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Mel Bochner

SELECTED WORKS
Amazing
2023
Oil on velvet

30 x 18 1/2 inches (76.2 x 47 cm)
Signed and dated verso on stretcher in black ink
(Inventory #37099)

Babble
2023
Unique watercolor painting on UV screenprint on paper

74 x 52 inches (188 x 132.1 cm)
Signed and dated recto lower right in graphite
(Inventory #36374)

Thank You
2023
Unique watercolor painting on UV screenprint on paper

68 1/4 x 51 3/4 inches (173.4 x 131.4 cm)
Signed and dated recto lower right in graphite
(Inventory #36377)

Don’t Make Me Laugh / 60″ / What’s The Big Idea?
2022
Monoprint in oil with collage, engraving and embossment on handmade paper

Image/paper size: 60 x 60 inches (152.4 x 152.4 cm)
Signed and dated lower right in graphite
(Inventory #34407)

Do I Have To Draw You a Picture?
2021
Monoprint in oil with collage, engraving and embossment on handmade paper

Image/paper size: 30 x 90 inches (76.2 x 228.6 cm)
Signed and dated lower right in graphite
(Inventory #33602)

Babble
2022
Monoprint in oil with collage, engraving and embossment on handmade paper

Image/paper size: 12 x 9 3/8 inches (30.5 x 23.8 cm)
Signed and dated lower right in graphite
(Inventory #34399)

Amazing
2019-
2024
Etching in 17 colors

31 x 22 5/8 inches (78.7 x 57.5 cm)
Edition of 30, with 5 APs, 5 PPs, 1 BAT, 2 HC
Signed and numbered verso lower right in white pencil
(Inventory #37170)

Howl
2022
Silkscreen and glitter on lanaquarelle

32 1/8 x 19 1/8 inches (81.6 x 48.6 cm)
Edition of 30, 5 AP, 5 PP, 1 BAT, 2 HC
Signed and numbered in image recto left edge
(Inventory #37169)

Don’t Make Me Laugh
2023
Etching with aquatint

22 x 30 inches (55.9 x 76.2 cm)
Edition of 20 , 5 AP , 5 PP
Signed and dated recto lower right in graphite
(Inventory #36540)

What’s The Big Idea?
2023
Etching with aquatint

22 x 30 inches (55.9 x 76.2 cm)
Edition of 20 , 5 AP , 5 PP
Signed and dated recto lower right in graphite
(Inventory #36541)

Everybody Is Full Of Shit
2018
Laser engraving and hand-applied silver nitrate on laminated glass

25 x 35 x 1 1/4 inches (63.5 x 88.9 x 3.8 cm)
Edition of 12
Signed and dated on label, on reverse
(Inventory #30357)

Joys of Yiddish
2014
Screenprint on felt

Image/mount size:  62 3/4 x 52 3/4 inches  (159.4 x 134 cm)
Edition of 30
Signed on verso
(Inventory #34114)
Krakow Witkin 2014.02

Language Is Not Transparent
2017
Silkscreen and water-based inks in three parts

Edition of 20
Overall size: 63 x 141 inches overall (160 x 358.1 cm overall)
Image/paper size: 63 x 47 inches each (160 x 119.4 cm each)
Signed, numbered and dated on reverse on third sheet
(Inventory #34025)
Krakow Witkin 2017.01

Head Honcho
2020
Silkscreen on Lanaquarelle paper

Edition of 30
Image/paper size: 63 x 48 inches (160 x 121.9 cm)
Signed and dated lower right in graphite
(Inventory #33636)
Krakow Witkin 2020.03

Obliterate
2018
Silkscreen in thirteen colors on Lanaquarelle paper

Edition of 30
Image/paper size: 50 x 40 inches (127 x 101.6 cm)
Signed, dated, and numbered lower right in graphite
(Inventory #33702)
Krakow Witkin 2018.03

Silence
2013
Nineteen-color water-based silkscreen with color shifting inks on Lanaquarelle paper

Edition of 20
Image/paper size: 60 x 45 inches (152.4 x 114.3 cm)
Signed, dated and numbered lower right in graphite
(Inventory #33778)
Krakow Witkin 2013.05

Blah, Blah, Blah (Inverse)
2022
Silkscreen on Lanaquarelle paper

Edition of 30
Image/paper size: 62 x 47 inches (157.5 x 119.4 cm)
Frame size: 65 1/8 x 49 3/4 inches (165.4 x 126.4 cm)
Signed, dated, and numbered lower right in graphite
(Inventory #33720)
Krakow Witkin 2022.02

Power
2010
Two-color etching with aquatint on Somerset Velvet White paper

Edition of 20
Image/paper size: 31 x 23 7/8 inches (78.7 x 60.6 cm)
Signed and dated lower right and numbered lower center in graphite
(Inventory #33850)
Krakow Witkin 2010.04

I Forget
2014
Etching with aquatint on Somerset Velvet White paper

Edition of 20
Image/paper size: 10 1/2 x 20 inches (26.7 x 50.8 cm)
Signed, numbered, and dated lower right in graphite
(Inventory #33630)
Krakow Witkin 2014.07

