenwasser, J. Stein, James Welling
First Installation: California Institute of the Arts, Valencia, CA

Not straight lines from corners to corners
A not straight line from the upper left corner to the lower right corner, and a not straight line from the upper right corner to the lower left corner
(Inventory #28433)

Exhibited: January 10, 2017 – January 14, 2017

Read more about Seven Weeks / Seven Wall Drawings here

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Wall Drawing #121

Sol LeWitt Wall Drawing #121 December 1971 Black pencil

First Drawn by: Saul Ostrow
First Installation: University of Massachusetts, Amherst, MA

Crossing lines
A not straight line from the upper left corner to the lower right corner and from the upper right corner to the lower left corner, a not straight line from the midpoint of the left side to the midpoint of the right side, and a not straight line from the midpoint of the top to the midpoint of the bottom, all crossing in the center of the wall.
(Inventory #28432)

Exhibited: January 3, 2017 – January 7, 2017

Read more about Seven Weeks / Seven Wall Drawings here

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Unexpected Variable Configurations: A Work in Situ

Daniel Buren Unexpected Variable Configurations: A Work in Situ 1998 Unique installation 25 elements, each aluminum (screen-printed graphite gray and white), from a series of 15 with each having the wall painted in a unique color, this one in Pantone 072C Blue, with a hand-drawn grid, to be mounted on a wall in the prescribed manner

Installation dimensions are variable, each plate is 17 1/8 x 17 1/8 inches (43 1/2 x 43 1/2 cm)
Signed and numbered on certificate
(Inventory #25030)

Exhibited: September 10, 2016 – December 10, 2016

Read more about this work here

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Section 88: Views from inner to outer compartment_ACT VI_Scene II

Walid Raad Section 88: Views from inner to outer compartment_ACT VI_Scene II 2013 Wood

28 1/4 x 94 x 1 inches  (71.8 x 238.8 x 2.5 cm)
Edition of 3
(Inventory #28132)

Exhibited: May 11, 2016 – July 29, 2016

Read more about this work here

Read ARTEIDOLIA Review by Mira Dayal here

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Crossed Mirage III

Ursula von Rydingsvard Crossed Mirage III 2015 Cedar and graphite

Overall size:  67 1/2 x 85 5/8 x 17 1/2 inches  (171.5 x 217.5 x 44.5 cm)
Signed on reverse
(Inventory #27949)

Exhibited: January 12, 2016 – May 5, 2016

Read more about this work here

Read The Boston Globe Exhibition Review here

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Untitled

Tara Donovan Untitled 2015 Slinkys®

Dimensions variable
This installation size:  72 x 106 inches (182.9 x 269.2 cm)
on a wall measuring 96 x 128 inches (horizontal)
Signed on accompanying certificate
(Inventory #27738)

Exhibited: October 15, 2015 – January 12, 2016

Read more about this work here

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Rosa Parks

Richard Serra Rosa Parks 1987 Three color screenprint and Paintstik on coated paper

Image/paper size:  40 1/8 x 82 1/2 inches  (102 x 209.5 cm)
Frame size:  43 x 85 1/2 inches  (109.2 x 217.2 cm)
Edition of 30, 8 AP
Signed, dated and numbered on verso
(Inventory #22019)

Exhibited: April 2015 – June 2015

Read more about this work here

 

 

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TRUISMS (selections from 1977-79)

Jenny Holzer TRUISMS (selections from 1977-79) 2013 Portable digital projection, 49-minute digital animation loop including 232 Truisms, in two rotations with 31 unique animations on an HD mini-projector encased in a custom black box specified by the artist

Custom black box size:  8 x 5 1/2 x 3 3/4 inches  (20.3 x 14 x 9.5 cm)
Edition of 12
Numbered and signed stamped on the bottom
(Inventory #27399)

 

Jenny Holzer: 1977 – 2013

Barbara Krakow Gallery
Exhibited: March 2015 – April 2015

Read more about this work and exhibition here

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The Clock Tower

Lorna Simpson The Clock Tower 1995 Serigraph on twelve felt panels with one felt text panel

Image/panel size:  33 3/8 x 22 1/4 inches each  (84.8 x 56.5 cm each)
Text panel size:  8 x 6 inches  (20.3 x 15.2 cm)
Overall size:  99 3/4 x 89 inches  (253.4 x 226.1 cm)
Edition of 5, PP
Signed, titled and numbered on reverse on 12th panel
(Inventory #26602)

Exhibited: January 2015 – March 2015

TEXT PANEL:
He can hear sighs and conversations of people collecting in the hall waiting for elevators, heading out of the building, the telephone rings.
“Good, I hoped that you were still here.”
“Yeah, well I thought that it might be you.”
“Where do you want to meet?”
“Well, they are still under construction on the 15th floor and the union guys are out of there by now and I think they have finished a few of the offices with good views. Wait a second… I don’t hear the muffled power tools. Want to go there?”
“Sure, I have not been down there as yet.”
” What about the rooftop conference room? Was there anything scheduled there today?”
“I don’t think so, but we will have to take the stairs to get up there…the west staircase is always an option a little later if you still have work to do.”
“Naw, I’m almost finished.”
“What time do you have?”
“8:20.”
“I’ll meet you in the hall at a quarter to.”
“Okay.”

