Fourteen Untitled Conversations
Edition of 10
15 1/8 inches x 19 1/4 inches (38.5 x 49 cm)
Signed and numbered on accompanying certificate
(Inventory #31985)

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Edition of 10
15 1/8 inches x 19 1/4 inches (38.5 x 49 cm)
Signed and numbered on accompanying certificate
(Inventory #31985)
Selected Works
Bulletin Board 1 and 2
Edition of 3
47 1/2 x 126 1/2 inches each (120.7 x 321.3 cm each)
Signed and numbered on each
(Inventory #31965)

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Edition of 3
47 1/2 x 126 1/2 inches each (120.7 x 321.3 cm each)
Signed and numbered on each
(Inventory #31965)

Edition of 3
47 1/2 x 126 1/2 inches each (120.7 x 321.3 cm each)
Signed and numbered on each
(Inventory #31965)

Edition of 3
47 1/2 x 126 1/2 inches each (120.7 x 321.3 cm each)
Signed and numbered on each
(Inventory #31965)

Edition of 3
47 1/2 x 126 1/2 inches each (120.7 x 321.3 cm each)
Signed and numbered on each
(Inventory #31965)
Blueberry Surprise
Edition of 12
72 x 50 inches (182.9 x 127 cm)
Signed and numbered
(Inventory #31921)
Joseph Grigely’s “Blueberry Surprise” consists of one continuous line of text (45,000 words in 5,000 messages in three colors) transcribed from written conversations that the artist collected for over ten years. Anything that possibly made the messages recognizable (attribution, handwriting, etc.), disappeared when they were transcribed. The transcription, though, does have the punctuation, misspellings, etc. of the original written conversations. The font used is known as “The Mix,” an appropriate metaphor for the range of people whose voices comprise the piece. The different colors (red, orange and black) of the sentences denote the switching from one “voice” to another. The arrangement of the text on the page explores ideas of continuity and fragmentation, thus representing the very flow of almost any conversation.
Looking at the Latin etymology of the word “text,” one comes to the verb “texere” meaning “to weave” or “to braid”. With Grigely’s “Blueberry Surprise,” we have a powerful collection of intertwined fragments, quietly playing with composition, patterning, rhythm and more. Even with all the “weaving”, it is quite challenging, on account of the inconsistent punctuation, to read the entire text out loud from beginning to end. So… is “Blueberry Surprise” a one-page book, devoted to quiet reading or perhaps a visualization of what a conversation looks like? Joseph Grigely eliminates the initial function of a daily communication tool and creates something new with it, revealing possible engagements that are absurd, hilarious, moving and/or profound.

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Edition of 12
72 x 50 inches (182.9 x 127 cm)
Signed and numbered
(Inventory #31921)
Joseph Grigely’s “Blueberry Surprise” consists of one continuous line of text (45,000 words in 5,000 messages in three colors) transcribed from written conversations that the artist collected for over ten years. Anything that possibly made the messages recognizable (attribution, handwriting, etc.), disappeared when they were transcribed. The transcription, though, does have the punctuation, misspellings, etc. of the original written conversations. The font used is known as “The Mix,” an appropriate metaphor for the range of people whose voices comprise the piece. The different colors (red, orange and black) of the sentences denote the switching from one “voice” to another. The arrangement of the text on the page explores ideas of continuity and fragmentation, thus representing the very flow of almost any conversation.
Looking at the Latin etymology of the word “text,” one comes to the verb “texere” meaning “to weave” or “to braid”. With Grigely’s “Blueberry Surprise,” we have a powerful collection of intertwined fragments, quietly playing with composition, patterning, rhythm and more. Even with all the “weaving”, it is quite challenging, on account of the inconsistent punctuation, to read the entire text out loud from beginning to end. So… is “Blueberry Surprise” a one-page book, devoted to quiet reading or perhaps a visualization of what a conversation looks like? Joseph Grigely eliminates the initial function of a daily communication tool and creates something new with it, revealing possible engagements that are absurd, hilarious, moving and/or profound.

Edition of 12
72 x 50 inches (182.9 x 127 cm)
Signed and numbered
(Inventory #31921)
Joseph Grigely’s “Blueberry Surprise” consists of one continuous line of text (45,000 words in 5,000 messages in three colors) transcribed from written conversations that the artist collected for over ten years. Anything that possibly made the messages recognizable (attribution, handwriting, etc.), disappeared when they were transcribed. The transcription, though, does have the punctuation, misspellings, etc. of the original written conversations. The font used is known as “The Mix,” an appropriate metaphor for the range of people whose voices comprise the piece. The different colors (red, orange and black) of the sentences denote the switching from one “voice” to another. The arrangement of the text on the page explores ideas of continuity and fragmentation, thus representing the very flow of almost any conversation.
Looking at the Latin etymology of the word “text,” one comes to the verb “texere” meaning “to weave” or “to braid”. With Grigely’s “Blueberry Surprise,” we have a powerful collection of intertwined fragments, quietly playing with composition, patterning, rhythm and more. Even with all the “weaving”, it is quite challenging, on account of the inconsistent punctuation, to read the entire text out loud from beginning to end. So… is “Blueberry Surprise” a one-page book, devoted to quiet reading or perhaps a visualization of what a conversation looks like? Joseph Grigely eliminates the initial function of a daily communication tool and creates something new with it, revealing possible engagements that are absurd, hilarious, moving and/or profound.

