International Fine Print Dealers Association (IFPDA) Art Fair, New York 2016
November 3, 2016 – November 6, 2016Works In Exhibition
Exhibition View
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Ellsworth Kelly, Liliana Porter, Fred Sandback, Richard Serra, Vija Celmins, Ed Ruscha, Sara Sze, and Peter Downsbrough (on desk)
Large Gray curve
Ellsworth Kelly
Large Gray curve
1974
Screenprint with embossing on Arches 88 paper
Image size: 12 5/8 x 72 inches (32.1 x 182.9 cm)
Paper size: 24 1/8 x 84 1/8 inches (61.3 x 213.7 cm)
Edition of 30 and 10 AP
Signed ‘Kelly’ and numbered lower right
(Inventory #27392)
Ellsworth Kelly
Large Gray curve
1974
Screenprint with embossing on Arches 88 paper
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Image size: 12 5/8 x 72 inches (32.1 x 182.9 cm)
Paper size: 24 1/8 x 84 1/8 inches (61.3 x 213.7 cm)
Edition of 30 and 10 AP
Signed ‘Kelly’ and numbered lower right
(Inventory #27392)
Exhibition View
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Liliana Porter and Fred Sandback
Trabajos forzados (Forced Labor)
Liliana Porter
Trabajos forzados (Forced Labor)
2004
Etching with metal figurine
Image/paper size: 22 1/2 x 15 inches (57.2 x 38.1 cm)
Edition of 50
Signed and dated lower right, titled and numbered lower left
(Inventory #19387)
Liliana Porter
Trabajos forzados (Forced Labor)
2004
Etching with metal figurine
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Image/paper size: 22 1/2 x 15 inches (57.2 x 38.1 cm)
Edition of 50
Signed and dated lower right, titled and numbered lower left
(Inventory #19387)
Untitled
Fred Sandback
Untitled
1975
Etching on etching paper with deckled edge
Image/plate size: 5 3/4 x 7 5/8 inches (14.6 x 19.4 cm)
Paper size: 11 1/4 x 13 1/8 inches (28.6 x 33.3 cm)
Edition of 10
Inscribed at lower right “Sandback 75”; edition number lower left
(Inventory #27925)
Fred Sandback
Untitled
1975
Etching on etching paper with deckled edge
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Image/plate size: 5 3/4 x 7 5/8 inches (14.6 x 19.4 cm)
Paper size: 11 1/4 x 13 1/8 inches (28.6 x 33.3 cm)
Edition of 10
Inscribed at lower right “Sandback 75”; edition number lower left
(Inventory #27925)
Exhibition View
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Agnes Martin and Sol LeWitt
On a Clear Day #02
Agnes Martin
On a Clear Day #02
1973
Screenprint on Japanese Rag paper
Image size: 8 1/4 x 8 1/4 inches (21 x 21 cm)
Paper size: 12 x 12 inches (30.5 x 30.5 cm)
Frame size: 15 1/8 x 15 1/8 inches (38.4 x 38.4 cm)
Edition of 50
Signed ‘A. Martin’ lower right, numbered, ‘P.P.’ lower left, ‘2’ upper left corner in graphite
(Inventory #28027)
Agnes Martin
On a Clear Day #02
1973
Screenprint on Japanese Rag paper
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Image size: 8 1/4 x 8 1/4 inches (21 x 21 cm)
Paper size: 12 x 12 inches (30.5 x 30.5 cm)
Frame size: 15 1/8 x 15 1/8 inches (38.4 x 38.4 cm)
Edition of 50
Signed ‘A. Martin’ lower right, numbered, ‘P.P.’ lower left, ‘2’ upper left corner in graphite
(Inventory #28027)
On a Clear Day #09
Agnes Martin
On a Clear Day #09
1973
Screenprint on Japanese Rag paper
Image size: 8 1/4 x 8 1/4 inches (21 x 21 cm)
Paper size: 12 x 12 inches (30.5 x 30.5 cm)
Frame size: 15 1/8 x 15 1/8 inches (38.4 x 38.4 cm)
Edition of 50, 1 PP
Signed ‘A. Martin’ lower right, numbered lower left, ‘9’ upper left corner in pencil
(Inventory #27935)
Agnes Martin
On a Clear Day #09
1973
Screenprint on Japanese Rag paper
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Image size: 8 1/4 x 8 1/4 inches (21 x 21 cm)
Paper size: 12 x 12 inches (30.5 x 30.5 cm)
Frame size: 15 1/8 x 15 1/8 inches (38.4 x 38.4 cm)
Edition of 50, 1 PP
Signed ‘A. Martin’ lower right, numbered lower left, ‘9’ upper left corner in pencil
(Inventory #27935)
Exhibition View
