Exhibition View
Art Dealers Association of America (ADAA) Art Show 2016
March 2, 2016 – March 6, 2016
Works In Exhibition
People 1 Coloured
Julian Opie
People 1 Coloured
2015
Continuous computer animation on 22" LCD screen
Approx. 15 3/4 x 15 3/4 x 4 3/8 inches (40 x 40 x 11 cm)
Edition of 4
Signed on reverse
(Inventory #27437)
Julian Opie
People 1 Coloured
2015
Continuous computer animation on 22" LCD screen
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Approx. 15 3/4 x 15 3/4 x 4 3/8 inches (40 x 40 x 11 cm)
Edition of 4
Signed on reverse
(Inventory #27437)
Collection of Five Plaster Surrogates
Allan McCollum
Collection of Five Plaster Surrogates
1987
Enamel on cast Hydrostone in five parts
Installation dimensions are variable:
This installation: 20 x 74 3/4 inches (51 x 190 cm)
Each size varies:
18 1/8 x 12 1/8 inches
17 1/4 x 10 1/8 inches
17 1/8 x 10 1/8 inches
20 1/8 x 16 inches
16 1/8 x 13 1/8 inches
Each signed “Allan McCollum 1987” and numbered sequentially on the reverse
(Inventory #27571)
Allan McCollum
Collection of Five Plaster Surrogates
1987
Enamel on cast Hydrostone in five parts
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Installation dimensions are variable:
This installation: 20 x 74 3/4 inches (51 x 190 cm)
Each size varies:
18 1/8 x 12 1/8 inches
17 1/4 x 10 1/8 inches
17 1/8 x 10 1/8 inches
20 1/8 x 16 inches
16 1/8 x 13 1/8 inches
Each signed “Allan McCollum 1987” and numbered sequentially on the reverse
(Inventory #27571)
Exhibition View
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Peter Downsbrough, Richard Artschwager, Liliana Porter, Robert Barry, Richard Serra, Sol LeWitt, and Haim Steinbach
Untitled (Dat, Dat, Dat, Dah)
Richard Artschwager
Untitled (Dat, Dat, Dat, Dah)
2007
Rubberized horsehair, wood, and spray paint in five parts
Overall size: 38 x 41 1/2 x 2 inches (96.5 x 105.4 x 5.1 cm)
Edition of 12
Signed and numbered on the reverse
(Inventory #26522)
Richard Artschwager
Untitled (Dat, Dat, Dat, Dah)
2007
Rubberized horsehair, wood, and spray paint in five parts
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Overall size: 38 x 41 1/2 x 2 inches (96.5 x 105.4 x 5.1 cm)
Edition of 12
Signed and numbered on the reverse
(Inventory #26522)
Exhibition View
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Liliana Porter, Robert Barry, and Richard Serra
Robert Barry
Untitled
2016
Unique etched glass mirror
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48 x 48 inches (121.9 x 121.9 cm)
(Inventory #28040)
Exhibition View
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Richard Serra, Tara Donovan, and Allan McCollum
#1 T.E.
Richard Serra
#1 T.E.
1999
Etching on Somerset Satin White paper
Image/paper size: 53 x 44 9/16 inches (134.6 x 113.2 cm)
Edition of 40, 10 AP
Signed ‘R. Serra’ and dated ’99’ lower right, numbered lower left
(Inventory #27337)
Richard Serra
#1 T.E.