 

Read more about this work here

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EDGE/EDGES

Peter Downsbrough EDGE/EDGES 2014 Bars: painted rectangular metal tube (1 1/4 x 1/4 inches each)

Text:  painted metal plate (1/4 inch thick)
Each element:  69 x 1 1/4 x 5 inches  (175 x 3.2 x 12.5 cm)
Overall size dimensions variable
This installation size:  69 x 90 inches  (175.3 x 228.6 cm)
Signed and dated on accompanying certificate
(Inventory #26898)

Exhibited: November 2014 – January 2015

Read more about this work here

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The Top Ten Historical Similarities (and Differences) Between Prints and Photographs

Allen Ruppersberg The Top Ten Historical Similarities (and Differences) Between Prints and Photographs 2012 Set of ten digital photographs (nine with lithographic additions, 3 with hand-colored additions) accompanied by a cloth-covered folio

Six at 16 x 20 inches each  (40.6 x 50.8 cm each)
Four at 20 x 16 inches each  (50.8 x 40.6 cm each)
Edition of 30Signed ‘A Ruppersberg’ lower center, numbered lower left and dated lower right on each sheet
(Inventory #24605)

Exhibited: October 2014 – November 2014

Read more about this work here

 

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Ten Feet

Mel Bochner Ten Feet 1997 Unique installation of monoprints with wood engraving and embossment on hand-dyed Twinrocker handmade paper in ten parts

4 x 12 inches each  (10.2 x 30.5 cm each)
This installation size is 4 inches x 120 inches
Signed ‘Mel Bochner’ on reverse on each piece
(Inventory #26687)

Mel Bochner

Barbara Krakow Gallery
Exhibited: September 2014 – October 2014

Read more about this work and it’s exhibition here

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The Shapes Project: Shapes From Maine Shapes Ornaments

Allan McCollum The Shapes Project: Shapes From Maine Shapes Ornaments 2005/2008 New England Rock Maple in 144 parts

Each element: 2 1/4 x 3 3/8 x 1/2 inches (5.7 x 8.6 x 1.3 cm)
Installation dimensions are variable:
This installation: 57 x 90 3/4 inches (144.8 x 230.5 cm)
Each one with signed authentication card
(Inventory #20624)

Apparent Forms

Barbara Krakow Gallery
Exhibited: June 2014 – September 2014

Read more about this work and it’s exhibition here

 

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The Shapes Project: Shapes From Maine Shapes Ornaments

Allan McCollum The Shapes Project: Shapes From Maine Shapes Ornaments

Detail Image

 

Exhibited: June 2014 – September 2014

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Untitled

Robert Barry Untitled 2014 Metallic decal on wall

Signed and dated on accompanying certificate
Installation size variable
(Inventory #26309)

Robert Barry
Barbara Krakow Gallery
Exhibited: May – June 2014

Read more about this work and its exhibition here

 

 

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Pastoral

Kara Walker Pastoral 1999 Wall painting in black

Edition of 15
72 x 76 inches (183 x 193 cm)
(Inventory #14918)

Exhibited: February 2014 – May 2014

Read more about this work here

 

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Trees 1

Julian Opie Trees 1 2013 Unique vinyl on wall

Installation dimensions vary
This installation size:  96 5/8 x 128 1/2 inches  (245.4 x 326.4 cm)
(Inventory #25684)

Julian Opie

Barbara Krakow Gallery
Exhibited: October 2013 – February 2014

Read more about this work and it’s exhibition here

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Broken Bubbles

Barbara Broughel Broken Bubbles 2010-2012 Six poplar panels with oil paint

Signed on the back
Panel size:  16 x 16 inches each  (40.6 x 40.6 cm each)
Overall size:  33 1/2 x 51 inches  (85.1 x 129.5 cm)
(Inventory #24514)

Exhibited September 2013 – October 2013

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Constructed Landscape (Winter)

Kay Rosen Constructed Landscape (Winter) 2012 Latex paint on wall

Installation measurements vary
This installation:  8′ x 10′ 8″
(Inventory #24818)

Exhibited: January 2013 – September 2013

Read more about this work here

 

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Reflections

Robert Barry Reflections 2006 Red acrylic mirror mounted on wall (accompanied with a custom designed box covered with grey velvet paper with embossed printing)

Edition of 9
Signed, dated and numbered in box
Installation size: 4 3/8 inches x 33 1/2 inches overall
Letter size:  4 3/8 inches each
Box size:  11 x 39 x 1 5/8 inches
(Inventory #25505)

Exhibited: October 2012 – January 2013

 

 

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Reflections

Robert Barry Reflections 2006

Detail Image

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Untitled

Tara Donovan Untitled 2007 Polyester metallized film tape

Dimensions Variable
This installation will measure on wall 96″ x 128″
(Inventory #24425)

Exhibited: September 2012

Read more about this work here

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Fragment: Figure VIII

George Segal Fragment: Figure VIII 1970 Cast plaster relief

Edition of 8
Signed, dated ’70 and numbered on reverse
37 x 20 x 10 inches  (93.9 x 50.8 x 25.4 cm)
(Inventory #24134)

Exhibited April 2012 – September 2012

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OPALKA 1965 / 1 – ∞

Roman Opalka OPALKA 1965 / 1 – ∞ 2008 Set of fifty duotone prints on matte Novatech 200 gram paper

Edition of 298
Signed and numbered on colophon page
Image/paper size (folded):  12 x 9 3/8 inches each  (30.5 x 23.8 cm each)
Image/paper size (unfolded):  12 x 18 3/4 inches each  (30.5 x 47.6 cm each)
Portfolio case:  12 5/8 x 10 1/8 x 2 inches  (32.1 x 25.7 x 5.1 cm)
(Inventory #23902)

Exhibited: January 2012 – April 2012

 

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STILL

Peter Downsbrough STILL 2011 Wall piece with latex paint

Overall dimensions variable
This installation: 79 x 79 inches (200.7 x 200.7 cm)
(Inventory #23776)

First painted by: Ryan Cross, Barbara Krakow Gallery

First installation: Surface Area September 10, 2011 – October 15, 2011

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