October 26 – October 29, 2016
Location:
11th Avenue at 35th Street
New York, New York 10001
Show Hours & Admission:
Opening Night Preview: Wednesday, October 25, 6:30 – 9pm, Tickets $85
Thursday – Saturday, 12noon – 8pm
Sunday 12noon – 6pm
Daily Admission $20
From left to right: Ellsworth Kelly, Robert Barry, Sol LeWitt, Liliana Porter, Lorna Simpson, and Peter Downsbrough (on desk)
From left to right: Kay Rosen, Ellsworth Kelly, Sol LeWitt, Liliana Porter, Lorna Simpson, and Peter Downsbrough (on desk)
From left to right: Ellsworth Kelly, Sol LeWitt, Liliana Porter, Lorna Simpson, and Peter Downsbrough (on desk)
Image/paper size: 25 x 44 inches (63.5 x 111.8 cm)
Edition of 20
Signed, dated and numbered on reverse in graphite
(Inventory #28828)
IOU, 2017:
In Rosens words, IOU is a found textual treasure which required minor adjustments to color to address major historical wrongs. For anyone who has followed the attempts by the corporation, Energy Transfer Partners, to build the Dakota Access Pipeline less than one mile from the Standing Rock Sioux reservation, the message of the letterpress work “IOU” will be clear: both a promise and an apology to that tribe, and by extension, to the many other indigenous peoples whose rights and treaties have been trampled over the years. As the protocol for approval of these pipelines, such as a thorough Environmental Impact Study, is radically altered by Trump’s orders, “IOU” fashions a simple message out of the heart of the Sioux tribe’s name.
Image/paper size: 25 x 44 inches (63.5 x 111.8 cm)
Edition of 20
Signed, dated and numbered on reverse in graphite
(Inventory #28828)
IOU, 2017:
In Rosens words, IOU is a found textual treasure which required minor adjustments to color to address major historical wrongs. For anyone who has followed the attempts by the corporation, Energy Transfer Partners, to build the Dakota Access Pipeline less than one mile from the Standing Rock Sioux reservation, the message of the letterpress work “IOU” will be clear: both a promise and an apology to that tribe, and by extension, to the many other indigenous peoples whose rights and treaties have been trampled over the years. As the protocol for approval of these pipelines, such as a thorough Environmental Impact Study, is radically altered by Trump’s orders, “IOU” fashions a simple message out of the heart of the Sioux tribe’s name.
Image size: 21 1/4 x 13 1/4 inches (54 x 33.7 cm)
Paper size: 22 x 14 inches (55.9 x 35.6 cm)
Edition of 50
Signed and dated on reverse, edition numbering not determined
(Inventory #28768)
Obfuscate, 2008:
This work comes from Rosens interest in the form text could take and how it could function, to mirror the meaning of that word. The form utilizes the normally verbal strategies involved with obfuscating (evasion, omissions, lies, backtracking, etc.) to foil (linear) reading.
Image size: 21 1/4 x 13 1/4 inches (54 x 33.7 cm)
Paper size: 22 x 14 inches (55.9 x 35.6 cm)
Edition of 50
Signed and dated on reverse, edition numbering not determined
(Inventory #28768)
Obfuscate, 2008:
This work comes from Rosens interest in the form text could take and how it could function, to mirror the meaning of that word. The form utilizes the normally verbal strategies involved with obfuscating (evasion, omissions, lies, backtracking, etc.) to foil (linear) reading.
9 minutes, 12 seconds
Edition of 100
Signed and numbered on accompanying certificate
(Inventory #27931)
BLUE MONDAY- “Blue Monday” is one of the artist’s early lists. It was originally created in 1991 in response to an invitation from Michael Shamberg to contribute to a CD-Rom about “Blue Monday,” the best-selling 1983 hit by the British rock band New Order, for whom Shamberg was the producer. In 2005 it became a web project for the Bronx Museum, and in 2015, it was published as a continuous video with sound in an edition of 100 by Krakow Witkin Gallery. “Blue Monday” systematically combines every day of the week with each of the six colors of the spectrum in order to explore the alternatives to the colloquialism, “Blue Monday,” and to discover the poetic and personal associations of colors and days. Rosen’s piece begins on “Blue Monday” and cycles through 6 colors over the course of 7 weeks, taking 42 days to return to “Blue Monday,” all the while, the viewer experiences Orange Thursday, Green Friday, Yellow Saturday and 38 others.