1999
Etching on Somerset Satin White paper
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Image/paper size: 53 x 44 9/16 inches (134.6 x 113.2 cm)
Edition of 40, 10 AP
Signed ‘R. Serra’ and dated ’99’ lower right, numbered lower left
(Inventory #27337)
Untitled
Tara Donovan
Untitled
2016
Slinkys®
Dimensions variable
This installation size: 99 x 70 inches (251.5 x 177.8 cm)
Signed on accompanied certificate
(Inventory #28041)
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Tara Donovan
Untitled, 2016
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Tara Donovan
Untitled
2016
Slinkys®
Dimensions variable
This installation size: 99 x 70 inches (251.5 x 177.8 cm)
Signed on accompanied certificate
(Inventory #28041)
Tara Donovan
Untitled
2016
Slinkys®
Dimensions variable
This installation size: 99 x 70 inches (251.5 x 177.8 cm)
Signed on accompanied certificate
(Inventory #28041)
Tara Donovan
Untitled
2016
Slinkys®
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Dimensions variable
This installation size: 99 x 70 inches (251.5 x 177.8 cm)
Signed on accompanied certificate
(Inventory #28041)
Irregular Grid
Sol LeWitt
Irregular Grid
2000
Unique gouache on paper
Image/paper size: 17 1/4 x 61 inches (43.8 x 154.9 cm)
Frame size: 22 x 65 inches (55.9 x 165.1 cm)
Signed “S. LeWitt” and dated “’00” bottom right
(Inventory #27140)
Sol LeWitt
Irregular Grid
2000
Unique gouache on paper
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Image/paper size: 17 1/4 x 61 inches (43.8 x 154.9 cm)
Frame size: 22 x 65 inches (55.9 x 165.1 cm)
Signed “S. LeWitt” and dated “’00” bottom right
(Inventory #27140)
bear with me
Haim Steinbach
bear with me
2015
Plastic laminated wood shelf, 2 wooden bocce balls, bronze bear statuette, kong rubber dog chew
13 3/8 x 44 1/2 x 11 inches (34 x 113 x 27.9 cm)
(Inventory #27581)
Haim Steinbach
bear with me
2015
Plastic laminated wood shelf, 2 wooden bocce balls, bronze bear statuette, kong rubber dog chew
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13 3/8 x 44 1/2 x 11 inches (34 x 113 x 27.9 cm)
(Inventory #27581)
The Attempt
Liliana Porter
The Attempt
2014
Unique construction with found figurine, acrylic paint and graphite on fifteen sheets of torn school pad paper assembled in vertical rows of five
Image/paper size: 9 3/4 x 7 1/2 inches each (24.8 x 19.1 cm each)
Overall size: 29 1/4 x 37 inches (74.3 x 94 cm)
Signed and dated lower right on last sheet, titled lower left on eleventh sheet
(Inventory #26621)
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Liliana Porter
The Attempt, 2014
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Liliana Porter
The Attempt
2014
Unique construction with found figurine, acrylic paint and graphite on fifteen sheets of torn school pad paper assembled in vertical rows of five
Image/paper size: 9 3/4 x 7 1/2 inches each (24.8 x 19.1 cm each)
Overall size: 29 1/4 x 37 inches (74.3 x 94 cm)
Signed and dated lower right on last sheet, titled lower left on eleventh sheet
(Inventory #26621)
Liliana Porter
The Attempt
2014
Unique construction with found figurine, acrylic paint and graphite on fifteen sheets of torn school pad paper assembled in vertical rows of five
Image/paper size: 9 3/4 x 7 1/2 inches each (24.8 x 19.1 cm each)
Overall size: 29 1/4 x 37 inches (74.3 x 94 cm)
Signed and dated lower right on last sheet, titled lower left on eleventh sheet
(Inventory #26621)
Liliana Porter
The Attempt
2014
Unique construction with found figurine, acrylic paint and graphite on fifteen sheets of torn school pad paper assembled in vertical rows of five
More Information
Image/paper size: 9 3/4 x 7 1/2 inches each (24.8 x 19.1 cm each)
Overall size: 29 1/4 x 37 inches (74.3 x 94 cm)
Signed and dated lower right on last sheet, titled lower left on eleventh sheet
(Inventory #26621)
Liliana Porter
The Attempt
2014
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Detail View
Cube Without a Cube
Sol LeWitt
Cube Without a Cube
1996
White acrylic on Bass wood