Liar
2008
Etching with aquatint in white ink on black Hahnemühle paper

Edition of 20
Image/paper size: 30 1/2 x 22 1/2 inches (77.5 x 57.2 cm)
Signed and dated lower right, numbered lower center in graphite
(Inventory #33183)
Krakow Witkin 2008.03

PRIMER (1969-1972) Twenty-One Demonstrations from a Theory of Sculpture
1995
Set of twenty-one silkscreens

Image paper size:  9 7/8 x 6 15/16 inches each  (25.1 x 17.6 cm each)
Edition of 50
Signed, numbered and dated lower right on colophon
(Inventory #27480)
Krakow Witkin 1995.07

If The Color Changes
2003
Monoprint in oil with engraving and embossment on handmade paper

Image/paper size: 2 1/4 x 3 inches (5.7 x 7.6 cm)
Frame size: 11 1/2 x 14 1/2 inches (29.2 x 36.8 cm)
Initialed and dated upper right in graphite
(Inventory #33475)

Untitled
1982
Oil paint on unique aquatint, drypoint, and softground etching

20 3/4 x 29 1/2 inches (52.7 x 74.9 cm)
Signed and dated recto in graphite
(Inventory #36101)

48 inches
2007
Monoprint with engraving and embossment on handmade paper in two parts

Image/paper size:  36 3/8 x 48 1/2 inches  (92.4 x 123.2 cm)
Signed recto in pencil
(Inventory #25933)

12 inches
2007
Unique monoprint with engraving and embossment on handmade paper in two parts

Image/paper size:  9 x 12 inches  (24.1 x 31.1 cm)
Frame size:  15 5/8 x 18 5/8 inches  (39.7 x 47.3 cm)
Signed
(Inventory #26360)

12″ Square
1997
Wood engraving on handmade paper, 4 sheets

Image/mirror size:  24 x 20 inches  (61 x 50.8 cm)
Image/Paper size: 16 x 16 inches overall  (40.6 x 40.6 cm overall)
Edition of 12
Signed on reverse
(Inventory #26398)
Krakow Witkin 1997.01

Genetic Sequence B
1996
Monoprint with engraving and embossment on handmade Twinrocker paper

Image/paper size:  36 x 72 inches (91.4 x 183 cm)
Signed and dated verso
(Inventory #14649)

Genetic Space, Black and White #2
1995
Engraving with embossment on handmade paper

Image/paper size: 36 x 36 inches (91.4 x 91.4 cm)
Edition 4 of 6
Signed, dated, and numbered verso
(Inventory #16876)

Untitled (Red, Yellow, Black)
1995
Engraving with embossment on 4 sheets of handmade Twinrocker paper

Image/paper: 20 x 20 inches overall  (50.8 x 50.8 cm)
Edition of 8
(Inventory #19199)
Krakow Witkin 1995.06

Third Quartet
1988
Black and white etching with aquatint on d'Arches Watercolor rough paper

Image/paper size: 19 3/8 x 14 5/8 inches (49.2 x 37.1 cm)
Overall size: 45 x 44 3/4 inches (114.3 x 113.7 cm
Edition of 15
Signed on reverse on one of the sheets, no further information can be given from Parasol
(Inventory #36089)

Untitled
1981
Four-color silkscreen

Paper size: 12 3/4 x 13 1/4 inches (32.4 x 33.7 cm)
Image size: 8 3/4 x 10 5/8 inches (22.2 x 27 cm)
Edition of 35
Signed and dated lower right, numbered lower center in graphite
(Inventory #36098)

Additional Information

Mel Bochner is recognized as one of the leading figures in the development of Conceptual art in New York in the 1960s and 1970s. Emerging at a time when painting was increasingly discussed as outmoded, Bochner became part of a new generation of artists which also included Eva Hesse, Donald Judd, and Robert Smithson – artists who, like Bochner, were looking at ways of breaking with Abstract Expressionism and traditional compositional devices. His pioneering introduction of the use of language in the visual, led Harvard University art historian Benjamin Buchloh to describe his 1966 Working Drawings as probably the first truly conceptual exhibition.’

Bochner came of age during the second half of the 1960s, a moment of radical change both in society at large as well as in art. While painting slowly lost its preeminent position in modern art, language moved from talking about art to becoming part of art itself. Bochner has consistently probed the conventions of both painting and of language, the way we construct and understand them, and the way they relate to one another to make us more attentive to the unspoken codes that underpin our engagement with the world.

– Mel Bochner: If The Color Changes

Mel Bochner studied at Carnegie Institute of Technology where he received his B.F.A. in 1962. Since 1964 he has lived and worked in New York City. He has exhibited widely in the United States and Europe and his work is represented in the Museum of Modern Art, the Whitney Museum of American Art, and the Musée National d’Art Moderne in Paris.

In 2005 he received an honorary doctor of fine arts degree from Carnegie Mellon University. Mel Bochner has also taught at the School of Visual Arts in New York. He was appointed to the Yale faculty in 1979 as senior critic in painting/printmaking and in 2001 was appointed professor (adjunct).

Born in Pittsburgh (USA) in 1940. Died February 12, 2025, New York.

BFA in 1962 from Carnegie Institute of Technology