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Sol LeWitt and Bruce Nauman
Complex Form with Black and White Bands
Sol LeWitt
Complex Form with Black and White Bands
1988
Silkscreen on Arches Cover White paper
Image/paper size: 40 x 55 inches (101.6 x 139.8 cm)
Edition of 100, 16 AP, 3 PP, 1 TP
Signed and numbered lower right in graphite
(Inventory #28075)
Krakow 1988.07
Sol LeWitt
Complex Form with Black and White Bands
1988
Silkscreen on Arches Cover White paper
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Image/paper size: 40 x 55 inches (101.6 x 139.8 cm)
Edition of 100, 16 AP, 3 PP, 1 TP
Signed and numbered lower right in graphite
(Inventory #28075)
Krakow 1988.07
Sundry Obras Nuevas, Proof of Pudding
Bruce Nauman
Sundry Obras Nuevas, Proof of Pudding
1975
One-color lithograph with unique color combination on Arches 88 paper
Image/paper size: 36 x 42 1/2 inches (91.4 x 108 cm)
Edition of 18
Signed, numbered and dated lower right
(Inventory #27595)
Bruce Nauman
Sundry Obras Nuevas, Proof of Pudding
1975
One-color lithograph with unique color combination on Arches 88 paper
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Image/paper size: 36 x 42 1/2 inches (91.4 x 108 cm)
Edition of 18
Signed, numbered and dated lower right
(Inventory #27595)
Exhibition View
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Bruce Nauman, Robert Mangold, Richard Serra, and Peter Downsbrough (on desk)
Exhibition View
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Bruce Nauman, Robert Mangold, Richard Serra, Vija Celmins, Ed Ruscha, and Sarah Sze
Untitled (A, B, C)
Robert Mangold
Untitled (A, B, C)
1995
Etching with aquatint
22 3/4 x 30 3/4 inches each (57.8 x 78.1 cm each)
Edition of 30
Signed lower right, numbered lower left and titled lower center on each sheet
(Inventory #28367)
Robert Mangold
Untitled (A, B, C)
1995
Etching with aquatint
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22 3/4 x 30 3/4 inches each (57.8 x 78.1 cm each)
Edition of 30
Signed lower right, numbered lower left and titled lower center on each sheet
(Inventory #28367)
Exhibition View
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Richard Serra, Vija Celmins, Ed Ruscha, and Sarah Sze
Du Common
Richard Serra
Du Common
1972
One color lithograph on Fabriano Italia paper
Image/paper size: 51 1/2 x 40 1/2 inches (130.8 x 102.9 cm)
Edition of 59 and 9 AP
Signed and numbered lower right in graphite
(Inventory #28461)
Richard Serra
Du Common
1972
One color lithograph on Fabriano Italia paper
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Image/paper size: 51 1/2 x 40 1/2 inches (130.8 x 102.9 cm)
Edition of 59 and 9 AP
Signed and numbered lower right in graphite
(Inventory #28461)
Exhibition View
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Vija Celmins, Ed Ruscha, and Sarah Sze
Comet
Vija Celmins
Comet
1992
1992 Linoleum cut on Fabriano Tiepolo paper with deckled edge
Image size: 14 1/4 x 16 3/4 inches (36.2 x 42.5 cm)
Paper Size: 20 1/2 x 22 7/8 inches (52.1 x 58.1 cm)
Edition of 80 and 10 HCSigned V.Celmins lower right and numbered lower left in graphite
(Inventory #28257)
Vija Celmins
Comet
1992
1992 Linoleum cut on Fabriano Tiepolo paper with deckled edge
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Image size: 14 1/4 x 16 3/4 inches (36.2 x 42.5 cm)
Paper Size: 20 1/2 x 22 7/8 inches (52.1 x 58.1 cm)
Edition of 80 and 10 HCSigned V.Celmins lower right and numbered lower left in graphite
(Inventory #28257)
Definite from the That is Right portfolio
Ed Ruscha
Definite from the That is Right portfolio
1989
Lithograph
Image size: 5 x 6 7/8 inches (12.7 x 17.5 cm)
Paper size: 9 x 11 inches (22.9 x 28 cm)
Edition of 30
Numbered in lower left and initialed and dated lower right
(Inventory #25998)
Ed Ruscha
Definite from the That is Right portfolio
1989
Lithograph