Edition of 42
Signed and numbered on bottom
8 x 8 x 8 inches (20.3 x 20.3 x 20.3 cm)
(Inventory #27856)
Sol LeWitt
Cube Without a Cube
1996
White acrylic on Bass wood
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Edition of 42
Signed and numbered on bottom
8 x 8 x 8 inches (20.3 x 20.3 x 20.3 cm)
(Inventory #27856)
CHUCKLE
Mel Bochner
CHUCKLE
2014
Monoprint with collage, engraving and embossment on hand-dyed Twinrocker paper
Image/paper size: 7 1/2 x 12 inches (19.1 x 30.5 cm)
Frame size: 9 1/4 x 12 1/8 inches (23.5 x 30.8 cm)
Signed ‘Bochner’ along right edge, center in pencil
(Inventory #27887)
Mel Bochner
CHUCKLE
2014
Monoprint with collage, engraving and embossment on hand-dyed Twinrocker paper
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Image/paper size: 7 1/2 x 12 inches (19.1 x 30.5 cm)
Frame size: 9 1/4 x 12 1/8 inches (23.5 x 30.8 cm)
Signed ‘Bochner’ along right edge, center in pencil
(Inventory #27887)
Blue Monday
Kay Rosen
Blue Monday
2015
Continuous loop on dvd, with sound
9 minutes, 12 seconds
Edition of 100
Signed and numbered on accompanying certificate
(Inventory #27931)
BLUE MONDAY- “Blue Monday” is one of the artist’s early lists. It was originally created in 1991 in response to an invitation from Michael Shamberg to contribute to a CD-Rom about “Blue Monday,” the best-selling 1983 hit by the British rock band New Order, for whom Shamberg was the producer. In 2005 it became a web project for the Bronx Museum, and in 2015, it was published as a continuous video with sound in an edition of 100 by Krakow Witkin Gallery. “Blue Monday” systematically combines every day of the week with each of the six colors of the spectrum in order to explore the alternatives to the colloquialism, “Blue Monday,” and to discover the poetic and personal associations of colors and days. Rosen’s piece begins on “Blue Monday” and cycles through 6 colors over the course of 7 weeks, taking 42 days to return to “Blue Monday,” all the while, the viewer experiences Orange Thursday, Green Friday, Yellow Saturday and 38 others.
Kay Rosen
Blue Monday
2015
Continuous loop on dvd, with sound
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9 minutes, 12 seconds
Edition of 100
Signed and numbered on accompanying certificate
(Inventory #27931)
BLUE MONDAY- “Blue Monday” is one of the artist’s early lists. It was originally created in 1991 in response to an invitation from Michael Shamberg to contribute to a CD-Rom about “Blue Monday,” the best-selling 1983 hit by the British rock band New Order, for whom Shamberg was the producer. In 2005 it became a web project for the Bronx Museum, and in 2015, it was published as a continuous video with sound in an edition of 100 by Krakow Witkin Gallery. “Blue Monday” systematically combines every day of the week with each of the six colors of the spectrum in order to explore the alternatives to the colloquialism, “Blue Monday,” and to discover the poetic and personal associations of colors and days. Rosen’s piece begins on “Blue Monday” and cycles through 6 colors over the course of 7 weeks, taking 42 days to return to “Blue Monday,” all the while, the viewer experiences Orange Thursday, Green Friday, Yellow Saturday and 38 others.
EDIT
Peter Downsbrough
EDIT
2013
Bars: painted rectangular metal tube (1 1/4 x 1/4 inches each)
Text: painted metal plate (1/4 inch thick)
Signed and dated on accompanying certificate
Installation dimensions variable
This installation size: 59 1/4 x 21 x 1 1/4 inches
Large element size: 59 1/4 x 4 3/4 x 1 1/4 inches
Small element size: 4 1/2 x 9 1/8 x 1 1/4 inches
(Inventory #25841)
Peter Downsbrough
EDIT
2013
Bars: painted rectangular metal tube (1 1/4 x 1/4 inches each)
More Information
Text: painted metal plate (1/4 inch thick)
Signed and dated on accompanying certificate
Installation dimensions variable
This installation size: 59 1/4 x 21 x 1 1/4 inches
Large element size: 59 1/4 x 4 3/4 x 1 1/4 inches
Small element size: 4 1/2 x 9 1/8 x 1 1/4 inches
(Inventory #25841)