Edition of 12
72 x 50 inches (182.9 x 127 cm)
Signed and numbered
(Inventory #31921)
Joseph Grigely’s “Blueberry Surprise” consists of one continuous line of text (45,000 words in 5,000 messages in three colors) transcribed from written conversations that the artist collected for over ten years. Anything that possibly made the messages recognizable (attribution, handwriting, etc.), disappeared when they were transcribed. The transcription, though, does have the punctuation, misspellings, etc. of the original written conversations. The font used is known as “The Mix,” an appropriate metaphor for the range of people whose voices comprise the piece. The different colors (red, orange and black) of the sentences denote the switching from one “voice” to another. The arrangement of the text on the page explores ideas of continuity and fragmentation, thus representing the very flow of almost any conversation.
Looking at the Latin etymology of the word “text,” one comes to the verb “texere” meaning “to weave” or “to braid”. With Grigely’s “Blueberry Surprise,” we have a powerful collection of intertwined fragments, quietly playing with composition, patterning, rhythm and more. Even with all the “weaving”, it is quite challenging, on account of the inconsistent punctuation, to read the entire text out loud from beginning to end. So… is “Blueberry Surprise” a one-page book, devoted to quiet reading or perhaps a visualization of what a conversation looks like? Joseph Grigely eliminates the initial function of a daily communication tool and creates something new with it, revealing possible engagements that are absurd, hilarious, moving and/or profound.
Blueberry Surprise
Edition of 22
11 x 8 1/2 inches each (28 x 21.4 cm each)
Signed and numbered
(Inventory #31923)

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Edition of 22
11 x 8 1/2 inches each (28 x 21.4 cm each)
Signed and numbered
(Inventory #31923)

Edition of 22
11 x 8 1/2 inches each (28 x 21.4 cm each)
Signed and numbered
(Inventory #31923)

Edition of 22
11 x 8 1/2 inches each (28 x 21.4 cm each)
Signed and numbered
(Inventory #31923)

Edition of 22
11 x 8 1/2 inches each (28 x 21.4 cm each)
Signed and numbered
(Inventory #31923)
Songs Without Words (Zorn)
Edition of 3
Image size: 25 1/2 x 31 3/4 inches (64.8 x 80.6 cm)
Paper size: 30 x 36 inches (76.2 x 91.4 cm)
Signed and numbered on accompanying certificate
(Inventory #33206)

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Edition of 3
Image size: 25 1/2 x 31 3/4 inches (64.8 x 80.6 cm)
Paper size: 30 x 36 inches (76.2 x 91.4 cm)
Signed and numbered on accompanying certificate
(Inventory #33206)

Edition of 3
Image size: 25 1/2 x 31 3/4 inches (64.8 x 80.6 cm)
Paper size: 30 x 36 inches (76.2 x 91.4 cm)
Signed and numbered on accompanying certificate
(Inventory #33206)

Edition of 3
Image size: 25 1/2 x 31 3/4 inches (64.8 x 80.6 cm)
Paper size: 30 x 36 inches (76.2 x 91.4 cm)
Signed and numbered on accompanying certificate
(Inventory #33206)
Songs Without Words (Andrea Bocelli)
Image size: 24 3/4 x 31 inches (62.9 x 78.7 cm)
Paper size: 36 x 30 inches (91.4 x 76.2 cm)
Edition of 3
(Inventory #31318)

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Image size: 24 3/4 x 31 inches (62.9 x 78.7 cm)
Paper size: 36 x 30 inches (91.4 x 76.2 cm)
Edition of 3
(Inventory #31318)
Songs Without Words (Bartok)
Image size: 31 3/4 x 25 1/2 inches (80.6 x 64.8 cm)
Paper size: 36 x 30 inches (91.4 x 76.2 cm)
Edition of 3
(Inventory #31315)

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Image size: 31 3/4 x 25 1/2 inches (80.6 x 64.8 cm)
Paper size: 36 x 30 inches (91.4 x 76.2 cm)
Edition of 3
(Inventory #31315)
Songs Without Words (Maxwell)
Paper size: 36 x 30 inches (91.4 x 76.2 cm)
Edition of 3
(Inventory #31317)

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Paper size: 36 x 30 inches (91.4 x 76.2 cm)
Edition of 3
(Inventory #31317)
Songs Without Words (A Sampler of What’s to Come)
Image size: 23 1/4 x 30 1/2 inches (59.1 x 77.5 cm)
Paper size: 36 x 30 inches (91.4 x 76.2 cm)
Edition of 3
(Inventory #31320)