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Image size: 5 x 6 7/8 inches (12.7 x 17.5 cm)
Paper size: 9 x 11 inches (22.9 x 28 cm)
Edition of 30
Numbered in lower left and initialed and dated lower right
(Inventory #25998)
Exact from the That is Right portfolio
Ed Ruscha
Exact from the That is Right portfolio
1989
Lithograph
Image size: 5 x 6 7/8 inches (12.7 x 17.5 cm)
Paper size: 9 x 11 inches (22.9 x 28 cm)
Edition of 30
Numbered in lower left and initialed and dated lower right
(Inventory #25999)
Ed Ruscha
Exact from the That is Right portfolio
1989
Lithograph
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Image size: 5 x 6 7/8 inches (12.7 x 17.5 cm)
Paper size: 9 x 11 inches (22.9 x 28 cm)
Edition of 30
Numbered in lower left and initialed and dated lower right
(Inventory #25999)
Evening
Sarah Sze
Evening
2015
Silkscreen, digital print and laser-engraved paper
Image/paper size: 22 x 23 7/8 inches (55.9 x 60.6 cm)
Edition of 40
Signed, numbered and dated lower right in graphite
(Inventory #28597)
Sarah Sze
Evening
2015
Silkscreen, digital print and laser-engraved paper
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Image/paper size: 22 x 23 7/8 inches (55.9 x 60.6 cm)
Edition of 40
Signed, numbered and dated lower right in graphite
(Inventory #28597)
Exhibition View
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Sol LeWitt, Agnes Martin, and Lorna Simpson
Details
Lorna Simpson
Details
1996
Set of 21 photogravures with silkscreen text
Edition of 40
Signed and numbered on last page of portfolio – colophon sheet
Image size: 7 x 5 inches each(17.8 x 12.7 cm each)
Paper size: 10 x 8 inches each(25.4 x 20.3 cm each)
This installation size: 32 1/2 x 62 1/4 inches(82.6 x 158.1 cm)
(Inventory #28652)
Lorna Simpson
Details
1996
Set of 21 photogravures with silkscreen text
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Edition of 40
Signed and numbered on last page of portfolio – colophon sheet
Image size: 7 x 5 inches each(17.8 x 12.7 cm each)
Paper size: 10 x 8 inches each(25.4 x 20.3 cm each)
This installation size: 32 1/2 x 62 1/4 inches(82.6 x 158.1 cm)
(Inventory #28652)
On a Clear Day #12
Agnes Martin
On a Clear Day #12
1973
Screenprint on Japanese Rag paper
Image size: 8 1/2 x 8 1/2 inches (21.6 x 21.6 cm)
Paper size: 12 x 12 inches (30.5 x 30.5 cm)
Frame size: 15 1/8 x 15 1/8 inches (38.4 x 38.4 cm)
Edition of 50, 1 PP
Signed ‘A. Martin’ lower right, numbered, ‘P.P.’ lower left, ’12’ upper left corner in pencil
(Inventory #27938)
Agnes Martin
On a Clear Day #12
1973
Screenprint on Japanese Rag paper
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Image size: 8 1/2 x 8 1/2 inches (21.6 x 21.6 cm)
Paper size: 12 x 12 inches (30.5 x 30.5 cm)
Frame size: 15 1/8 x 15 1/8 inches (38.4 x 38.4 cm)
Edition of 50, 1 PP
Signed ‘A. Martin’ lower right, numbered, ‘P.P.’ lower left, ’12’ upper left corner in pencil
(Inventory #27938)
On a Clear Day #14
Agnes Martin
On a Clear Day #14
1973
Screenprint on Japanese Rag paper
Image size: 7 1/8 x 8 inches (18.1 x 20.3 cm)
Paper size: 12 x 12 inches (30.5 x 30.5 cm)
Frame size: 15 1/8 x 15 1/8 inches (38.4 x 38.4 cm)
Edition of 50 and 1 PP
Signed ‘A. Martin’ lower right, numbered lower left, ’14’ upper left corner in graphite
(Inventory #28033)
Agnes Martin
On a Clear Day #14
1973
Screenprint on Japanese Rag paper
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Image size: 7 1/8 x 8 inches (18.1 x 20.3 cm)
Paper size: 12 x 12 inches (30.5 x 30.5 cm)
Frame size: 15 1/8 x 15 1/8 inches (38.4 x 38.4 cm)
Edition of 50 and 1 PP
Signed ‘A. Martin’ lower right, numbered lower left, ’14’ upper left corner in graphite
(Inventory #28033)
On a Clear Day #21
Agnes Martin
On a Clear Day #21
1973
Screenprint on Japanese Rag paper
Image size: 7 1/2 x 6 3/4 inches (19.1 x 17.1 cm)
Paper size: 12 x 12 inches (30.5 x 30.5 cm)
