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from the portfolio of eight photographic screenprints

image size: 29 x 20 inches each
paper size: 35 x 25 inches each
Edition of 100

A two-color silkscreen with embossing and one-color etching both printed on Lana Gravure paper

Edition of 50
Image/plate size: 18 x 23 7/8 inches each (45.7 x 60.6 cm each)
Paper size: 22 7/16 x 28 5/16 inches each (57 x 71.9 cm each)
Signed, numbered and dated lower right in graphite on each sheet
(Inventory #32247)

8 1/4 x 8 1/4 inches (21 x 21 cm) / 64 pages / Unpaginated / Stitch bound
Softcover, with tracing paper jacket 49 plates (bracket, drawings, map, photographs, words)
Offset (black-and-white)
Publisher: Editions Enigmatiques, Paris, France)
Printer: not mentioned (Alliance Partenaire Graphique, Reims, France)
Print run: not noted (300)
ISBN: none

CATALOGUE RAISONNÉ NUMBER: 98

In this book, Peter Downsbrough is following a strict visual concept, introducing a specific focus as was already the case in some previously published books: the Two Poles sculptures, a dice game inspired by Stéphane Mallarmé, a lecture following his first trip to Poland, the demolition of a brewery in Ghent, photographs taken in Munich, Calais, Lille and Valenciennes, a parking garage in Berkeley, California, double words, the reconversion of an industrial site in Aalst, flip books, or particular buildings by the French architect Roland Simounet. SET [ IN incorporates sixteen black-and-white photographs showing only quarry stones, brick walls, and concrete slabs in combination with thin horizontal lines, bold vertical bands, and words. Most particular is a mirrored map of the Sahara at the end of the book, with an advisory note about crossing the desert.