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Image size: 23 1/4 x 30 1/2 inches (59.1 x 77.5 cm)
Paper size: 36 x 30 inches (91.4 x 76.2 cm)
Edition of 3
(Inventory #31320)
Songs Without Words (Sekou Sundiata)
Image size: 30 1/2 x 23 1/2 inches (77.5 x 59.7 cm)
Paper size: 36 x 30 inches (91.4 x 76.2 cm)
Edition of 3
(Inventory #31316)

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Image size: 30 1/2 x 23 1/2 inches (77.5 x 59.7 cm)
Paper size: 36 x 30 inches (91.4 x 76.2 cm)
Edition of 3
(Inventory #31316)
Songs Without Words (Ernani)
Image size: 25 3/4 x 30 7/8 inches (65.4 x 78.4 cm)
Paper size: 30 x 36 inches (76.2 x 91.4 cm)
Edition of 3
(Inventory #31321)

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Image size: 25 3/4 x 30 7/8 inches (65.4 x 78.4 cm)
Paper size: 30 x 36 inches (76.2 x 91.4 cm)
Edition of 3
(Inventory #31321)

Image size: 25 3/4 x 30 7/8 inches (65.4 x 78.4 cm)
Paper size: 30 x 36 inches (76.2 x 91.4 cm)
Edition of 3
(Inventory #31321)
Songs Without Words
Edition of 10
Image size: 8 x 6 inches each (20.3 x 15.2 cm each)
Paper size: 18 x 14 inches each (45.7 x 35.6 cm each)
Signed and numbered on an accompanying certificate
(Inventory #32012)

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Edition of 10
Image size: 8 x 6 inches each (20.3 x 15.2 cm each)
Paper size: 18 x 14 inches each (45.7 x 35.6 cm each)
Signed and numbered on an accompanying certificate
(Inventory #32012)

Edition of 10
Image size: 8 x 6 inches each (20.3 x 15.2 cm each)
Paper size: 18 x 14 inches each (45.7 x 35.6 cm each)
Signed and numbered on an accompanying certificate
(Inventory #32012)

Edition of 10
Image size: 8 x 6 inches each (20.3 x 15.2 cm each)
Paper size: 18 x 14 inches each (45.7 x 35.6 cm each)
Signed and numbered on an accompanying certificate
(Inventory #32012)

Edition of 10
Image size: 8 x 6 inches each (20.3 x 15.2 cm each)
Paper size: 18 x 14 inches each (45.7 x 35.6 cm each)
Signed and numbered on an accompanying certificate
(Inventory #32012)

Edition of 10
Image size: 8 x 6 inches each (20.3 x 15.2 cm each)
Paper size: 18 x 14 inches each (45.7 x 35.6 cm each)
Signed and numbered on an accompanying certificate
(Inventory #32012)

Edition of 10
Image size: 8 x 6 inches each (20.3 x 15.2 cm each)
Paper size: 18 x 14 inches each (45.7 x 35.6 cm each)
Signed and numbered on an accompanying certificate
(Inventory #32012)

Edition of 10
Image size: 8 x 6 inches each (20.3 x 15.2 cm each)
Paper size: 18 x 14 inches each (45.7 x 35.6 cm each)
Signed and numbered on an accompanying certificate
(Inventory #32012)

Edition of 10
Image size: 8 x 6 inches each (20.3 x 15.2 cm each)
Paper size: 18 x 14 inches each (45.7 x 35.6 cm each)
Signed and numbered on an accompanying certificate
(Inventory #32012)

Edition of 10
Image size: 8 x 6 inches each (20.3 x 15.2 cm each)
Paper size: 18 x 14 inches each (45.7 x 35.6 cm each)
Signed and numbered on an accompanying certificate
(Inventory #32012)

Edition of 10
Image size: 8 x 6 inches each (20.3 x 15.2 cm each)
Paper size: 18 x 14 inches each (45.7 x 35.6 cm each)
Signed and numbered on an accompanying certificate
(Inventory #32012)

Edition of 10
Image size: 8 x 6 inches each (20.3 x 15.2 cm each)
Paper size: 18 x 14 inches each (45.7 x 35.6 cm each)
Signed and numbered on an accompanying certificate
(Inventory #32012)

Edition of 10
Image size: 8 x 6 inches each (20.3 x 15.2 cm each)
Paper size: 18 x 14 inches each (45.7 x 35.6 cm each)
Signed and numbered on an accompanying certificate
(Inventory #32012)

Edition of 10
Image size: 8 x 6 inches each (20.3 x 15.2 cm each)
Paper size: 18 x 14 inches each (45.7 x 35.6 cm each)
Signed and numbered on an accompanying certificate
(Inventory #32012)

Edition of 10
Image size: 8 x 6 inches each (20.3 x 15.2 cm each)
Paper size: 18 x 14 inches each (45.7 x 35.6 cm each)
Signed and numbered on an accompanying certificate
(Inventory #32012)