9 minutes, 12 seconds
Edition of 100
Signed and numbered on accompanying certificate
(Inventory #27931)
BLUE MONDAY- “Blue Monday” is one of the artist’s early lists. It was originally created in 1991 in response to an invitation from Michael Shamberg to contribute to a CD-Rom about “Blue Monday,” the best-selling 1983 hit by the British rock band New Order, for whom Shamberg was the producer. In 2005 it became a web project for the Bronx Museum, and in 2015, it was published as a continuous video with sound in an edition of 100 by Krakow Witkin Gallery. “Blue Monday” systematically combines every day of the week with each of the six colors of the spectrum in order to explore the alternatives to the colloquialism, “Blue Monday,” and to discover the poetic and personal associations of colors and days. Rosen’s piece begins on “Blue Monday” and cycles through 6 colors over the course of 7 weeks, taking 42 days to return to “Blue Monday,” all the while, the viewer experiences Orange Thursday, Green Friday, Yellow Saturday and 38 others.
Image/paper size: 34 1/2 x 31 inches (87.6 x 78.7 cm)
Edition of 25 and 9 AP
Signed, numbered and dated lower right
(Inventory #27863)
Image/paper size: 34 1/2 x 31 inches (87.6 x 78.7 cm)
Edition of 25 and 9 AP
Signed, numbered and dated lower right
(Inventory #27863)
From left to right: Ellsworth Kelly, Robert Barry, Sol LeWitt, Robert Ryman, Joseph Albers, Mel Bochner, and Peter Downsbrough (on desk)
From left to right: Robert Barry, Agnes Martin, and Sol LeWitt
From left to right: Robert Barry, Lawrence Weiner, Agnes Martin, and Sol LeWitt
30 x 30 inches (76.2 x 76.2 cm)
Edition of 10
Signed and numbered on label on reverse
(Inventory #28963)
30 x 30 inches (76.2 x 76.2 cm)
Edition of 10
Signed and numbered on label on reverse
(Inventory #28963)
Lacquer on stainless steel
Unlimited Edition
Stamped and numbered
(Inventory #22619)
Lacquer on stainless steel
Unlimited Edition
Stamped and numbered
(Inventory #22619)
Image size: 6 7/8 x 8 inches (17.5 x 20.3 cm)
Paper size: 12 x 12 inches (30.5 x 30.5 cm)
Frame size: 15 1/8 x 15 1/8 inches (38.4 x 38.4 cm)
Edition of 50, 1 PP
Signed ‘A. Martin’ lower right, numbered, ‘P.P.’ lower left, ‘1’ upper left corner in graphite
(Inventory #28709)
Image size: 6 7/8 x 8 inches (17.5 x 20.3 cm)
Paper size: 12 x 12 inches (30.5 x 30.5 cm)
Frame size: 15 1/8 x 15 1/8 inches (38.4 x 38.4 cm)
Edition of 50, 1 PP
Signed ‘A. Martin’ lower right, numbered, ‘P.P.’ lower left, ‘1’ upper left corner in graphite
(Inventory #28709)
Image size: 10 x 47 1/2 inches (25.4 x 120.7 cm)
Paper size: 11 1/2 x 49 1/2 inches (29.2 x 125.7 cm)
Edition of 10, plus 5 AP
Signed lower right
(Inventory #29130)
Krakow 1980.02
Image size: 10 x 47 1/2 inches (25.4 x 120.7 cm)
Paper size: 11 1/2 x 49 1/2 inches (29.2 x 125.7 cm)
Edition of 10, plus 5 AP
Signed lower right
(Inventory #29130)
Krakow 1980.02
From left to right: Sol LeWitt, Liliana Porter, Lorna Simpson, and Peter Downsbrough (on desk)
Edition of 25
Signed “LeWitt” and numbered 4/25 in pencil on reverse on each sheet
Image/paper size: 10 1/2 x 10 1/2 inches each
(26.7 x 26.7 cm each)
(Inventory #24673)
Krakow 1973.05
Available as a complete set only
Edition of 25
Signed “LeWitt” and numbered 4/25 in pencil on reverse on each sheet
Image/paper size: 10 1/2 x 10 1/2 inches each
(26.7 x 26.7 cm each)
(Inventory #24673)
Krakow 1973.05
Available as a complete set only
Image size: 11 x 11 inches (28 x 28 cm)
Paper size: 14 x 14 inches (35.5 x 35.5 cm)