Frame size: 15 1/8 x 15 1/8 inches (38.4 x 38.4 cm)
Edition of 50 and 1 PP
Signed ‘A. Martin’ lower right, numbered, ‘P.P.’ lower left, ’21’ upper left corner in graphite
(Inventory #28036)
Agnes Martin
On a Clear Day #21
1973
Screenprint on Japanese Rag paper
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Image size: 7 1/2 x 6 3/4 inches (19.1 x 17.1 cm)
Paper size: 12 x 12 inches (30.5 x 30.5 cm)
Frame size: 15 1/8 x 15 1/8 inches (38.4 x 38.4 cm)
Edition of 50 and 1 PP
Signed ‘A. Martin’ lower right, numbered, ‘P.P.’ lower left, ’21’ upper left corner in graphite
(Inventory #28036)
Peter Downsbrough
EACH
2009
Inkjet on monochrom paper
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Image/paper size: 7 7/8 x 7 7/8 inches (20 x 20 cm)
(Inventory #21643)
Peter Downsbrough
OPEN
2009
Inkjet on monochrom paper
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Image/paper size: 7 7/8 x 7 7/8 inches (20 x 20 cm)
Signed and dated in pencil verso
(Inventory #21641)
Peter Downsbrough
AND
2009
Inkjet on monochrom paper
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Image/paper size: 7 7/8 x 7 7/8 inches (20 x 20 cm)
Signed and dated in pencil verso
(Inventory #21639)
#8
Brice Marden
#8
2012
Etching with aquatint and scraping on Somerset paper with deckled edge
Image/plate size: 11 1/2 x 13 5/16 inches (29.2 x 33.8 cm)
Paper size: 21 5/8 x 22 3/8 inches (54.9 x 56.8 cm)
Frame size: 26 1/2 x 27 1/2 inches (67.3 x 69.9 cm)
Edition of 45
Signed ‘B. Marden’ lower center, numbered lower left and dated lower right in graphite
(Inventory #27915)
“It’s about touch and it’s about feeling and it’s very direct.”
Brice Marden
Since 1961 when a student at Boston University, Brice Marden has worked with etching. He has utilized line etching, sugarlift, aquatint and a myriad of other techniques. The two works by Marden included in “Woven” were made twenty years apart (1992 and 2012) and while there is a strong change within the overall structure of marks, a consistency reigns. The process of making a print – wiping, scraping, acid-etching, etc. as well as deciding how big and what paper to print upon – are all used by Marden to create a dynamic, sensitive, and quiet situation for contemplation. Simultaneous to this, he shows that the power of all the marks comes from their contingency to other marks. Compare, contrast, push, pull, and support are just some of the formal actions that Marden’s lines, planes and spaces do to and with each other.
Brice Marden
#8
2012
Etching with aquatint and scraping on Somerset paper with deckled edge
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Image/plate size: 11 1/2 x 13 5/16 inches (29.2 x 33.8 cm)
Paper size: 21 5/8 x 22 3/8 inches (54.9 x 56.8 cm)
Frame size: 26 1/2 x 27 1/2 inches (67.3 x 69.9 cm)
Edition of 45
Signed ‘B. Marden’ lower center, numbered lower left and dated lower right in graphite
(Inventory #27915)
“It’s about touch and it’s about feeling and it’s very direct.”
Brice Marden
Since 1961 when a student at Boston University, Brice Marden has worked with etching. He has utilized line etching, sugarlift, aquatint and a myriad of other techniques. The two works by Marden included in “Woven” were made twenty years apart (1992 and 2012) and while there is a strong change within the overall structure of marks, a consistency reigns. The process of making a print – wiping, scraping, acid-etching, etc. as well as deciding how big and what paper to print upon – are all used by Marden to create a dynamic, sensitive, and quiet situation for contemplation. Simultaneous to this, he shows that the power of all the marks comes from their contingency to other marks. Compare, contrast, push, pull, and support are just some of the formal actions that Marden’s lines, planes and spaces do to and with each other.