Edition of 50, plus 10 AP, 4 TP
Signed and numbered lower right
(Inventory #27127)
Krakow 2004.01
Image size: 11 x 11 inches (28 x 28 cm)
Paper size: 14 x 14 inches (35.5 x 35.5 cm)
Edition of 50, plus 10 AP, 4 TP
Signed and numbered lower right
(Inventory #27127)
Krakow 2004.01
Image/plate size: 12 1/8 x 12 1/8 inches (30.8 x 30.8 cm)
Paper size: 15 5/8 x 14 1/8 inches (39.7 x 35.9 cm)
Edition of 25
Signed and numbered lower right
(Inventory #29204)
Krakow 1997.04
Image/plate size: 12 1/8 x 12 1/8 inches (30.8 x 30.8 cm)
Paper size: 15 5/8 x 14 1/8 inches (39.7 x 35.9 cm)
Edition of 25
Signed and numbered lower right
(Inventory #29204)
Krakow 1997.04
Image size: 27 7/8 x 30 inches (70.8 x 76.2 cm)
Paper size: 31 7/8 x 34 inches (81 x 86.4 cm)
Edition of 75, plus 15 AP, 4 PP, 6 TP, BAT
Signed ‘LeWitt’ and numbered lower right in graphite
(Inventory #28549)
Krakow 1990.01
Image size: 27 7/8 x 30 inches (70.8 x 76.2 cm)
Paper size: 31 7/8 x 34 inches (81 x 86.4 cm)
Edition of 75, plus 15 AP, 4 PP, 6 TP, BAT
Signed ‘LeWitt’ and numbered lower right in graphite
(Inventory #28549)
Krakow 1990.01
Image/plate size: 17 7/8 x 17 13/16 inches (45.4 x 45.2 cm)
Paper size: 32 x 30 inches (81.3 x 76.2 cm)
Edition of 30, plus APs
Signed and dated lower right, numbered and titled lower left in graphite below image
(Inventory #29272)
Image/plate size: 17 7/8 x 17 13/16 inches (45.4 x 45.2 cm)
Paper size: 32 x 30 inches (81.3 x 76.2 cm)
Edition of 30, plus APs
Signed and dated lower right, numbered and titled lower left in graphite below image
(Inventory #29272)
Screenprint on felt from a portfolio of seven screenprints (two with collage additions, two with watercolor additions), one lithograph, and screenprinted cover
Image size: 16 1/2 x 22 inches (41.9 x 55.9 cm)
Paper size: 30 x 22 inches (76.2 x 55.9 cm)
Edition of 50, plus 5 PPs
Signed and numbered lower right in graphite
(Inventory #29247)
Screenprint on felt from a portfolio of seven screenprints (two with collage additions, two with watercolor additions), one lithograph, and screenprinted cover
Image size: 16 1/2 x 22 inches (41.9 x 55.9 cm)
Paper size: 30 x 22 inches (76.2 x 55.9 cm)
Edition of 50, plus 5 PPs
Signed and numbered lower right in graphite
(Inventory #29247)
From left to right: Robert Ryman, Josef Albers, and Mel Bochner
Image/plate size: 16 x 11 3/4 inches (40.6 x 29.8 cm)
Paper size: 16 1/2 x 16 1/4 inches (41.9 x 41.3 cm)
Frame size: 18 1/8 x 17 7/8 inches (46 x 45.4 cm)
Edition of 75
Signed, titled and dated ‘Ryman90’ in plate lower left, numbered lower right
(Inventory #29270)
Image/plate size: 16 x 11 3/4 inches (40.6 x 29.8 cm)
Paper size: 16 1/2 x 16 1/4 inches (41.9 x 41.3 cm)
Frame size: 18 1/8 x 17 7/8 inches (46 x 45.4 cm)
Edition of 75
Signed, titled and dated ‘Ryman90’ in plate lower left, numbered lower right
(Inventory #29270)
Image size: 11 x 11 inches (27.9 x 27.9 cm)
Paper size: 19 x 19 inches (48.3 x 48.3 cm)
Frame size: 20 1/2 x 20 9/16 inches (52.1 x 52.2 cm)
Edition of 36
Signed and dated ‘Albers 75’ lower right; Titled ‘Plus II’ and numbered lower left in graphite
(Inventory #29144)
Image size: 11 x 11 inches (27.9 x 27.9 cm)
Paper size: 19 x 19 inches (48.3 x 48.3 cm)
Frame size: 20 1/2 x 20 9/16 inches (52.1 x 52.2 cm)
Edition of 36
Signed and dated ‘Albers 75’ lower right; Titled ‘Plus II’ and numbered lower left in graphite
(Inventory #29144)
40 x 30 inches (101.6 x 76.2 cm)
Edition of 16
Signed, dated, and numbered lower right
(Inventory #29287)
